Countercultures and popular music:
"Counterculture" emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical exa...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Counterculture" emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematize theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity. |
| Beschreibung: | Literaturverz. S. 251 - 274. - Diskogr. S. 275 - 280. - Filmografie S. 281 - 282 |
| Beschreibung: | XX, 295 S. |
| ISBN: | 9781472421067 |
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| 245 | 1 | 0 | |a Countercultures and popular music |c ed. by Sheila Whiteley ; Jedediah Sklower. [Contributors: Gina Arnold ; Andy Bennett ; Shelina Brown ; Gerald Carlin ; Christophe Den Tandt ; Thorbjörk Daphne Hall ; Benjamin Halligan ; Mark Jones ; Jay Keister ; Ryan Moore ; Charles Mueller ; Jedidiah Sklower ; Stanley J. Spector ; Heiner Stahl ; Giovanni Vacca ; Simon Warner ; Sheila Whiteley ; Shawn David Young] |
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| 500 | |a Literaturverz. S. 251 - 274. - Diskogr. S. 275 - 280. - Filmografie S. 281 - 282 | ||
| 505 | 0 | |a Preface: dissent within dissent, Jedediah Sklower; Introduction: Counter cultures and popular music, Sheila Whiteley; Reappraising 'counterculture', Andy Bennett. Section I Theorising Countercultures: Break on through; the counterculture and the climax of American modernism, Ryan Moore; The banality of degradation: Andy Warhol, the Velvet Underground and the trash aesthetic, Simon Warner; Were British subcultures the beginnings of multitude, Charles Mueller. Section II Utopias, Dystopias and the Apocalyptic: The rock counterculture from modernist Utopianism to the development of an alternative music scene, Christophe Den Tandt; 'Helter skelter' and 60s revisionism, Gerald Carlin and Mark Jones; Apocalyptic music and countercultural Christian influences, Shawn David Young; Nobody's army: contradictory cultural rhetoric in Woodstock and Gimme Shelter, Gina Arnold. Section III Sonic Anarchy and Freaks: The long freak out: unfinished music and countercultural madness in avant-garde rock of the 1960s and 1970s, Jay Keister; The Grateful Dead and Friedrich Nietzsche: transformation in music and consciousness, Stanley J. Spector; Scream from the heart: Yoko Ono's rock and roll revolution, Shelina Brown; From countercultures to suburban cultures: Frank Zappa after 1968, Benjamin Halligan. Section IV Countercultural Scenes - music and Place: Countercultural space does not persist: Christiana and the role of music, Thorbjorg Daphne Hall; A border-crossing soundscape of pop: the auditory traces of subcultural practices in 1960s Berlin, Heiner Stahl; Music and countercultures of Italy: the Neapolitan scene, Giovanni Vacca; Bibliography; Discography; Filmography; Index. | |
| 520 | |a "Counterculture" emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematize theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity. | ||
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Datensatz im Suchindex
| _version_ | 1804152024533565440 |
|---|---|
| adam_text | Titel: Countercultures and popular music
Autor: Whiteley, Sheila
Jahr: 2014
Contents
List of Figures vii
General Editors Preface ix
Notes on Contributors xi
Preface: Dissent within Dissent xv
Jedediah Sklower
INTRODUCTION
Countercultures and Populär Music 3
Sheila Whiteley
Reappraising Counterculture 17
Andy Bennett
PART I THEORISING COUNTERCULTURES
1 Break on Through: The Counterculture and the
Climax of American Modernism 29
Ryan Moore
2 The Banality of Degradation: Andy Warhol, the
Velvet Underground and the Trash Aesthetic 45
Simon Warner
3 Were British Subcultures the Beginning of Multitude? 65
Charles Mueller
PART II UTOPIAS, DYSTOPIAS AND THE APOCALYPTIC
4 The Rock Counterculture from Modernist Utopianism to the
Development of an Alternative Music Scene 81
Christophe Den Tandt
5 Heiter Skelter and Sixties Revisionism 95
Gerald Carlin and Mark Jones
6 Apocalyptic Music: Reflections on Countercultural Christian Influence 109
Shawn David Young
vi COUNTERCULTURES AND POPULÄR MUSIC
7 Nobody s Army: Contradictory Cultural Rhetoric in Woodstock
and Gimme Shelter 123
Gina Arnold
PART III SONIC ANARCHY AND FREAKS
8 The Long Freak Out: Unfinished Music and Countercultural
Madness in Avant-Garde Rock of the 1960s and 1970s 141
Jay Keister
9 The Grateful Dead and Friedrich Nietzsche: Transformation in
Music and Consciousness 157
Stanley J. Spector
10 Scream from the Heart: Yoko Ono s Rock and Roll Revolution 171
Shelina Brown
11 From Countercultures to Suburban Cultures:
Frank Zappa after 1968 187
Benjamin Halligan
PART IV COUNTERCULTURAL SCENES - MUSIC AND PLACE
12 Countercultural Space Does Not Persist: Christiania and the
Role of Music 205
Thorbjörg Daphne Hall
13 A Border-Crossing Soundscape of Pop: The Auditory Traces of
Subcultural Practices in 1960s Berlin 223
Heiner Stahl
14 Music and Countercultures in Italy: The Neapolitan Scene 237
Giovanni Vacca
Bibliography 251
Discography 275
Filmography 281
Index 283
|
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| author2 | Whiteley, Sheila 1941-2015 Sklower, Jedediah 1980- |
| author2_role | edt edt |
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| author_facet | Whiteley, Sheila 1941-2015 Sklower, Jedediah 1980- |
| building | Verbundindex |
| bvnumber | BV041737657 |
| callnumber-first | M - Music |
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| contents | Preface: dissent within dissent, Jedediah Sklower; Introduction: Counter cultures and popular music, Sheila Whiteley; Reappraising 'counterculture', Andy Bennett. Section I Theorising Countercultures: Break on through; the counterculture and the climax of American modernism, Ryan Moore; The banality of degradation: Andy Warhol, the Velvet Underground and the trash aesthetic, Simon Warner; Were British subcultures the beginnings of multitude, Charles Mueller. Section II Utopias, Dystopias and the Apocalyptic: The rock counterculture from modernist Utopianism to the development of an alternative music scene, Christophe Den Tandt; 'Helter skelter' and 60s revisionism, Gerald Carlin and Mark Jones; Apocalyptic music and countercultural Christian influences, Shawn David Young; Nobody's army: contradictory cultural rhetoric in Woodstock and Gimme Shelter, Gina Arnold. Section III Sonic Anarchy and Freaks: The long freak out: unfinished music and countercultural madness in avant-garde rock of the 1960s and 1970s, Jay Keister; The Grateful Dead and Friedrich Nietzsche: transformation in music and consciousness, Stanley J. Spector; Scream from the heart: Yoko Ono's rock and roll revolution, Shelina Brown; From countercultures to suburban cultures: Frank Zappa after 1968, Benjamin Halligan. Section IV Countercultural Scenes - music and Place: Countercultural space does not persist: Christiana and the role of music, Thorbjorg Daphne Hall; A border-crossing soundscape of pop: the auditory traces of subcultural practices in 1960s Berlin, Heiner Stahl; Music and countercultures of Italy: the Neapolitan scene, Giovanni Vacca; Bibliography; Discography; Filmography; Index. |
| ctrlnum | (OCoLC)884251435 (DE-599)BVBBV041737657 |
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| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/8424 |
| dewey-search | 306.4/8424 |
| dewey-sort | 3306.4 48424 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie Musikwissenschaft |
| format | Book |
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| id | DE-604.BV041737657 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:04:08Z |
| institution | BVB |
| isbn | 9781472421067 |
| language | English |
| lccn | 013047641 |
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| publishDate | 2014 |
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| spelling | Countercultures and popular music ed. by Sheila Whiteley ; Jedediah Sklower. [Contributors: Gina Arnold ; Andy Bennett ; Shelina Brown ; Gerald Carlin ; Christophe Den Tandt ; Thorbjörk Daphne Hall ; Benjamin Halligan ; Mark Jones ; Jay Keister ; Ryan Moore ; Charles Mueller ; Jedidiah Sklower ; Stanley J. Spector ; Heiner Stahl ; Giovanni Vacca ; Simon Warner ; Sheila Whiteley ; Shawn David Young] Farnham [u.a.] Ashgate 2014 XX, 295 S. txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Literaturverz. S. 251 - 274. - Diskogr. S. 275 - 280. - Filmografie S. 281 - 282 Preface: dissent within dissent, Jedediah Sklower; Introduction: Counter cultures and popular music, Sheila Whiteley; Reappraising 'counterculture', Andy Bennett. Section I Theorising Countercultures: Break on through; the counterculture and the climax of American modernism, Ryan Moore; The banality of degradation: Andy Warhol, the Velvet Underground and the trash aesthetic, Simon Warner; Were British subcultures the beginnings of multitude, Charles Mueller. Section II Utopias, Dystopias and the Apocalyptic: The rock counterculture from modernist Utopianism to the development of an alternative music scene, Christophe Den Tandt; 'Helter skelter' and 60s revisionism, Gerald Carlin and Mark Jones; Apocalyptic music and countercultural Christian influences, Shawn David Young; Nobody's army: contradictory cultural rhetoric in Woodstock and Gimme Shelter, Gina Arnold. Section III Sonic Anarchy and Freaks: The long freak out: unfinished music and countercultural madness in avant-garde rock of the 1960s and 1970s, Jay Keister; The Grateful Dead and Friedrich Nietzsche: transformation in music and consciousness, Stanley J. Spector; Scream from the heart: Yoko Ono's rock and roll revolution, Shelina Brown; From countercultures to suburban cultures: Frank Zappa after 1968, Benjamin Halligan. Section IV Countercultural Scenes - music and Place: Countercultural space does not persist: Christiana and the role of music, Thorbjorg Daphne Hall; A border-crossing soundscape of pop: the auditory traces of subcultural practices in 1960s Berlin, Heiner Stahl; Music and countercultures of Italy: the Neapolitan scene, Giovanni Vacca; Bibliography; Discography; Filmography; Index. "Counterculture" emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematize theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity. Gesellschaft Popular music Social aspects Counterculture Gegenkultur (DE-588)4130375-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Gegenkultur (DE-588)4130375-1 s Popmusik (DE-588)4046781-8 s DE-604 Whiteley, Sheila 1941-2015 (DE-588)1025228995 edt Sklower, Jedediah 1980- (DE-588)1048573982 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-2108-1 Erscheint auch als Online-Ausgabe, PDF 978-1-4724-2107-4 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027184312&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Countercultures and popular music Preface: dissent within dissent, Jedediah Sklower; Introduction: Counter cultures and popular music, Sheila Whiteley; Reappraising 'counterculture', Andy Bennett. Section I Theorising Countercultures: Break on through; the counterculture and the climax of American modernism, Ryan Moore; The banality of degradation: Andy Warhol, the Velvet Underground and the trash aesthetic, Simon Warner; Were British subcultures the beginnings of multitude, Charles Mueller. Section II Utopias, Dystopias and the Apocalyptic: The rock counterculture from modernist Utopianism to the development of an alternative music scene, Christophe Den Tandt; 'Helter skelter' and 60s revisionism, Gerald Carlin and Mark Jones; Apocalyptic music and countercultural Christian influences, Shawn David Young; Nobody's army: contradictory cultural rhetoric in Woodstock and Gimme Shelter, Gina Arnold. Section III Sonic Anarchy and Freaks: The long freak out: unfinished music and countercultural madness in avant-garde rock of the 1960s and 1970s, Jay Keister; The Grateful Dead and Friedrich Nietzsche: transformation in music and consciousness, Stanley J. Spector; Scream from the heart: Yoko Ono's rock and roll revolution, Shelina Brown; From countercultures to suburban cultures: Frank Zappa after 1968, Benjamin Halligan. Section IV Countercultural Scenes - music and Place: Countercultural space does not persist: Christiana and the role of music, Thorbjorg Daphne Hall; A border-crossing soundscape of pop: the auditory traces of subcultural practices in 1960s Berlin, Heiner Stahl; Music and countercultures of Italy: the Neapolitan scene, Giovanni Vacca; Bibliography; Discography; Filmography; Index. Gesellschaft Popular music Social aspects Counterculture Gegenkultur (DE-588)4130375-1 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4130375-1 (DE-588)4046781-8 |
| title | Countercultures and popular music |
| title_auth | Countercultures and popular music |
| title_exact_search | Countercultures and popular music |
| title_full | Countercultures and popular music ed. by Sheila Whiteley ; Jedediah Sklower. [Contributors: Gina Arnold ; Andy Bennett ; Shelina Brown ; Gerald Carlin ; Christophe Den Tandt ; Thorbjörk Daphne Hall ; Benjamin Halligan ; Mark Jones ; Jay Keister ; Ryan Moore ; Charles Mueller ; Jedidiah Sklower ; Stanley J. Spector ; Heiner Stahl ; Giovanni Vacca ; Simon Warner ; Sheila Whiteley ; Shawn David Young] |
| title_fullStr | Countercultures and popular music ed. by Sheila Whiteley ; Jedediah Sklower. [Contributors: Gina Arnold ; Andy Bennett ; Shelina Brown ; Gerald Carlin ; Christophe Den Tandt ; Thorbjörk Daphne Hall ; Benjamin Halligan ; Mark Jones ; Jay Keister ; Ryan Moore ; Charles Mueller ; Jedidiah Sklower ; Stanley J. Spector ; Heiner Stahl ; Giovanni Vacca ; Simon Warner ; Sheila Whiteley ; Shawn David Young] |
| title_full_unstemmed | Countercultures and popular music ed. by Sheila Whiteley ; Jedediah Sklower. [Contributors: Gina Arnold ; Andy Bennett ; Shelina Brown ; Gerald Carlin ; Christophe Den Tandt ; Thorbjörk Daphne Hall ; Benjamin Halligan ; Mark Jones ; Jay Keister ; Ryan Moore ; Charles Mueller ; Jedidiah Sklower ; Stanley J. Spector ; Heiner Stahl ; Giovanni Vacca ; Simon Warner ; Sheila Whiteley ; Shawn David Young] |
| title_short | Countercultures and popular music |
| title_sort | countercultures and popular music |
| topic | Gesellschaft Popular music Social aspects Counterculture Gegenkultur (DE-588)4130375-1 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Gesellschaft Popular music Social aspects Counterculture Gegenkultur Popmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027184312&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT whiteleysheila counterculturesandpopularmusic AT sklowerjedediah counterculturesandpopularmusic |