Comics: a global history, 1968 to the present
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Thames & Hudson
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | 319 S. überw. Ill. |
| ISBN: | 9780500290965 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text | Γ
;
Whether they re called manga,
bondes de$sinées,fumetti>
tebeos or
historietas,
comics are an essential part of the universal human desire to tell stories
with pictures» This groundbreaking history is the first to integrate the story
of comics in Europe, Asia and the Americas in a comprehensive account,
told from a global perspective.
It begins in
1968,
a key year in comics* shift from an endeavor driven
by commercial potential into a means of self-expression respected not just
m
entertainment but also as art. The book traces comics evolution over five
decades and across five continents, up to the emergence of the global, digital
scene that is prevalent today and that is the medium s likely future. The broad
reach of Comics extends to a range of artists, styles and movements, spanning
Marvel and DC superheroes; R. Crumb, the underground movement and manga
powerhouse
Osamu Tezuka;
politically charged Italian
fumetti
and sexually
charged ladies manga (or
jose/);
the Francophone technique of
ligne claire-,
sci-fi;
Métal Hurlant;
the pioneering Japanese alternative journal
Gara;
the
graphic memoir and the graphic novel; and, finally, the moment comics made
tht jump from page to web page.
Around
190
images, reproduced in original color and with extensive captions,
m
integrated into the decade-by-decade narrative.
This engaging and exhaustively researched history includes coverage of:
Great Britain, the United States» Japan, Belgium, France, Spain, Italy, Germany,
til Nftherlands, Switzerland, Argentina, South Korea, New Zealand and more.
Ftłtarłng
the best-known artists and writers—from Jack Kirby,
Негде
má
Möibius
to Katsuhiro Otomo, Neil Gaiman and Alan Moore—Comics also
ШШ*і
readtrs to some creators they may not yet have encountered,
mb
m
Andrea
Pazienza,
the Fort Thunder collective and
Fabrice Neaud.
Page
2:
Osamu Tezuka
Shin Takarajima
(New Treasure Island) detail,
1947
©
Tezuka Productions
The titles of Japanese comics have
been given as both a transliteration
and a translation, according to the
usual spelling used by their creators
and publishers.
Manga images are reproduced to
match their original printing and
should be read right to left.
First published in the United Kingdom
in
2014
by Thames
&.
Hudson Ltd,
181A High Holborn, London wclu 7qx
Comics:
A
Global
History,
1968
to the Present
© 2014
Thames
&
Hudson Ltd, London
Text
©
Dan
Mazur
&
Alexander
Danner
All Rights Reserved. No part of this
publication may be reproduced or
transmitted in any form or by any
means, electronic or mechanical,
including photocopy,recording
orany
other information storage and retrieval
system, without prior permission in
writing from the publisher.
British Library
Cataloguing-in-Publication Data
A catalogue record for this book
is available from the British Library
ISBN 978-O-500-29096-5
Printed and bound in China
by Everbest Printing Co. Ltd.
To find out about all our publications,
please visit www.thamesandhudson.com.
There you can subscribe to our e-newsletter,
browse or download our current catalogue,
and buy any titles that are in print.
6
PREFACE
10
INTRODUCTION
PART ONE
I968-I978
22
CHAPTER
01
THE UNDERGROUNDS
AND AFTER
ROBERT CRUMB
·
UNDERGROUND
DIVERSITY
·
THE END?
·
THE POST-UNDERGROUND AND
NONFICTION COMICS
44
CHAPTER
02
AMERICAN
MAINSTREAM COMICS
DAWN OF THE
1970s:
THE SUPERHERO TRAP
·
BREAKING THE MOLD: NEAL ADAMS
•
STRIVING FOR CREATIVE FREEDOM:
KIRBY S FREE REIGN
·
TOWARD THE
GRAPHIC NOVEL: GIL KANE S
PICTORIAL FICTION
52
CHAPTER
03
AMERICAN
MAINSTREAM COMICS:
A NEW GENERATION
THE BRASH TRADITIONALISTS:
OLD SOURCES, NEW ATTITUDES
•
GROUND-LEVEL COMICS:
WHERE MAINSTREAM AND
UNDERGROUND MEET
62
CHAPTER
04
MAINSTREAM
MANGA
SHÕNEN
MANGA
· SEINEN
MANGA
•
SHÒJO
MANGA
78
CHAPTER
05
GARO AND
ALTERNATIVE MANGA
ОЛШ
AND WATAKUSHI MANGA
88
CHAPTER
06
TEZUKA
92
CHAPTER
07
L AGE ADULTE
IN
BANDE
DESSINÉE
AND OTHER
EUROPEAN COMICS
L AGE ADULTE: PILOTE
AND COMICS
SCHOLARSHIP
·
FANTASY AND
FORMAL PLAY
·
FUMETTI D AUTORE
•
THE ARGENTINIAN CONNECTION
110
CHAPTER
08
THE NEW EUROPEAN
PUBLISHING
L ÉCHO DES SAVANES
·
MOEBIUS,
SCIENCE FICTION AND SCREAMING
METAL
·
EUROPEAN AND BRITISH
UNDERGROUNDS
·
PEOPLE OF THE
BOOK: FUTUROPOLIS
·
COMICS
AS HIGH ART: OUTLIERS
AND HARBINGERS
PART TWO
I978-I99O
130
CHAPTER
09
À SUIVRE
AND
THE WILD INVASION
BANDE DESSINÉE
ROMANESQUE:
LITERARY MODELS AMD TRANCHES
DE
LA VIE
·
CEREBRAL
ABSURDISM
AND
WHIMSICAL
NOIR
·
NOUVEAU
RÉALISME
·
THE RETURN OF UCNE
CLAIRE:
LA FIN DE LA BANDE
DESSINÉE
ADULTE
154
CHAPTER
10
NEW TRENDS IN ITALIAN
AND SPANISH COMICS
ITALY: THE NEW ADULT
FUMETTI
•
SPAIN:
UNEA
CHUNGA
AND NEOTEBEO
164
CHAPTER
11
MAINSTREAM REBELS
IN THE U.S. AND U.K.
2000
AD AND THE REBIRTH OF
SCIENCE FICTION
·
FROM CHRIS
CLAREMONTTO FRANK MILLER:
LONGER STORIES, DARKER THEMES
•
THE BRITISH INVASION,
FIRST WAVE
180
CHAPTER
12
THE DAWN OF THE
GRAPHIC NOVEL,
THE RAM GENERATION
AND PUNK COMIX
DAWN OF THE GRAPHIC
NOVEL·
ß4WANDTHENEW
ALTERNATIVE COMICS
·
SUBVERSIVE
SELF-PUBLISHERS AND NEWAVE
MINI COMIX
·
ALTERNATIVE
NEWSPAPER COMICS
198
CHAPTER
13
THE GROWTH OF
REALISM IN MANGA
DYSTOPIAN STORIES, REALISTIC
IMAGERY
·
TABOO LOVE, ADULT
ROMANCE AND THE BIRTH OfJOSEI
•
ALTERNATIVE MANGA:
GARO
1978-1990
PART THREE
I99O ONWARD
214
CHAPTER
14
AMERICAN MAINSTREAM
COMICS IN THE
1990s
THE SANDMAN AND THE BIRTH
OF VERTIGO »ALTERNATIVE
INTERPRETS MAINSTREAM
•
SUPERSTAR ARTISTS AND THE
SPECULATOR BOOM
·
CHALLENGERS
FOR THE MAINSTREAM: DARK HORSE
AND IMAGE· DECOMPRESSED
COMICS, STYLIZED NOSTALGIA
AND CINEMATIC ASPIRATIONS
228
CHAPTER
15
AMERICAN ALTERNATIVE
COMICS OF THE
1990s
SELF-PUBLISHING AND THE BLACK-
AND-WHITE BOOM
·
NINETIES
ALTERNATIVES: AUTOBIOGRAPHY
AND MELANCHOLY NOSTALGIA
•
FORT THUNDER, HIGHWATER
BOOKS AND THE
CÓMICAS
ART OBJECT
246
CHAPTER
16
EUROPEAN COMICS
IN THE
1990s
STRAPAZIN
AND THE GERMAN-SWISS
AVANTGARDE ·
MAINSTREAM
BANDE
DESSINÉE:
BRIGHT POINTS IN A
MONOTONE LANDSCAPE
•
ALTERNATIVE AND AVANT-GARDE
BANDE DESSINÉE : L ASSOCIATION
•
SIMILAR VENTURES ACROSS
THE CONTINENT
266
CHAPTER
17
THE QUEST FOR
RESPECTABLE MANGA
AN INCREASED CREATIVE ROLE FOR
EDITORS »RESURGENCEAND
REINVENTION IN FLAGGING GENRES
•THE LAST DAYS OF
CARO
276
CHAPTER
18
COMICS IN THE
TWENTY-FIRST CENTURY:
AN INTERNATIONAL
ART FORM
COMMERCIAL ALTERNATIVE AND
INTERNATIONAL CROSS-POLLINATION
•
A BRIEF HISTORY OF KOREAN
MANHHA
·
LA NOUVELLE
BANDE
DESSINÉE
·
COCONINO PRESS AND
ITALIAN ALTERNATIVE COMICS
•
CARTOONY MINIMALISM AND
THE BIG HEAD REVIVAL
292
CHAPTER
19
NEW FORMS,
NEW TECHNOLOGIES,
NEW AUDIENCES
THE DECLINE OF SERIALIZATION
AND BIRTH OF THE GRAPHIC NOVEL
MOVEMENT «TRUE(AND NEARLY
TRUE) STORIES
·
A GOLDEN
AGE OF YOUNG-ADULT GRAPHIC
NOVELS
·
DEMOCRATIZED
DISTRIBUTION:
WEBCOMICS
310
NOTES
311
BIBLIOGRAPHY
313
INDEX OF
CREATIVES
316
INDEX OF COMICS
319
IMAGE CREDITS
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