The synthesizer: a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford Univ. Press
2014
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Literaturverz. S. 369 - 373 |
Beschreibung: | XV, 410 S. zahlr. Ill. |
ISBN: | 9780195394818 9780195394894 |
Internformat
MARC
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245 | 1 | 0 | |a The synthesizer |b a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument |c Mark Vail |
264 | 1 | |a New York, NY |b Oxford Univ. Press |c 2014 | |
300 | |a XV, 410 S. |b zahlr. Ill. | ||
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650 | 4 | |a Synthesizer (Musical instrument) |x Instruction and study | |
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Datensatz im Suchindex
_version_ | 1804152012988743680 |
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adam_text | CONTENTS
Foreword by Michelle Moog-Koussa
· ix
Preface
· xi
About the Companion Website
· xv
Trendsetting All-Stars
· 3
Control
· 4
No Touch Required
· 4
For The Birds
· 8
Waggling Keyboard
· 10
Timbral Ilowage
· 11
Tape-to-Electronics Transition
· 13
Voltage and Digital (Fingertip) Control
· 17
Synth Italia
· 24
Armand Pascetta s
Pratt-Reed Polyphony
· 26
Heavyweight Polyphony and Control
· 28
Multitimbral Polyphony
· 29
Physical Modeling
· 29
Finger-Controlled Speech
· 31
Sound
· 33
Quantized Note Selection
· 34
Polyphonic Progenitor
· 36
Polyphony from an Expander
· 38
Switched-On Additive Synthesis
· 41
Groundbreaking German Digital Synthesizers
· 45
Realizing John Chowning s Linear
FM
Synthesis
· 47
Phase Distortion
· 50
Linear Arithmetic
· 53
Vector Synthesis
· 55
MultiSynthesis and -Processing Environment
· 58
Open Architecture
· 61
Virtual Analog
· 63
Neural Modeling
· 64
Performance
· 67
Keyboard-Controlled Tape Player
· 68
Optical
Sonics,
Part
1 · 69
Optical
Sonics,
Part
2 · 71
Digital-Sampling Trailblazer from Down Under
· 72
More Affordable Digital Sampling
· 73
The
Volksampler
· 75
Multitimbral Sample Playback, Sampling Optional
· 76
Direct-from-Disk Sample Playback
· 79
First Programmable Polysynth
· 80
Classic Beat Boxes
· 82
Contents
First Programmable Sample-Playback Drum Machine
· 85
Small-Scale Improvisation Instrument
· 86
Interface
· 88
Patchboard-Matrix British Synths
· 88
educational Instruments that Went Well Beyond
· 91
Unique Improvisation Machine
· 94
Multitasking Pre-MIDI Wonder Workstation
· 95
Original Resynthesizer
· 99
Hybrid Modular
· 100
Early Electronic Music Applications from MaxMathews
· 102
Barry Vercoe s I
л
ng-Lived Synthesis and Processing Software
· 102
Personal Computer with a Built-in Synth Chip
· 103
Graphically Programmable Computer Music Language
· 104
Obsolete and Ever-Evolving Sonic Software
· 104
Premier Softsynths for Discriminating Enthusiasts
· 107
DIY
Softsynth Apps and Their Potent Offspring
· 109
Reliable Softsynth Platform for the Road
· 112
Composition
«113
The First Synthesizer
«114
Room-l;illing Automated Composition Machine
· 114
Photo-Optic Instrument from Russia
· 117
Instantaneous Composing/Performance Machine
· 118
1
lybrid Music Workstation that Arrived loo Late
· 119
Gigabuck Digital Audio System
· 121
Kconomical Multitimbral Sequencing Synth
· 123
Musical Playstation for the Masses
· 124
Instrument that Launched Hip-Hop
· 126
Multipurpose
Environment
for Composition and Performance
· 127
Beyond
· 129
2
Acoustics and Synthesis Basics
· 130
Real-World Acoustics
· 131
Types of Synthesis
· 132
Audio Sources: Oscillators, Noise, and More
· 137
VCAs, Envelopes, and LTOs
»150
Envelope Eollowers and Pitch-to-Voltage Converters
· 156
Filters
· 157
EQs and filter Banks
· 166
Analog Sequencers
«172
Arpeggiators
«180
Reverb
· 182
Analog Delay
«187
Digital Delay
· 193
Loopers
· 197
Other Effects
· 200
3
Choosing Your
Synthesizer(s)
· 210
Options
«213
What s Your Budget?
· 213
Contents
Musical TasLes and Goals · 213
Hardware
vs.
Software «216
Portability and
Power · 221
Programmability:
Pros and Cons
· 223
Expandability
· 223
As Others Have Done
· 224
Perspective
· 244
Modular Synthesizers in the Twenty-first Century
· 245
An Overview
· 245
Modular Synth Shopping
· 254
More on Eurorack Modular
· 262
More on FracRak Modular
· 265
More on Serge Modular
· 265
Connectivity
· 266
Convincing Analog and MIDI Synths to Coexist
· 266
MIDI-to-CV Conversion
· 267
CV-to-MIDI Conversion
· 273
Controllers
· 276
Synths and Controllers with Keyboards
· 276
Alternative Controllers
· 283
Wind Controllers
· 284
Touch Controllers
· 286
I land-Held Controllers
· 301
Struck Controllers
· 302
Controllers for
Microtonal
Tunings
· 305
Noise Toys
· 306
4
Composition, Programming, and Performance Techniques
· 310
Composition
· 310
Scoring to Picture
· 310
Composing for Living Art
* 316
Following Through on a Thought
· 317
Sage Advice from a Master
«318
Scoring with Intent, Even When Intimidated
· 319
Patching, aka Programming
· 321
Encouraging Synthesists Creativity
· 321
When and How to Experiment with Sounds
· 322
The Good and Bad of Non-Programmability
· 327
Programming for Progress
· 329
Fun with Modular Synths
· 331
Layering Synth Sounds
· 334
Programming for Expression
* 338
Performance
· 339
Tools of the Trade
· 339
Dependence on the Tried and True, but Moving Forward
· 342
Modular Apparitions
· 345
Defying the Dependence on Visuals
· 349
Contents
5
Recording the Synthesizer
· 352
As It Was and How It s Become for the Switched-On Innovator
· 352
Serial vs. Random-Access Media
· 353
Strategies for Recording Film and IV Scores
· 354
Harnessing the Power of Modular Synths with Ableton Live
· 359
Automated Mixing
· 360
Outboard Processing: Preparing Audio for Recording
· 361
Recording Direct and Expanding for Surround-Sound
· 364
APPENDICES
· 367
Appendix A. Selected Bibliography, Films, and Museums
· 369
Appendix B. Manufacturers, Forums, Blogs, Dealers, and Stores
· 375
Index
· 385
|
any_adam_object | 1 |
author | Vail, Mark |
author_facet | Vail, Mark |
author_role | aut |
author_sort | Vail, Mark |
author_variant | m v mv |
building | Verbundindex |
bvnumber | BV041730171 |
callnumber-first | M - Music |
callnumber-label | MT723 |
callnumber-raw | MT723 |
callnumber-search | MT723 |
callnumber-sort | MT 3723 |
callnumber-subject | MT - Instruction and Study |
classification_rvk | LR 11370 |
ctrlnum | (OCoLC)881244070 (DE-599)BVBBV041730171 |
dewey-full | 786.7/419 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.7/419 |
dewey-search | 786.7/419 |
dewey-sort | 3786.7 3419 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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id | DE-604.BV041730171 |
illustrated | Illustrated |
indexdate | 2024-07-10T01:03:57Z |
institution | BVB |
isbn | 9780195394818 9780195394894 |
language | English |
lccn | 2013008727 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027176966 |
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physical | XV, 410 S. zahlr. Ill. |
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publisher | Oxford Univ. Press |
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spelling | Vail, Mark Verfasser aut The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument Mark Vail New York, NY Oxford Univ. Press 2014 XV, 410 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 369 - 373 Synthesizer (Musical instrument) Instruction and study Electronic music Instruction and study Synthesizermusik (DE-588)4124280-4 gnd rswk-swf Programmierung (DE-588)4076370-5 gnd rswk-swf Synthesizer Elektronik (DE-588)4184253-4 gnd rswk-swf Synthesizer Elektronik (DE-588)4184253-4 s Programmierung (DE-588)4076370-5 s Synthesizermusik (DE-588)4124280-4 s DE-604 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027176966&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Vail, Mark The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument Synthesizer (Musical instrument) Instruction and study Electronic music Instruction and study Synthesizermusik (DE-588)4124280-4 gnd Programmierung (DE-588)4076370-5 gnd Synthesizer Elektronik (DE-588)4184253-4 gnd |
subject_GND | (DE-588)4124280-4 (DE-588)4076370-5 (DE-588)4184253-4 |
title | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument |
title_auth | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument |
title_exact_search | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument |
title_full | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument Mark Vail |
title_fullStr | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument Mark Vail |
title_full_unstemmed | The synthesizer a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument Mark Vail |
title_short | The synthesizer |
title_sort | the synthesizer a comprehensive guide to understanding programming playing and recording the ultimate electronic music instrument |
title_sub | a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument |
topic | Synthesizer (Musical instrument) Instruction and study Electronic music Instruction and study Synthesizermusik (DE-588)4124280-4 gnd Programmierung (DE-588)4076370-5 gnd Synthesizer Elektronik (DE-588)4184253-4 gnd |
topic_facet | Synthesizer (Musical instrument) Instruction and study Electronic music Instruction and study Synthesizermusik Programmierung Synthesizer Elektronik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027176966&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT vailmark thesynthesizeracomprehensiveguidetounderstandingprogrammingplayingandrecordingtheultimateelectronicmusicinstrument |