Rogier van der Weyden and stone sculpture in Brussels:
Rogier van der Weyden's painted oeuvre has been the subject of many publications. But his artistic activities were much wider in scope. With its focus on stone sculpture in Brussels at the time that Rogier was working there, an area of art history that to date has been little studied, this book...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Miller
2013
|
| Schriftenreihe: | Distinguished contributions to the study of the arts in the Burgundian Netherlands
2 |
| Schlagworte: | |
| Online-Zugang: | Rezension Inhaltsverzeichnis |
| Zusammenfassung: | Rogier van der Weyden's painted oeuvre has been the subject of many publications. But his artistic activities were much wider in scope. With its focus on stone sculpture in Brussels at the time that Rogier was working there, an area of art history that to date has been little studied, this book offers a fresh and fascinating look at the context in which Brussels's famous city painter worked. Exploring the complex network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, the raw material to the finished work, Bart Fransen discovers a number of remarkable but hitherto unknown or misjudged sculptures now in churches, an abbey, a béguinage, a museum's reserve collection and a castle chapel. With these various case studies in mind he examines Rogier van der Weyden's direct involvement in sculptural projects, drawing on the evidence revealed by archive documents, drawings and the sculptures themselves Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience |
| Beschreibung: | 237 S. zahlr. Ill., graph. Darst. |
| ISBN: | 9781909400153 |
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| 520 | |a Rogier van der Weyden's painted oeuvre has been the subject of many publications. But his artistic activities were much wider in scope. With its focus on stone sculpture in Brussels at the time that Rogier was working there, an area of art history that to date has been little studied, this book offers a fresh and fascinating look at the context in which Brussels's famous city painter worked. Exploring the complex network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, the raw material to the finished work, Bart Fransen discovers a number of remarkable but hitherto unknown or misjudged sculptures now in churches, an abbey, a béguinage, a museum's reserve collection and a castle chapel. With these various case studies in mind he examines Rogier van der Weyden's direct involvement in sculptural projects, drawing on the evidence revealed by archive documents, drawings and the sculptures themselves | ||
| 520 | |a Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience | ||
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Datensatz im Suchindex
| _version_ | 1804152004175462400 |
|---|---|
| adam_text | rogier
van der weyden
and Stone Sculpture
in
Brussels
Bart Fransen
HARVEY
MILLER
PUBLISHERS
Contents
FOREWORD
......................................................................... 5
ACKNOWLEDGEMENTS
............................................................ 7
INTRODUCTION
.................................................................... 9
LIST OF ABBREVIATIONS
........................................................... 12
CHAPTER
1 -
THE STORY SO FAR
............................................. 13
•
Nineteenth-Century Pioneers
.................................................... 15
.
Under
Sluters
Spell
............................................................ 15
•
All Eyes on the Altarpiece
....................................................... 16
CHAPTER
2 -
THE STONE AND THE MEN WHO WORKED IT
............. 17
•
Types of Stone and their Uses
.................................................... 19
-
Diegem and Gobertange Stone
................................................ 21
-
Lede
Stone
.................................................................. 22
-
Avesnes Stone
............................................................... 25
•
Quarries and Quarrymen
....................................................... 28
•
Hauling the Stone
.............................................................. 31
.
The Guild
..................................................................... 34
CHAPTER
3 -
SCULPTURES UNVEILED
...................................... 39
CASE STUDY
1
BETWEEN BEAUNEVEU AND DELEMER: THE TONGERLO VIRGIN AND
CHILD,
1422...................................................................... 41
.
Material Data
................................................................. 41
.
History
...................................................................... 41
•
Status Quaestionis
............................................................. 43
•
The Premonstratensian Abbey of Tongerloo
....................................... 43
•
Stylistic Evolution in Brussels
................................................... 44
[i]
CONTENTS
CASE STUDY
2
A PAIR OF APOSTLES, CIRCA
1440 ............................................... 51
•
Material Data
................................................................. 51
•
Status Quaestionis
............................................................ 51
•
Patron Saints or Apostles?
...................................................... 54
•
Original Position
............................................................. 56
•
Apostolic Iconography
......................................................... 62
•
Van
der Weydens
Inspiration?
.................................................. 65
CASE STUDY
3
ALONG
BURGUNDIÁN
LINES: THE TOMB OF HENRY II OF WITTHEM
AND JACQUELINE OF GLYMES,
1450-1475 ....................................... 69
•
Material Data
................................................................. 69
•
Status Quaestionis
............................................................ 69
•
The Witthems of Beersel
....................................................... 72
•
Grave Slab and Chest Tomb
.................................................... 74
•
The Lost Manuscript
.......................................................... 77
•
Identifying the Effigies
......................................................... 80
•
Sanderus s Silence
............................................................. 82
•
Keeping up with the Dukes
..................................................... 84
-
Costly Materials
............................................................ 84
-
The Sculptors Skill
.......................................................... 89
-
Portraits from Life
.......................................................... 91
-
Wealth and Splendour on Display
............................................. 94
•
The Commission, the Model and the Artist(s)
..................................... 94
CASE STUDY
4
THE DOCTORS OF THE CHURCH, FOUR CORBELS FROM
SCHEUT
CHAPEL,
1450.................................................................... 99
•
Material Data
................................................................. 99
•
Status Quaestionis
............................................................. 99
•
The Construction and Destruction of
Scheut
Chapel
............................... 99
•
Original Position
.............................................................. 104
•
Masterly Craft
................................................................ 106
•
Four Drawings in the Louvre
.................................................... 108
•
Gillis
Joes and Rogier van
der Weyden ........................................... 108
•
A Prestigious Municipal Project
.................................................
Ill
•
The City Painters Share?
........................................................ 113
[2]
CONTENTS
CASE STUDY
5
BETWEEN BRUSSELS AND
LEUVEN:
A TWOFOLD TRINITY,
1440-1450............ 115
•
Material Data
.................................................................. 115
•
The Master of
Flémalle
and the Genesis of the Image
................................ 115
•
The Trinitarian
Pieta
in Stone
.................................................... 119
•
A Typical Brussels Product
...................................................... 122
CASE STUDY
6
BETWEEN BRUSSELS AND MONS: THE ALTARPIECE OF THE VIRGIN
FROM THE ABBEY OF SAINTDENISENBROQUEROIE,
1450-1460................ 129
•
Material Data
.................................................................. 129
•
Status Quaestionis
............................................................. 129
•
Provenance
................................................................... 130
•
Borrowed from Van
der Weyden................................................. 131
.
Who, When and Where?
........................................................ 139
CHAPTER
4 -
ROGIER
VAN
DER
WEYDEN IN
3D............................. 145
•
Evidence from the Archives
..................................................... 148
-
Tournai,
St
Margereťs
Church
................................................. 148
-
Tournai,
St
Quentins Church
.................................................. 148
-
Brussels, Franciscan Convent Church
........................................... 149
-
Brussels, Carpenters Guildhall
................................................ 150
-
Nivelles,
St
Gertrudes Chapter
................................................. 150
-
Herne,
Charterhouse, St Catherine Chapel
...................................... 151
- s-Hertogenbosch,
Confraternity of Our Lady
.................................... 151
-
Brussels, Carmelite Church
-
Lille, Collegiate Church of St Peter
................... 152
-
Brussels, Ducal Palace
........................................................ 153
-
And Further.
................................................................ 155
•
Drawings Re-examined
......................................................... 156
-
The Scupstoel
............................................................... 159
-
Triptych of the Crucifixion and Scenes from the Life of St Eloi
..................... 161
-
The Bearing of Christ s Body to the Tomb
....................................... 165
-
The Four Latin Doctors of the Church
.......................................... 167
-
Two Angels Holding a Crown
................................................. 171
-
Other Drawings
............................................................. 178
•
Sculptors and Sculptures
........................................................ 183
-
Sculptors
................................................................... 185
-
Sculptures
.................................................................. 188
[3]
SUMMARY
.......................................................................... 191
APPENDIX: Documents
.............................................................. 193
BIBLIOGRAPHY
..................................................................... 201
INDEX OF NAMES
................................................................... 229
INDEX OF WORKS
.................................................................. 233
ILLUSTRATION CREDITS
............................................................ 237
|
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| author | Fransen, Bart 1973- |
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| discipline | Kunstgeschichte |
| era | Geschichte 1420-1500 gnd |
| era_facet | Geschichte 1420-1500 |
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| id | DE-604.BV041724395 |
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| indexdate | 2024-07-10T01:03:49Z |
| institution | BVB |
| isbn | 9781909400153 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027171291 |
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| series | Distinguished contributions to the study of the arts in the Burgundian Netherlands |
| series2 | Distinguished contributions to the study of the arts in the Burgundian Netherlands |
| spelling | Fransen, Bart 1973- Verfasser (DE-588)16110567X aut Rogier van der Weyden and stone sculpture in Brussels Bart Fransen London [u.a.] Miller 2013 237 S. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Distinguished contributions to the study of the arts in the Burgundian Netherlands 2 Teilw. zugl.: Leuven, Univ., Diss., 2009 Rogier van der Weyden's painted oeuvre has been the subject of many publications. But his artistic activities were much wider in scope. With its focus on stone sculpture in Brussels at the time that Rogier was working there, an area of art history that to date has been little studied, this book offers a fresh and fascinating look at the context in which Brussels's famous city painter worked. Exploring the complex network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, the raw material to the finished work, Bart Fransen discovers a number of remarkable but hitherto unknown or misjudged sculptures now in churches, an abbey, a béguinage, a museum's reserve collection and a castle chapel. With these various case studies in mind he examines Rogier van der Weyden's direct involvement in sculptural projects, drawing on the evidence revealed by archive documents, drawings and the sculptures themselves Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience Weyden, Rogier van 1390-1464 (DE-588)118860143 gnd rswk-swf Geschichte 1420-1500 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Steinplastik (DE-588)4134244-6 gnd rswk-swf Brüssel (DE-588)4008460-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Weyden, Rogier van 1390-1464 (DE-588)118860143 p Rezeption (DE-588)4049716-1 s Brüssel (DE-588)4008460-7 g Steinplastik (DE-588)4134244-6 s Geschichte 1420-1500 z DE-604 Distinguished contributions to the study of the arts in the Burgundian Netherlands 2 (DE-604)BV041724387 2 http://www.sehepunkte.de/2014/07/24511.html rezensiert in: sehepunkte 14 (2014), Nr. 7/8 Rezension KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027171291&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fransen, Bart 1973- Rogier van der Weyden and stone sculpture in Brussels Distinguished contributions to the study of the arts in the Burgundian Netherlands Weyden, Rogier van 1390-1464 (DE-588)118860143 gnd Rezeption (DE-588)4049716-1 gnd Steinplastik (DE-588)4134244-6 gnd |
| subject_GND | (DE-588)118860143 (DE-588)4049716-1 (DE-588)4134244-6 (DE-588)4008460-7 (DE-588)4113937-9 |
| title | Rogier van der Weyden and stone sculpture in Brussels |
| title_auth | Rogier van der Weyden and stone sculpture in Brussels |
| title_exact_search | Rogier van der Weyden and stone sculpture in Brussels |
| title_full | Rogier van der Weyden and stone sculpture in Brussels Bart Fransen |
| title_fullStr | Rogier van der Weyden and stone sculpture in Brussels Bart Fransen |
| title_full_unstemmed | Rogier van der Weyden and stone sculpture in Brussels Bart Fransen |
| title_short | Rogier van der Weyden and stone sculpture in Brussels |
| title_sort | rogier van der weyden and stone sculpture in brussels |
| topic | Weyden, Rogier van 1390-1464 (DE-588)118860143 gnd Rezeption (DE-588)4049716-1 gnd Steinplastik (DE-588)4134244-6 gnd |
| topic_facet | Weyden, Rogier van 1390-1464 Rezeption Steinplastik Brüssel Hochschulschrift |
| url | http://www.sehepunkte.de/2014/07/24511.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027171291&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV041724387 |
| work_keys_str_mv | AT fransenbart rogiervanderweydenandstonesculptureinbrussels |