Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu: o abordare comparatistă
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Bucureşti
Ed. Muzeului Naţional al Literaturii Române
2013
|
| Schriftenreihe: | Colecţia Aula Magna
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung und Inh.-Verz. in engl. Sprache |
| Beschreibung: | 203 S. |
| ISBN: | 9789731671505 |
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Cuprins
ARGUMENT: PREMISE ŞI METODĂ
.7
1.
PENTRU O NOUĂ PERIODIZARE A CRITICII LITERARE
ROMÂNEŞTI. PARADIGMA EVOLUŢIONISTĂ
.14
2.
„CRITICA DE DIRECŢIE" ŞI REGULA JOCULUI ÎN
LITERATURA ROMÂNĂ DIN PERIOADA
1867-1929.37
3.
ÎNTRE IDEALISM ŞI
EVOLUTIONISM
.52
4.
FORMAREA LIMBAJULUI CRITICII ROMÂNEŞTI MODERNE
.63
5.
REVOLTA ANTI-ISTORISTĂ
.79
6.
INSTITUŢIONALIZAREA FOILETONISTICII
.88
7.
ISTORIA CA PRACTICĂ
DIVINATORIE
.98
8.
CRITICA ÎN SLUJBA IDEOLOGIEI
.116
9.
IMPRESIONISM ŞI
EVOLUTIONISM:
O SINTEZĂ IMPOSIBILĂ?
.134
CONCLUZII
.183
BIBLIOGRAFIE
.186
ADDENDA
ABSTRACT
.199
CONTENTS
.203
ADDENDA
Abstract
This
volume
is the first
part of
a
project
meant to investigate the
relations between the Romanian and the European literary criticism in the
time interval
1870-1930.
For this reason, not all the issues and instruments I
have formulated in the Argument of my study are solved or applied in the
analyses I carry out throughout this book. Nevertheless, I believe the
previous approach managed to emphasize a series of significant aspects,
which can be summarized as preliminary conclusions.
First of all, the objective of my approach was to highlight the utility of
an interpretation of the history of Romanian literary criticism from the
perspective of Thomas
Kuhn'
s
paradigm theory. There are many advan¬
tages to such an approach, which make it preferable to the various tradi¬
tional periodizations discussed in the first chapter of this volume. First,
unlike the stereotypical classifications depending on "epochs" or literary
"movements", the "paradigmatic" analysis stresses better the phenomenon
of the autonomization of the critical discourse as a specific disciplinary
practice. Then, in contradistinction to the histories of critical "models", the
description of the history of literary criticism from the perspective of
paradigm shifts can account more convincingly for the mutations under¬
gone by the Romanian criticism throughout its evolution and, at the same
time, to establish a series of common reference points which should allow a
more detailed comparison between Romanian and European criticism.
Finally, unlike the histories of the "concept" of literary criticism, paradigms
do not cut this discursive practice down to its "theory" or "method". A
paradigm is neither a "theory", nor a "method"; it is a totalizing cognitive
frame, which encompasses and governs both the nature of the issues ques¬
tioned by a critic ("theory"), and the concrete, actual manner of providing
199
answers to them ("practice"), which I have tried to systematize by what I
call "reading strategies".
Secondly, this book defends the idea that, between
1870-1930,
Roma¬
nian literary criticism was dominated by a positive-evolutionary paradigm,
which is circumscribed by four main characteristics: the obsessive concern
with method, the generalizing taxonomy practice, "directional criticism"
and historicism. Certainly, the years I suggested in order to delineate this
time interval are approximate points of reference. A more rigorous framing
of the epoch "from Maiorescu to Lovinescu" would consider the years
1867
(when the study
O cercetare critică asupra poeziei române de la
1867
[A Criticai
Analysis of
1867
Romanian Poetry] appeared, which establishes literary
criticism as an autonomous discourse in Romania) and
1929
(when the last
volume of
Istoria literaturii române contemporane
[The History of Contemporary
Romanian Literature], called
Mutaţia valorilor estetice
[The Mutation of
Aesthetic Values], appeared, which is the last major evolutionary theoretical
project of Romanian literary criticism). It is also true that, through the
works later published by
Mihail
Dragomirescu,
N.
Iorga or E. Lovinescu,
the evolutionary paradigm was extended in Romanian literature until the
end of the Second World War. Starting with the
1930s,
however, the supre¬
macy of this model was challenged increasingly more often by the repre¬
sentatives of the third (post-)Maiorescu generation, who established a new,
intuitionist
or anti-positivist critical paradigm.
Thirdly, the use of
Kuhn'
s
theory raises, inescapably, the issue of
certain authors' criteria of affiliation to a specific paradigm. From this point
of view, I must note that, in order to establish a critic's membership under
the evolutionary paradigm, it is not necessary that all four aforementioned
characteristics are present in his/her discourse. Just like any heuristic
instrument, paradigms are conceptual constructs, "prototypes" from which
any concrete object diverges to a greater or smaller extent. In fact, of the
seven Romanian critics of
1870-1930
I analyze more thoroughly in this book
(Titu
Maiorescu, C. Dobrogeanu-Gherea,
Mihail
Dragomirescu, Ilarie
Chendi,
N.
Iorga, G.
Ibrăileanu
and E. Lovinescu), Gherea alone adhered
categorically to all four precepts of positive-evolutionary paradigm
(though his discourse, too, encompasses a series of traits, such as the idea
200
of criticism as art, which place him outside the standard model). Then, I
need to note that there are cases where some critics' writings further
illustrate a series of evolutionary characteristics they had rejected explicitly
in their programmatic statements. This is the case, for example, with G.
Ibrăileanu,
who, although he had rejected "directional criticism", benefitted
fully from this practice, or with
Titu
Maiorescu, who, although he adhered
to a purely idealistic aesthetics, in practice operated with an evolutionary
idea of the literary phenomenon. In fact, with the majority of the critics I
analyze, the evolutionary paradigm interferes with other paradigms,
particularly with the idealistic one (e.g., Maiorescu and Dragomirescu) or
with the intuitionistic one, which occurred in early twentieth-century
Romanian criticism mainly in the shape of "impressionism" (e.g., Chendi
and Lovinescu). But even in this form, all these critics associated them¬
selves, to various extents, with the positive-evolutionary paradigm. The
main explanation of this phenomenon is that the authors who challenge
certain aspects of the said paradigm do not yet hold a conceptual platform
sufficiently large to replace it; thus, they are constrained to continue to talk
in its language and use its instruments. From this point of view, the most
conclusive cases (and, at the same time, the "extremes" of the positive-
evolutionary paradigm in Romanian criticism) are
Mihail
Dragomirescu
(whose type of discourse could be labeled positivism without evolutionism)
and E. Lovinescu (who practiced an evolutionism without positivism). In any
case, the decisive aspect is that none of them breached irrevocably the
limits of the positive-evolutionary paradigm, even though each of them
updated various characteristics, thus confirming the hypothesis that para¬
digms remain a useful instrument in the characterization of individual
discourses.
Therefore, three main issues have been the object of my concern in
this volume: accrediting the paradigm theory as instrumental to the
exploration of the history of literary criticism, the circumscription of the
positive-evolutionary paradigm as a regulating mechanism of the Roma¬
nian criticism between
1870
and
1930,
and the analysis of the individual
"paradigmatic" affiliations, by means of seven case studies. The second
part of the project will result in an analysis of the pivotal concepts of the
epoch ("evolution"/ "progress", "aesthetic", "national character" etc.), the
---------------------------------------------201 ---------------------------------------------
crystallization of supraindividual discourses in the form of ideologies that
dispute their supremacy over the cultural field
("junimism",
socialism,
"poporanism"
[populism] etc.) and the referencing of the Romanian critical
area to other cultural spaces, both West and East European (by analogy
with phenomena and processes such as the "Slovene cultural syndrome"
described by Dimitrij Rupel or the "auto-colonization" theorized by the
Bulgarian scholar Alexander Kiossev). Although some of these topics are
approached laterally throughout the present book, I believe their
systematic investigation requires a new perspective
-
certainly, a comple¬
mentary one, but, at the same time, different from the one used heretofore.
Bayerische
Staatsbibliothek
202 |
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| title | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă |
| title_auth | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă |
| title_exact_search | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă |
| title_full | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă Andrei Terian-Dan |
| title_fullStr | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă Andrei Terian-Dan |
| title_full_unstemmed | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu o abordare comparatistă Andrei Terian-Dan |
| title_short | Teorii, metode şi strategii de lectură în critica şi istoriografia literară românească de la T. Maiorescu la E. Lovinescu |
| title_sort | teorii metode si strategii de lectura in critica si istoriografia literara romaneasca de la t maiorescu la e lovinescu o abordare comparatista |
| title_sub | o abordare comparatistă |
| topic | Literaturkritik (DE-588)4036020-9 gnd |
| topic_facet | Literaturkritik Rumänien |
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