Critical theory and film: rethinking ideology through film noir
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Bloomsbury
2013
|
| Schriftenreihe: | Critical theory and contemporary society
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 175 S. 24 cm |
| ISBN: | 9781441111425 9781623567095 |
Internformat
MARC
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|---|---|---|---|
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| 264 | 1 | |a New York [u.a.] |b Bloomsbury |c 2013 | |
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| 490 | 0 | |a Critical theory and contemporary society | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Film noir |x History and criticism | |
| 650 | 4 | |a Motion pictures |x Philosophy | |
| 650 | 4 | |a Critical theory | |
| 650 | 0 | 7 | |a Film noir |0 (DE-588)4116435-0 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Kritische Theorie |0 (DE-588)4073840-1 |D s |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-027158613 | ||
Datensatz im Suchindex
| _version_ | 1804151983976742912 |
|---|---|
| adam_text | Contents
Introduction
ι
Enlightening deceptions
...
1
...
As real as masks
5
A theoretical premise on Adorno s theme of
the preponderance of the object
8
1
The dialectic s narrow margin:
Film
noir
between
Adorno
and Hegel
19
Self-limitation in film
noir
19
The
noir
panorama beyond spectatorship
27
Adorno
goes to Hollywood
30
The negative and the whole
35
Ontology of self-deception in film
noir
42
The Narrow Margin and double visions
52
A detour on ideology
66
2
Critical Theory s dialectical dilemma
87
Horkheimer s method
87
The Kantian subtext
90
Hegel: Contradiction (not) resolved
94
From mimesis to
utopia 1O4
Critical Theory s fetishistic disavowal
109
3
A configuration pregnant with tension:
Fritz Lang for Critical Theory
120
Beyond the doubt of appearances
121
On photos and truth
124
Framing the subject
127
Sublimation in The Blue Gardenia
132
viii CONTENTS
From paranoia to repetition
136
The gaze in the frame
из
The art of
excremental
painting
152
Coda: The enjoyment of film ¡n theory 161
References
167
Index
173
Fabio Vighi
continues
to be one of the
ñnest
thinkers today when it
.omes
to
cinematic theorizing. Armed with a firm grasp of Lacanian psychoanalysis,
Vighi applies his formidable insights to cinema, this time to rethink the legacy of
critical theory when it comes to film and reminding us of its importance as well
as its limitations.
Fabio
Vighľs
Critical Theory and Film: Rethinking ideology in Film
Noir
is a kind of
Everything You Wanted to Know about
Theodor
Adorno
but were Afraid to Ask Film
Noir. But
it s also more than that. It makes the largest claims about ideology and
the way society is structured and it marries them to the most detailed and nuanced
readings of a series of not-so-well-known film
noirs.
And it shows that these two
are exactly the same: that it is exactly in the detail of these films that we see most
clearly the biggest and most important truths about our society. The book is a
triumph of both film scholarship and theoretical speculation.
The Frankfurt School developed a damning critique of film from within their wider
liquidation of the culture industry, which they regarded as pervasively ideological.
Significantly,
Adorno
and Horkheimer began writing consistently on film during
their
1940s
exile in Los Angeles, where they were directly and fully exposed to
the might of the Hollywood machine. Vighi shows how the study of film can help
us disentangle the philosophical and political presuppositions of Critical Theory s
distinctive dialectical method, thus pointing toward its inherent shortcomings. The
critique of the culture industry is undoubtedly
Adorno
and Horkheimer s most
influential and controversial concept. This book argues that the problem with such
a concept is that it misses a dialectical twist, despite the fact that it was coined by
two convinced dialecticians. Adorno s assertion of an unbridgeable divide between
critically-effective art (essentially, modernist art) and industrially-produced,
debilitating entertainment does not capture in its entirety the complex, ambiguous
and fundamentally contradictory nature of cultural production under capitalism.
This volume brings together Critical Theory and film to enhance the critical
potential of both. It unravels, through the analysis of selected films, the hidden
presuppositions and most radical consequences of Critical Theory.
|
| any_adam_object | 1 |
| author | Vighi, Fabio 1969- |
| author_GND | (DE-588)133712540 |
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| bvnumber | BV041711433 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
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| classification_rvk | AP 53600 MR 5350 |
| ctrlnum | (OCoLC)881615907 (DE-599)BVBBV041711433 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Soziologie |
| format | Book |
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| id | DE-604.BV041711433 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:03:29Z |
| institution | BVB |
| isbn | 9781441111425 9781623567095 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027158613 |
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| publishDate | 2013 |
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| publisher | Bloomsbury |
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| series2 | Critical theory and contemporary society |
| spelling | Vighi, Fabio 1969- Verfasser (DE-588)133712540 aut Critical theory and film rethinking ideology through film noir Fabio Vighi New York [u.a.] Bloomsbury 2013 VIII, 175 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Critical theory and contemporary society Film Philosophie Film noir History and criticism Motion pictures Philosophy Critical theory Film noir (DE-588)4116435-0 gnd rswk-swf Kritische Theorie (DE-588)4073840-1 gnd rswk-swf Film noir (DE-588)4116435-0 s Kritische Theorie (DE-588)4073840-1 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4411-2493-7 Erscheint auch als Online-Ausgabe, PDF 978-1-4411-3912-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027158613&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027158613&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Vighi, Fabio 1969- Critical theory and film rethinking ideology through film noir Film Philosophie Film noir History and criticism Motion pictures Philosophy Critical theory Film noir (DE-588)4116435-0 gnd Kritische Theorie (DE-588)4073840-1 gnd |
| subject_GND | (DE-588)4116435-0 (DE-588)4073840-1 |
| title | Critical theory and film rethinking ideology through film noir |
| title_auth | Critical theory and film rethinking ideology through film noir |
| title_exact_search | Critical theory and film rethinking ideology through film noir |
| title_full | Critical theory and film rethinking ideology through film noir Fabio Vighi |
| title_fullStr | Critical theory and film rethinking ideology through film noir Fabio Vighi |
| title_full_unstemmed | Critical theory and film rethinking ideology through film noir Fabio Vighi |
| title_short | Critical theory and film |
| title_sort | critical theory and film rethinking ideology through film noir |
| title_sub | rethinking ideology through film noir |
| topic | Film Philosophie Film noir History and criticism Motion pictures Philosophy Critical theory Film noir (DE-588)4116435-0 gnd Kritische Theorie (DE-588)4073840-1 gnd |
| topic_facet | Film Philosophie Film noir History and criticism Motion pictures Philosophy Critical theory Film noir Kritische Theorie |
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