The techniques of orchestral conducting:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewiston [u.a.]
Mellen
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index Body posture -- The conductor's basic movements -- Patterns of conducting -- The upbeat -- The intermediary upbeat -- The preparatory upbeat within the measure -- The projection of the rhythmical structure of the beat -- The recitative and accompaniment at the opera -- The fermata -- The projection of rhythmical and textural correlations between sounds -- About the left hand -- Expressive motions -- The rehearsal -- The suggested plan of beginning |
| Beschreibung: | XXXIII, 701 S. graph. Darst., Notenbeisp. cm |
Internformat
MARC
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| 020 | |z 9780773400511 |c hardback |9 978-0-7734-0051-1 | ||
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| 100 | 1 | |a Musin, Ilʹja Aleksandrovič |d 1903-1999 |e Verfasser |0 (DE-588)137245904 |4 aut | |
| 240 | 1 | 0 | |a Tekhnika dirizhirovanii͡a |
| 245 | 1 | 0 | |a The techniques of orchestral conducting |c by Ilia Musin. Translated by Oleg Proskurnya |
| 264 | 1 | |a Lewiston [u.a.] |b Mellen |c 2014 | |
| 300 | |a XXXIII, 701 S. |b graph. Darst., Notenbeisp. |c cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Body posture -- The conductor's basic movements -- Patterns of conducting -- The upbeat -- The intermediary upbeat -- The preparatory upbeat within the measure -- The projection of the rhythmical structure of the beat -- The recitative and accompaniment at the opera -- The fermata -- The projection of rhythmical and textural correlations between sounds -- About the left hand -- Expressive motions -- The rehearsal -- The suggested plan of beginning | ||
| 650 | 4 | |a Conducting | |
| 650 | 0 | 7 | |a Dirigieren |0 (DE-588)4012435-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Dirigieren |0 (DE-588)4012435-6 |D s |
| 689 | 0 | |5 DE-604 | |
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| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027152024&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
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|---|---|
| adam_text | TABLE
OF
CONTENTS
Translator s Foreword
Acknowledgements
xxxiii
Introduction
PARTI
Chapter
1 :
Body Posture
23
The Functions of the Parts of the Arm
30
The Baton
35
Chapter
2:
The Conductor s Basic Movements
(Preliminary Exercises)
45
Exercises
for the Development of Wrist Movements
49
Exercises for Forearm Movements
53
Exercises for the Development of
Shoulder Movements
56
Development of Legato Gestures
58
Chapter
3 :
Patterns of Conducting
65
Patterns of Conducting of Mixed Meters
97
Mixed Meters and Choosing of the Patterns
115
Conducting of Complex Asymmetrical Measures
Using Reduced Conducting Pattern
118
Chapter
4:
The Upbeat
121
The Complete Preparatory Upbeat
124
Preparation for Performance of the Upbeat
and Characteristic of Its Movement
126
One-Pattern Triplet Upbeat
130
Upbeats for Beats of an Incomplete Measure
133
Definition of Tempo
135
Designation of the Sound s Strength by the Upbeat
140
Suspended Upbeat
148
The Upbeat and the Texture of Sound
155
The Incomplete Upbeat
(An Upbeat to a Partial Beat)
158
Types of Beginnings with Partial Beats
169
The Role of the Rebound in the Indication of
a Partial Beat
178
Errors Occurring During the Indication of
a Partial Beat
181
Chapter
5:
The Intermediary Upbeat
183
The Definition of the Initial Moment of a Beat
within a Measure
186
The Converted Upbeat
190
The Definition of Tempo and Inner Flow of
the Rhythm
196
The Execution of Deceleration
208
Changes in Dynamics
220
The Incomplete Upbeat within the Measure
230
The Syncopated Beat
239
Chapter
6:
The Preparatory Upbeat within
the Measure
255
New Intermediary Upbeat
261
The Emphasized Upbeat
270
Special Instances of the Emphasized Upbeat s
Application
284
The Emphasized Upbeat to a Partial Beat
290
Chapter
7:
The Projection of the Rhythmical
Structure of the Beat
295
Duplet
Suspended Rhythmically
Contingent Rebound
303
Non-suspended Rhythmically Contingent
Rebound
(Duplet) 317
Triplet Rhythmically Contingent Rebound
328
Triplet Non-Suspended Rhythmically
Contingent Rebound
338
Transitioning from Various Rhythms
347
Chapter
8:
The Recitative and Accompaniment
at the Opera
351
Indication of Pauses
355
The Termination of Sound
372
Accompaniment at the Opera
381
Chapter
9:
The
Fermata
385
Classification of Fermatas
393
1st Category
—
Fermata
before a Complete Beat
398
2nd Category
-
Fermata
before an Incomplete Beat
407
Combination of Various Fermatas
416
Fermata
Located on One Part of the Beat
419
Pauses after
Fermata
432
Fermata
Located on a Pause
435
Caesura over the Bar Line
441
PART II
Chapter
10:
The Projection of Rhythmical and
Textural
Correlations between Sounds
445
Semantic Correlations between
Staccato Notes
472
The Expressiveness of Gestures
492
Chapter
11 :
About the Left Hand
505
Functions of the Left Hand
513
Technical Functions of the Left Hand
515
Expressive Functions of the Left Hand
521
Expressive Attributes of the Left Hand
538
The Development of Left Hand Technique
547
Raising and Lowering of the Left Hand
(Vertical Movements)
549
Movements of Hands in the Horizontal Plane
552
Arch-like Motions
554
Circular Movements
556
The Eight
559
Poly-metric Movements of Both Hands
561
Chapter
12:
Expressive Motions
563
Chapter
13:
The Rehearsal
585
Chapter
14:
The Suggested Plan of Beginning
Studies
629
Lesson
1:
Set Position of Hands and the Development
of the Basic Conducting Motions
631
Lesson
2:
The Formation of the Contour of
Schemes
633
Lesson
3:
The Preparatory Upbeat (Complete)
637
Lesson
4:
The Rhythmically Contingent Rebound
(New Upbeat)
639
Lesson
5:
An Upbeat to an Incomplete Beat
(Incomplete Upbeat)
641
Lesson
6:
The Upbeat to an Incomplete Beat
(Continued)
643
Lesson
7 646
Lesson
8 648
Lesson
9:
Management of the Rhythm Inside the
Measure (Rhythmically Contingent Rebound)
651
Lesson
10:
The Intermediary Upbeat
656
Lesson
11 659
Lesson
12:
The Triplet Rebound
662
Afterword: About a Mundane Approach towards
Technique of Conducting
665
Translated Terminology of Ilia Musin
671
Bibliography
673
Index
677
|
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| illustrated | Illustrated |
| indexdate | 2024-07-10T01:03:20Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027152024 |
| oclc_num | 897069402 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXXIII, 701 S. graph. Darst., Notenbeisp. cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Mellen |
| record_format | marc |
| spelling | Musin, Ilʹja Aleksandrovič 1903-1999 Verfasser (DE-588)137245904 aut Tekhnika dirizhirovanii͡a The techniques of orchestral conducting by Ilia Musin. Translated by Oleg Proskurnya Lewiston [u.a.] Mellen 2014 XXXIII, 701 S. graph. Darst., Notenbeisp. cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Body posture -- The conductor's basic movements -- Patterns of conducting -- The upbeat -- The intermediary upbeat -- The preparatory upbeat within the measure -- The projection of the rhythmical structure of the beat -- The recitative and accompaniment at the opera -- The fermata -- The projection of rhythmical and textural correlations between sounds -- About the left hand -- Expressive motions -- The rehearsal -- The suggested plan of beginning Conducting Dirigieren (DE-588)4012435-6 gnd rswk-swf Dirigieren (DE-588)4012435-6 s DE-604 Proskurnya, Oleg Sonstige (DE-588)1021199044 oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027152024&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Musin, Ilʹja Aleksandrovič 1903-1999 The techniques of orchestral conducting Conducting Dirigieren (DE-588)4012435-6 gnd |
| subject_GND | (DE-588)4012435-6 |
| title | The techniques of orchestral conducting |
| title_alt | Tekhnika dirizhirovanii͡a |
| title_auth | The techniques of orchestral conducting |
| title_exact_search | The techniques of orchestral conducting |
| title_full | The techniques of orchestral conducting by Ilia Musin. Translated by Oleg Proskurnya |
| title_fullStr | The techniques of orchestral conducting by Ilia Musin. Translated by Oleg Proskurnya |
| title_full_unstemmed | The techniques of orchestral conducting by Ilia Musin. Translated by Oleg Proskurnya |
| title_short | The techniques of orchestral conducting |
| title_sort | the techniques of orchestral conducting |
| topic | Conducting Dirigieren (DE-588)4012435-6 gnd |
| topic_facet | Conducting Dirigieren |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027152024&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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