The black musician and the white city: race and music in Chicago, 1900 - 1967
Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-20th century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor, Mich.
Univ. of Michigan Press
2014
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| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Zusammenfassung: | Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-20th century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s-50s. Absher's work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city's music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago's physical lines of segregation and the geography of black music in the city over the years. Third, Absher's use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers's Institute of Jazz Studies, and Tulane's Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organisers, and critics of their own story. |
| Beschreibung: | XI, 202 S. Ill., Kt. |
| ISBN: | 9780472119172 9780472029983 |
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| 520 | |a Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-20th century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s-50s. Absher's work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city's music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago's physical lines of segregation and the geography of black music in the city over the years. Third, Absher's use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers's Institute of Jazz Studies, and Tulane's Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organisers, and critics of their own story. | ||
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Datensatz im Suchindex
| _version_ | 1821991909769347072 |
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| adam_text |
THE BLACK MUSICIAN AND THE WHITE CITY
/ ABSHER, AMY.
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
MUSICIANS AND THE SEGREGATED CITY : CHICAGO IN THE EARLY 1900S-1930S
FROM SOUTH TO SOUTH SIDE : MUSICIANS IN 1940S CHICAGO
REDEFINING THE MUSIC INDUSTRY : INDEPENDENT MUSIC IN CHICAGO, 1948-1953
FROM SOUTH SIDE TO THE SOUTH AND THE NATION, 1954-1963
"THE FACT REMAINS
WE ARE NEGROES" : DISSONANCE AND THE DESEGREGATION OF CHICAGO'S
MUSICIANS' UNION, 1963-1967
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-1967 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-1967 |
| format | Book |
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| physical | XI, 202 S. Ill., Kt. |
| psigel | ZDB-94-OAB |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Univ. of Michigan Press |
| record_format | marc |
| spelling | Absher, Amy Verfasser (DE-588)105466532X aut The black musician and the white city race and music in Chicago, 1900 - 1967 Amy Absher Ann Arbor, Mich. Univ. of Michigan Press 2014 XI, 202 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier Amy Absher's The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-20th century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s-50s. Absher's work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city's music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago's physical lines of segregation and the geography of black music in the city over the years. Third, Absher's use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers's Institute of Jazz Studies, and Tulane's Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organisers, and critics of their own story. Geschichte 1900-2000 Geschichte 1900-1967 gnd rswk-swf Geschichte Gesellschaft Gewerkschaft Musik Schwarze. USA African Americans Illinois Chicago Music History and criticism Popular music Illinois Chicago History and criticism Popular music Social aspects Illinois Chicago History 20th century Music and race Illinois Chicago History 20th century African American musicians Illinois Chicago Music trade Illinois Chicago History 20th century African American musicians Labor unions Illinois Chicago History 20th century Musicians Labor unions Illinois Chicago History 20th century Musikleben (DE-588)4075128-4 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Rassenfrage (DE-588)4176975-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Chicago, Ill. (DE-588)4009921-0 gnd rswk-swf Chicago, Ill. (DE-588)4009921-0 g Schwarze (DE-588)4116433-7 s Afroamerikanische Musik (DE-588)4122767-0 s Rassenfrage (DE-588)4176975-2 s Musikleben (DE-588)4075128-4 s Musiksoziologie (DE-588)4040869-3 s Geschichte 1900-1967 z DE-604 https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=26547 Verlag kostenfrei Volltext LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Absher, Amy The black musician and the white city race and music in Chicago, 1900 - 1967 Geschichte Gesellschaft Gewerkschaft Musik Schwarze. USA African Americans Illinois Chicago Music History and criticism Popular music Illinois Chicago History and criticism Popular music Social aspects Illinois Chicago History 20th century Music and race Illinois Chicago History 20th century African American musicians Illinois Chicago Music trade Illinois Chicago History 20th century African American musicians Labor unions Illinois Chicago History 20th century Musicians Labor unions Illinois Chicago History 20th century Musikleben (DE-588)4075128-4 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Musiksoziologie (DE-588)4040869-3 gnd Rassenfrage (DE-588)4176975-2 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4122767-0 (DE-588)4040869-3 (DE-588)4176975-2 (DE-588)4116433-7 (DE-588)4009921-0 |
| title | The black musician and the white city race and music in Chicago, 1900 - 1967 |
| title_auth | The black musician and the white city race and music in Chicago, 1900 - 1967 |
| title_exact_search | The black musician and the white city race and music in Chicago, 1900 - 1967 |
| title_full | The black musician and the white city race and music in Chicago, 1900 - 1967 Amy Absher |
| title_fullStr | The black musician and the white city race and music in Chicago, 1900 - 1967 Amy Absher |
| title_full_unstemmed | The black musician and the white city race and music in Chicago, 1900 - 1967 Amy Absher |
| title_short | The black musician and the white city |
| title_sort | the black musician and the white city race and music in chicago 1900 1967 |
| title_sub | race and music in Chicago, 1900 - 1967 |
| topic | Geschichte Gesellschaft Gewerkschaft Musik Schwarze. USA African Americans Illinois Chicago Music History and criticism Popular music Illinois Chicago History and criticism Popular music Social aspects Illinois Chicago History 20th century Music and race Illinois Chicago History 20th century African American musicians Illinois Chicago Music trade Illinois Chicago History 20th century African American musicians Labor unions Illinois Chicago History 20th century Musicians Labor unions Illinois Chicago History 20th century Musikleben (DE-588)4075128-4 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Musiksoziologie (DE-588)4040869-3 gnd Rassenfrage (DE-588)4176975-2 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Geschichte Gesellschaft Gewerkschaft Musik Schwarze. USA African Americans Illinois Chicago Music History and criticism Popular music Illinois Chicago History and criticism Popular music Social aspects Illinois Chicago History 20th century Music and race Illinois Chicago History 20th century African American musicians Illinois Chicago Music trade Illinois Chicago History 20th century African American musicians Labor unions Illinois Chicago History 20th century Musicians Labor unions Illinois Chicago History 20th century Musikleben Afroamerikanische Musik Musiksoziologie Rassenfrage Schwarze Chicago, Ill. |
| url | https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=26547 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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