Verfügbarkeit: The global film book

The global film book:

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Bibliographische Detailangaben
1. Verfasser:	Stafford, Roy (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London [u.a.] Routledge 2014
Ausgabe:	1. publ.
Schlagworte:	Geschichte Film Motion pictures > Study and teaching PERFORMING ARTS / Film & Video / General
Online-Zugang:	Inhaltsverzeichnis Inhaltsverzeichnis Klappentext
Beschreibung:	XXIII, 365 S. zahlr. Ill., graph. Darst., Kt. 24 cm
ISBN:	9780415688963 9780415688970

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Datensatz im Suchindex

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adam_text	Contents List oí illustrations xi Acknowledgements xviii Guidance notes for readers xix Introduction 1 First thoughts 1 World or global? 6 Industry and culture VC h.u docs this mean to you? H Dealing with Hollywood Ч How Jo we sci the world? 1 1 lift·»/ Pi. λ global him? П Studvmg Him 14 How the book is organised 14 Information and resources 14 References and further reading 15 1 The development of global film 1 The story begins 1 ? The first studios 19 Before language cinema 20 European war and the rise of Hollywood 21 Changes with sound 23 Dubbing and subtitling in global film 23 Case study 1.1: Subtitling and La home 26 The context for Hollywood s hegemony 29 The international film market today 37 International art cinema 39 It s noc alt feature films ... 40 Summan- 40 References and further reading 41 2 The Hollywood studio model 4) Global Hollywood 44 Genre production and the studio model 45 (Wnrr in л itlohai context 4~ The western 50 Melodrama* 54 Star systems S~ Modern, modermrv and modernism 59 Hollvwood strategies: adaptations, remakes, re-workings 61 Hollywood and transnational genre production 64 Case study 2.1: Remaking romantic comedy: My Ѕјѕѕу Girl 65 Summary 69 References and further reading 69 ł Approaching films from different cultures *4 Enjoyment in watching Rims 71 CONTENTS Case stády 3.1: Die Welíe 72 Case staaf 3 Л: Y tu mamá también 75 Case: study 3.3: At S in the Afternoon 80 Case study 3.4: Ten Canoes 89 Summary °4 References and further reading 94 Further viewing 95 4 National cinemas in Europe: contrasting experiences 96 Defining national cinema 96 Defining the domestic film industry: national cinema as economic entity 97 France and the ΌΚ: the same but different? 100 Diaspora cinema in Europe 104 Diaspora filmmaking in tbe UK 105 Case study 4.1: Gurinder Chadha as a British diaspora filmmaker 107 Diaspora filmmaking in France 110 European regional filmmaking: Nordic cinema 113 Case study 4.2: Two Nordic films: Everlasting Moments, Headhunters 116 Nordic cinema: the American and British connection 118 Spanish national cinema: shaped by history 119 Summary 123 References and further reading 12-3 Further viewing 124 5 Decentring the Hollywood domination debate: Japan and South Korea 125 ProbJematising the study or Japanese cinema 12.6 Orientalism 127 Japanese films in the contemporary UK market 130 The contemporary filmed entertainment market in Japan 136 Japan and Lts classical cinema 137 Manga and anime 14Ü Case study 5.1: The Girl Who Leapt Through Time 141 Cinema of South Korea 143 The South Korean blockbuster 144 The Korean Wave: Hallyu 145 A mature industry of variety? 149 Summary: cinemas m opposition to Hollywood or going their own way? 149 References and further reading 150 Further viewing 151 6 Middle East without borders 152 Where is the Middle East ? 153 Without borders 153 The film industries and film cultures of the Middle East 154 Local film industries 155 Turkish film culture and industry 156 Case study 6.1: Uzak 158 Iranian cinema 159 Case study 6.2: Nader and Simin; A Separation 161 Egyptian cinema 166 Case study 6.3: Microphone 167 Lebanese cinema 168 Case study 6.4: Caramel 169 European funding and support 170 Dreams of a nation: Palestine 171 Case study 6.5: Two firms from Hany Abu Assad 171 Israeli cinema and the periphery 174 Case study 6.6: Young Israelis at war 175 Summary 178 References and further reading 178 Further viewing 179 CONTENTS 7 International art cinema and the festival circuit The origins of art cinema Auteur filmmaking The role of film festivals Case study 7.1: Films from the South, Oslo The festival film Claire Denis, auteur filmmaker Case study 7.2: 35 rhums Case study 7.3: A festival film ? Contemporary art cinema prospects Artists films Summary References and further reading Web material Further viewing 8 Cinema that needs to be different? Defining Third Cinema Imperfect cinema in Cuba From Third Cinema to postcoloniahsm Basic concepts associated with postcolonialism African cinemas The legacy of British colonialist policies for .film culture Film in Francophone. Africa Sembène Ousmane and sub-Saharan African filmmaking Case study 8.1: Third Cinema and Sembè.ne s Xala FESPACO, the diaspora and the academy Nollywood Case study 8.2: Ататотгте Summary References and further reading Further viewing 9 Global television Television and non-standard technologies The filmed TV series The British telefilm The development of US television production Case study 9.1: Fremantle Media Television films How is a TV film different? How do you watch? Classical Hollywood, TV movies and reality TV Video cinema International TV trade Contra-fio ws in the international television market Telenovelas: soap, romance and melodraffia The origins of the telenovela Ramadan dramas Nordic crime fiction Crime fiction and its readers Danish serials Case study 9.2: Yellow Bird Summary References and further reading Further viewing 10 Diverse Indian cinemas Outline history of film in India Language diversity Hindi cinema 181 181 185 187 189 191 192 193 200 202 203 204 204 205 205 206 207 208 212 213 214 215 218 219 771 224 227 27.9 231 233 234 235 236 237 238 238 241 243 245 246 248 249 251 251 252 252 254 257 257 258 260 261 262 263 264 266 267 268 CONTENTS Bollywood examined 269 Bollywood and Indian popular cinema 270 Changing audiences foi Bollywood 272 Statistics and the Indian film industries 274 The corporatisation of Indian media 274 Nationalism, sectarianism and India Shining 276 Case study 10.1: 3 Idiots 277 Case study 10.2: Endbiran 279 Bengali cinema, art and politics 281 New Indian cinema and parallel cinema 284 Indian diaspora filmmakers 286 New Bengali cinema and the parallel legacy 288 Case study 10.3: 25 Fark Avenue 288 New Bollywood ? 289 Case study 10.4: Anurag Kashyap and independent Indian films 290 Summary 292 References and further reading 293 Further viewing 294 11 Chinese cinemas 295 Chinese cinemas viewed from outside China 296 Early history of cinema in China 298 Cinema in the People s Republic of China (PRC) 299 Building on tradition 301 The emergence of che Fifth Generation filmmakers 303 Case study 11.1: Xie Jin 304 Case study 11.2: Zhang Yimou 306 The Sixth Generation 308 Hong Kong cinema: Chinese cinema as commercial cinema 309 Case study 11.3: Ann Hui 311 Cinema in Taiwan 313 Case study 11.4; Hou Hsiao-hsien 314 Chinese diaspora cinema in Southeast Asia 318 Mainland Chinese cinema since the 1990s 318 Case study 11.5: Feng Xiaogang 319 Case study 11.6: Jia Zhangke 321 Action men and suffering women? 323 Summary 325 References and further reading 325 Further viewing 326 12 Looking to the future 328 New markets: Southeast Asia 329 Case study 12.1: Eric Khoo and Zhao Wei Films 331 Will Hollywood s hegemony last3 332 The potential of the BRICs and MIKT 333 The gaming industry 335 Digital cinema and cultural policy 336 Winners and losers in digital cinema? 337 E-cinema and digital diversity 338 Online film 340 Summary: the bigger picture 341 References and further reading 344 Glossary of key terms 346 Indices 355 Film titles 355 Names 363 Selected key terms 365 Contents List of illustrations Acknowledgements Guidance notes for readers Introduction First thoughts World or global? Industry and culture What does this mean to you? Dealing with Hollywood How do we see the world? Life of Pi: a global film? Studying film How the book is organised Information and resources References and further reading xi xviii xix 1 1 6 7 8 9 11 13 14 14 14 15 1 The development of global film The story begins The first studios Before ‘language cinema’ European war and the rise of Hollywood Changes with sound Dųbbing and subtitling in global film Case study 1.1: Subtitling and La haine The context for Hollywood’s hegemony The international film market today International art cinema It’s not all feature films ... Summary References and further reading 17 17 19 2 The Hollywood studio model Global Hollywood Geme production and the studio model Genre in a global context The western Melodramas Star systems Modern, modernity and modernism Hollywood strategies: adaptations, remakes, re-workings Hollywood and transnational genre production Case study 2.1: Remaking romantic comedy: My Sassy Girl Summary References and further reading 43 44 45 47 50 54 57 -59 61 64 65 69 69 3 Approaching films from different cultures Enjoyment in watching films 71 71 20 21 23 23 26 29 37 39 40 40 41 ^ 4TENT Case study 3.1: Die Welle Case study 3.2: Y tu mamá también Case study 3.3: At 5 in the Afternoon Case study 3.4: Ten Canoes Summary References and further reading Further viewing ,֊ r gl gc ; ; ; 4 National cinemas in Europe: contrasting experiences Defining national cinema Defining the domestic film industry: national cinema as economic entity France and the UK: the same but different? Diaspora cinema in Europe Diaspora filmmaking in the UK Case study 4.1: Gurinder Chadha as a British diaspora filmmaker Diaspora filmmaking in France European regional filmmaking: Nordic cinema Case study 4.2: Two Nordic films: Everlasting Moments, Headhunters Nordic cinema: the American and British connection Spanish national cinema: shaped by history Summary References and further reading Further viewing ՜ 9՜ 10( 10¿ 10, 101 1; Ц 111 1 11 1շ: 12՞ 12i 5 Decentring the Hollywood domination debate: Japan and South Korea Problematising the study of Japanese cinema Orientalism Japanese films in the contemporary UK market The contemporary filmed entertainment market in Japan Japan and its ‘classical’ cinema Manga and anime Case study S.l: The Girl Who Leapt Through Time Cinema of South Korea The South Korean b!ockbuster The Korean Wave: Hallyu A mature industry of variety? Summary: cinemas in opposition to HoUywood or going their own way? References and further reading Further viewing 121 12 12՞ 12. 13i 13՜ 14t 141 14? 14і 14.’ 145 145 1505 151՜ 6 Middle East without borders Where is the ‘Middle East’? ‘Without borders’ The film industries and film cultures of the Middle East Local film industries Turkish film culture and industry Case study 6.1: Uzak Iranian cinema Case study 6.2: Nader and Simin: A Separation Egyptian cinema Case study 6.3: Microphone Lebanese cinema Case study 6.4: Caramel European funding and support Dreams of a nation: Palestine Case study 6.5: Two films from Hany Abu-Assad Israeli cinema and the ‘periphery’ Case study 6.6: Young Israelis at war Summary References and further reading Further viewing 152 152 153 15» 155 156 158 159 161 166 167 168 169 170 171 171 174 175 178 178 179 CON í • „ ,ì -n-t and the festival circuit 7 International « ՝ ^ The origins of ‘art cinema Auteur filmmaking The role of film festivals Case study 7.1: Films from the South, Oslo The ‘festival film’ Claire Denis, auteur filmmaker Case study 7.2: 35 rhums Case study 7.3: A ‘festival film’? Contemporary art cinema prospects Artists’ films Summary References and further reading Web material Further viewing 8 Cinema that needs to be different? Defining ‘Third Cinema’ ‘Imperfect cinema’ in Cuba From Third Cinema to postcolonialism Basic concepts associated with postcolonialism ‘African cinemas’ The legacy of British colonialist policies for film culture Film in Francophone Africa Sembène Ousmane and sub-Saharan African filmmaking Case study 8.1: Third Cinema and Sembène’s Xala FESPACO, the diaspora and the academy Nollywood Case study 8.2: Araromire Summary References and further reading Further viewing 9 Global television Television and non-standard technologies The ‘filmed’ TV series The British telefilm The development of US television production Case study 9.1: Fremantle Media Television films How is a TV film different? How do you watch? Classical Hollywood, TV movies and reality TV Video cinema International TV trade Contra-flows in the international television market Telenovelas: soap, romance and melodrama The origins of the telenovela Ramadan dramas Nordic crime fiction Crime fiction and its readers Danish serials Case study 9.2: Yellow Bird Summary References and further reading Further viewing 10 Diverse Indian cinemas Outline history of film in India Language diversity Hindi cinema 181 181 185 187 189 191 192 193 200 202 203 204 204 205 205 206 207 208 212 213 214 215 218 219 221 224 227 229 231 233 234 235 236 237 238 238 241 243 245 246 248 249 251 251 252 252 254 257 257 258 260 261 262 263 264 266 267 268 -NTS Bollywood examined Bollywood and ‘Indian popular cinema’ Changing audiences for Bollywood Statistics and the Indian film industries The corporatisation of Indian media Nationalism, sectarianism and ‘India Shining’ Case study 10.1: 3 Idiots Case study 10.2: Endhiran Bengali cinema, art and politics New Indian cinema and parallel cinema Indian diaspora filmmakers New Bengali cinema and the parallel legacy Case study 10.3: 15 Park Avenue ‘New Bollywood’? Case study 10.4: Anurag Kashyap and ‘independent’ Indian films Summary References and further reading Further viewing 269 270 272 274 274 276 277 279 281 284 286 288 288 289 290 292 293 294 11 Chinese cinemas Chinese cinemas viewed from outside China Early history of cinema in China Cinema in the People’s Republic of China (PRC) Building on tradition The emergence of the Fifth Generation filmmakers Case study 11.1: Xie Jin Case study 11.2: Zhang Yimou The Sixth Generation Hong Kong cinema: Chinese cinema as commercial cinema Case study 11.3: Ann Hui Cinema in Taiwan Case study 11.4: Hou Hsiao-hsien Chinese diaspora cinema in Southeast Asia Mainland Chinese cinema since the 1990s Case study 11.5: Feng Xiaogang Case study 11.6: Jia Zhangke Action men and suffering women? Summary References and further reading Further viewing 295 296 298 299 301 303 304 306 308 309 311 313 314 318 318 319 321 323 325 325 326 12 Looking to the future New markets: Southeast Asia Case study 12.1: Eric Khoo and Zhao Wei Films Will Hollywood’s hegemony last? The potential of the BRICs and MIKT The gaming industry Digital cinema and cultural policy Winners and losers in digital cinema? E-cinema and digital diversity Online film Summary: the bigger picture References and further reading 328 329 331 332 333 335 336 337 338 340 341 344 Glossary of key terms Indices Film tides Names Selected key terms 346 355 355 363 365 The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up-to-date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with crossborder, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: • a series of exploratory pathways into film culture worldwide • illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies • a user-friendly text design, featuring over 120 colour images • a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues.
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title_short	The global film book
title_sort	the global film book
topic	Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd
topic_facet	Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT staffordroy theglobalfilmbook

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