Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Bucureşti
Ed. Muzeului Naţional al Literaturii Române
2013
|
| Schriftenreihe: | Colecţia Aula Magna
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: The poetry of resistance during the soviet occupation of Bessarabia |
| Beschreibung: | 245 S. |
| ISBN: | 9789731671628 |
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INTRODUCERE
...................................................................................................7
CAPITOLUL
I
REZISTENŢA LITERARĂ ÎN SECOLUL
XX:
ASPECTE, FORME ŞI TIPOLOGII
.....................................17
1.
Rezistenţă literară: termeni, forme şi tipologii
..............17
2.
Coordonate ale rezistenţei literare în secolul
XX
..........24
3.
Aspecte ale rezistenţei literare româneşti
......................64
CAPITOLUL
II
-
OCUPAŢIA SOVIETICĂ A BASARABIEI.
REZISTENŢA PRIN LITERATURĂ ÎN PERIOADA
PROLETCULTISMULUI: IUNIE
1940 -
IULIE
1941,
AUGUST
1944 -
IULIE
1956................................................73
1.
Ocupaţia sovietică a Basarabiei. Consideraţii
generale asupra regimului comunist din
Basarabia
............................................................................73
2.
Ruptura tragică în cultura şi literatura română din
Basarabia. Genocid şi rezistenţă în anul cumplit
(iunie
1940
-iulie
1941).
Generaţia jertfită
.......................78
3.
Reinstaurarea regimului sovietic de ocupaţie.
Genocid şi rezistenţă în deceniul
proletcultismului agresiv (iunie
1944 -
iulie
1954).... 108
CAPITOLUL III
-
POEZIA REZISTENŢEI ÎN PERIOADA
DESTALINIZĂRII ŞI A AFIRMĂRII PRIMEI
GENERAŢII LITERARE POSTBELICE
............................132
1.
Bătălia pentru revenirea la clasicii literaturii
române şi la criteriile estetice
(1956 -1964).
însemnele unei noi generaţii
.........................................132
2.
Rezistenţă în poezia generaţiei anilor
60.
Evazionism şi
incifrare.
Parabolă, fabulă şi
alegorie. Cărţi interzise şi cărţi cenzurate
...................150
5
CAPITOLUL
IV
-
DISIDENŢĂ ŞI REZISTENŢĂ ÎN POEZIA ANILOR
1970 - 1991.
POEZIA CA FACTOR AL
REDEŞTEPTĂRII NAŢIONALE DIN BASARABIA
(1985 - 1991).........................................................................175
1.
Disidenţă şi rezistenţă în poezia anilor
70..................175
2.
Disidenţă şi rezistenţă în poezia anilor
80..................192
3.
Poezia ca factor al redeşteptării naţionale din
Basarabia
(1985 - 1991)..................................................204
ÎNCHEIERE
...............................................................................................215
BIBLIOGRAFIE
...............................................................................................217
ADDENDA
SUMMARY
..................................................................................235
CONTENTS..................................................................................
244
ADDENDA
Summary
The Poetry of Resistance during the Soviet
occupation of Bessarabia
The poetry of resistance against the Soviet communist regime in
Bessarabia (Moldova) is a phenomenon that has only been addressed
partially or tangentially in the literary criticism and history of the last three
decades, and has not been fully investigated in correlation with the
resistance of the Bessarabian population against this regime. And in the
general Romanian context, this fascinating theme
-
the literature of
resistance, which allows the advancement of novel viewpoints on this
controversial cultural landscape of an era
-
was investigated only in
fragments, the lyrical genre being ignored.
We have established from the very beginning the present state of the
research for this topic, noting that literary criticism in Bessarabia has offered
no debate on the issues of literary resistance against the occupying Soviet
communist regime
-
addressing this issue has been fragmented, timid or
superficial. The general background of the problem was outlined by
M.Cimpoi in An Open History of Romanian Literature from Bessarabia and was
not surpassed by some subsequent studies (Andrei Turcanu,
Anatol Moraru,
Alexandru
Donos,
Catinca
Agache,
Mihai Dolgán,
Adrian Dinu Rachieru),
while addressing this aspect of post-war literature in Bessarabia by some
literary critics and historians in Moldova and Romania
(Constantin
Ciopraga, Calin Constantin
Theodor Codreanu, Ion Simut,
Valériu
Matei,
Andrei Hropotinschii
etc.) was with reference to the work of particular poets.
The goal that I pursued in writing this first thesis on the poetry of
resistance against the Soviet communist regime in Bessarabia was to help
235
change
the general picture of Romanian literature in this area, opening new
perspectives for addressing the problems of Romanian literary history and
of literary resistance as a Romanian and European phenomenon of the
twentieth century, with moral and ethical value, and to answer a number of
questions that remained unsolved, regarding:
-
the fate of many writers of interwar Bessarabia,
-
the role of Romanian literature in this region in preserving and
perpetuating the civic and national awareness of Romanians to
the East of the Prut,
-
the way and manner in which Soviet culture and the dogmatic
precepts of socialist realism were imposed, writers then being
impassible towards the genocide triggered by the regime,
-
the role of the poetry of resistance during the national and artistic
resurrection at the end of the eighth decade of the last century.
For a more complex image of the poetry of resistance, I use the
comparative and multidisciplinary method
-
during the investigation,
literary information is supplemented with historical data, references to
folklore, sociology and philosophy. I divided the work into four chapters
and
11
sub-chapters, introduction, conclusion and bibliography, covering
the entire spectrum of literary life in Bessarabia, from the interwar
generation (30s of XX century) until April
1990,
when the Parliament in
Kishinev, through its decisions, canceled, from the Constitution Articles
7
and
49
regarding the leading role of the Communist Party in society.
The major archives and libraries where I did my research were: The
Socio-political archive of Moldova (former Communist Party funds), the
Security Archive and Information Service of the Republic of Moldova
(former NKVD and KGB), the Archive of the Study Centre
Mihail
Kogalniceanu in Kishinev, some private archives, the library of the
Romanian Academy, the National Library of Romania, the National
Library of Moldova, the Scientific Library of the Academy of Sciences in
Moldova, and during my research internships at the Aristotle University of
Thessaloniki,
the Institute of Literature of the Academy of Latvia and Riga
University and Vilnius University, I visited the Municipal Library of
Thessaloniki,
the Aristotle University library, the National Library of
-------------------------------------------236 --------------------------------------------
Latvia, the Latvian Literature Museum Archives, the archives of the
Museum of the Soviet occupation of Riga, the Vilnius University Library,
the National Library of Lithuania and others.
As a result of my research, I can affirm with confidence that the
presentation of the Bessarabian postwar literary phenomenon as integral
and coherent, as part of the general evolution of Romanian literature, is not
true. Disturbed by the entrance to communist hell, the evolution of
Romanian literature in Bessarabia in the postwar period was unnatural,
obvious being not just the lack of coherence and stylistic unity with the
interwar period, but also the lack of a conceptual unity of literature from
the period of communist occupation.
Although the postwar development of this literature has seen times
of apparent liberalization (the period after Stalin s death until
Brejnev
came
to power), in reality this liberalization was diversionary, as the unique
party had the chance to intervene whenever and to punish those who had
taken seriously the liberty promised, and so it did in
1959,
in
1962
to
1963
in
1965
or in
1970.
Even if we can establish a few stages in the literary life of the
communist period
- 1940-1941, 1944 - 1954, 1955 - 1959, 1960 - 1964, 1965 -
1987, 1987 - 1990 -
the literary process was unnatural, its stages being
determined, to a great extent, by the internal politics of the single party,
because the authoritarian dictatorship controlled the situation and could
not allow its efficient means of indoctrination of the population
-
literature
and art in general, to get out of control.
We note here that the desire for normality and ignoring the
distortions arising from political interference, critics have given credit to
the idea of a chaining of generations in the literature of the communist
period. Under totalitarianism, not the usage of modalities and the change
of generations (in the biological sense) led the course of literature, but more
so the political events and their ideological consequences. I used the
conventional criterion of dividing the postwar Romanian literature into
four generations, taking into account, however, the fact that the communist
occupation regime led to grouping writers according to other criteria rather
than the aesthetic ones.
237
Before proceeding to investigate the phenomenon of literary
resistance in Bessarabia, in Chapter I of the paper, structured in three sub-
chapters, we have referred to various aspects of literary resistance in the
twentieth century, the various forms and types of resistance in or through
literature, in order to eliminate any contradictions in terms that emerged in
debates on resistance, debates that have seen a living resurgence in Central
and Southeast Europe after the collapse of communism. I pointed out
contradictions in terms, which persist at every step, insisting on essential
questions around which discussions were focused and which relate to the
content and definition of several terms: resistance in literature and
/
or
resistance through literature, survival through literature, dissent, opposition or
subversion. Examining the poetry of resistance against the totalitarian
communist regime in Bessarabia, we can distinguish three different
manifestations of the poetry of resistance: escapist lyricism, subversive and
dissident poetry, such a separation of the lyricism of resistance being derived
from various proposals for division of literature in the communist period
(Ion Simut,
Mihai Cimpoi
etc.).
A sub-chapter is devoted to the literary phenomenon of resistance
against totalitarian regimes in the twentieth century. We refer here to the
literary resistance to communist regimes in Russia, Poland, Czechoslovakia,
Albania, Cuba, Latvia and Lithuania (developing a broader study on Latvian
and Lithuanian poetic resistance), as well as to the poetic resistance against
fascist regimes, military regimes or the occupation of Italy, Spain, France and
Greece (I developed thus the first study of the Greek poetry of resistance).
I dedicated the third section of Chapter I of my work to a few aspects
of Romanian literary resistance: a complex and varied phenomenon,
encompassing all literary genres and knowing various manifestations,
much discussed in post-December decades.
Chapter II, entitled The Soviet occupation of Bessarabia. Resistance
through literature during the period of the Soviet Proletarian cult: June
1940 -
July
1941,
August
1944 -
July
1956,
comprises three sub-chapters, the first of
which refers to the general and the specific characteristics of the communist
Soviet occupation of Bessarabia. We note from the outset that the objective
study of that period has become a priority theme of the new Bessarabian
238
historiography, of the history of culture and literature, a fact stimulated
also by the gradual opening of the secret archives of the former Soviet
empire and of some archives in Moldova. I kept insisting that the Soviet
system architects have attempted in Bessarabia unique experiences towards
the destruction of the identity of the Romanian population. All repressive
actions undertaken: the extermination of intellectuals, especially writers
and artists who have not complied with the so-called socialist realism
method, the massive deportation of the population and bringing settlers
from other parts of the empire, the quickly forced collectivization of farms
-
all had the absurd goal to create a new nation
-
the Moldovan Soviet
nation. To this end, the idea of a so-called Moldovan language was
imposed by repressive means and therefore Romanian language was
strictly forbidden, together with Romanian history, culture and pre-modern
and modern Romanian literature, and phobia towards Romanians was
cultivated through draconian means of propaganda.
The second sub-chapter concerns the terrible year
1940 - 1941,
the
genocide unleashed by the Soviets in Bessarabia and the resilience of the
youth and the intellectuals, the destinies of the writers from the generation
I named the sacrificed generation in order to make the necessary
delimitation from some of their colleagues in the interwar period who had
willingly adhered to socialist realism and are included in the lost
generation . Following investigations I have undergone in the archives, I
bring new data on the fate of many Romanian writers from Bessarabia who
have risen in the interwar period and who have not managed to escape on
June
28, 1940:
those that disappeared without a trace (Elena
Dobroşinschi-
Malai)
,
those exterminated by Soviet security (Ion Sulacov), those exiled to
Siberia from
1940
to
1941:
Nicolae Costenco, Gheorghe
Rusu, Mihai
Curicheru,
Emil Gane,
Alexandru Terziman, Al.Cezar Stoica,
of which only
two survived and came back to Bessarabia after
15
years spent in the
GULAG
-
poet and novelist
Emil Gane
and poet Nicolae Costenco.
Furthermore, we first bring unique texts of unpublished folklore of
anti-communist resistance in Bessarabia, which refers to the terrible year
1940 - 1941
and to the first postwar decade.
The third section of Chapter II of this paper covers the period
1944 -
1956,
the decade of aggressive intents to create a purely proletarian culture
239
that abnegates the past, a decade characterized by mass reprisals on the
population of Bessarabia and the Romanian Writers of Bessarabia, by many
measures of resistance of the over
250
groups of peasants and certain
groups of intellectuals
-
a period that ended with the beginning of
defrosting in the period of Khrushchev.
It s a time when the tragedy of the writers and poets of Bessarabia
continues. The scenario is repeated, exactly as it was in June
1940.
In the
very first days of the new occupation, writer Iulia Dicescu-Siminel,
daughter of Paul Dicescu, vanishes without a trace. She was the author of
the study Moldovan songs in Bessarabia
(1933),
prefaced by Nicolae Iorga,
who remarked good start, thanks to a Romanian with a big heart .
We also bring new information about the poets and writers, who,
given the experience of
1940,
escape over Prut, but soon, when the
communist regime is brought on top of Soviet bayonets and installed by
force in Romania, they are arrested, thrown in prison or turned over to the
Soviets and deported to Siberia (Pan Halippa,
Petru
Stati,
Boris
Baidan, D.
Iov, Sergiu Matei
Nica, AL
Tambur, Andrei Ciurunga, Vasile Ţepordei,
Nicu
Stegaru etc.). Only a few Romanian writers in Bessarabia were able to
take the bitter path of exile
(Eugéniu
Coseriu, Sergiu
Grošu, Alexandru
Lungu etc.).
Chapter III of the paper refers to the poetry of resistance during de-
Stalinization and the affirmation of the first generation of postwar
literature. Based on new archival documents (the archive of former CC of
the CPM, especially transcripts of discussions in the CC of the CPM, the
Intelligence and Security archive), we present for the first time and in a
broader manner, a phenomenon that marked not only the second half of
the fifth decade of the last century, but all subsequent development of
cultural and literary life of Bessarabia
-
the dramatic battle for the abolition
of this Soviet proletarian cult and for the return to the classics of Romanian
literature and to the aesthetic criteria
-
a battle which ran from
1956
to
1964.
During that time, the new literary generation of the
60s
takes shape.
The second sub-chapter is devoted to the poetic resistance of the
60s
generation, a generation that largely restores the ties with the traditions of
interwar Romanian literature, a generation struggling with both artistic,
240
literary and social inertia and with general
amnezia.
Cases of overt
resistance appear (Vasilache Vasile, Ion
Druţă, Petru Cărare, Grigore
Vieru),
as well as the first books and manuscripts that are banned or
arrested by the communist censorship (Arrows by P.
Cărare,
Ballads of the
two sides of war by Ion Vatamanu, The
Hora1
of Light by Gheorghe Cutasevici
etc.). Escapist lyric becomes increasingly common, the coding, the parable,
the allegory are all meant to camouflage gestures of defiance of the
precepts of communist ideology (Gheorge
Voda, Liviu
Damian,
Victor
Teleucă,
Mihail
Ion Ciubotaru, Nicolae Esinencu, Pavel
Botu
etc.).
In the last chapter, the fourth, I have researched the Bessarabian
poetry of resistance during
1970 - 1991
and poetry as a factor of national
revival in Bessarabia
(1985 - 1991).
The first sub-chapter is devoted to the
literary resistance of the generation of the
70s
of the last century. The
representative poets of this promotion
-
Nicolae Dabija, Leonida
Lari,
Marcela Benea,
Leonard Tuchilatu, Vasile Romanciuc, Efim Tarlapan,
Eugen Cioclea,
Valeria Grosu
-
succeed in publishing their first volumes in
the new collection
-
Debut
-
without it containing, at first, the usual poems
on a forced theme. In the poetry of these authors, all forms of poetic
resistance are present, where poetic obedience to the regime is increasingly
rare. For Nicolae Dabija, the appeal to the past is a way to relate to the
present; the cultural and spiritual heritage inherited from ancestors are to
Marcela
Benea perennial values that underlie the poetic edifice; Vasile
Romanciuc tries a re-reading of proverbs as a way to develop the hidden
facets of the present; in the poetry of Leonida
Lari
metaphysics blends with
the barely concealed protester spirit; Tarlapan Efim uses merciless sarcasm
and irony to directly address the realities of the socialist province.
The second section of Chapter IV is devoted to the phenomenon of
the poetry of resistance of the
80s.
We note here that, paradoxically, in
Bessarabia, the poetic generation of the
80s
did not affirm itself with
solidarity in the first part of the eighth decade
-
a period marked by the
agony of the empire, by saturation with propaganda and ideological
dogmas, but also by spectacular reversals of situations
-
some writers
accepted compromises in order to be able to make their debut under
1
Traditional Romanian dance
--------------------------------------------------241
communist censorship (N.Popa, E.Galaicu-Paun etc.); others, defying the
conditions of the totalitarian regime, continued to write without hope of
getting published (V.Matei, V.Ciornei, T.Chiriac, L.Bordeianu etc.),
delaying their debut until the second half of the eighth decade or until the
outbreak, in
1987 -1988,
of the democratic movement of national revival.
We note two distinct periods in the poetic resistance of this
generation, the first
-
until May
1987,
which marked the beginning of open
confrontations with the communist authorities and triggered the
democratic movement of national revival (which is the theme of this
chapter), and the second
-
from
1987
to August
1991,
the date of the
collapse of the Soviet empire.
The last sub-chapter of the paper is devoted to poetry as a factor of
national revival in Bessarabia between
1987 - 1991,
to the role of poets and
poetry in the democratic movement of national revival in the years
1987 -
1990,
particularly to those involved fully in actions to abolish the
communist dictatorship and detach the territory from the Soviet empire:
Grigore
Vieru,
Nicolae Dabija, Ion Vatamanu, Leonida
Lari, Ion Hadârcă,
Vasile Romanciuc,
Valériu
Matei
and others.
Thus emerged this first comprehensive study devoted to the poetry
of resistance during the Soviet occupation of Bessarabia
-
a complex
phenomenon, encompassing hundreds of poetic voices, all different and
distinct, hundreds of destinies of those called to give voice to the pain and
aspirations of a nation and a culture challenged by fortune.
The guidelines of the phenomenon are well defined, while the
opening and investigation of all the archives will complement this
framework with more and more detail and will reveal original pages of
poetic resistance. Literary history research should be complemented by a
program for editing and reprinting the works of authors who have been
subjected to retaliation, of the folklore of resistance, so that the literary
landscape and especially the poetic one, gain wider and more accurate
contours. In the case of Bessarabia, the research of the Romanian literature
of the interwar period and the first postwar decade can not advance
without a re-introduction into the literary circuit of the works of Dimitrie
Iov, Petru
Stati,
Elena
Dobroşinschi-Malai, Mihai Curicheru, Gheorge
242
A.Rusu,
Cezar
Al. Stoica,
Boris Baidan,
Alexandru Tambur, ALTerziman,
Ion Sulacov, Nicu Stegaru, Nicolae Turcanu
and other authors evoked in
this paper.
Through this study I have complemented and completed the general
picture of the period of the Soviet occupation of Bessarabia
-
a theme which
is now widely researched in historical science and culture and by art
historians in the entire Romanian territory and abroad.
Certainly
-
having stemmed from the immense pain and compassion
for the less fortunate destiny of a territory much challenged, from the love
for fellow people who knew how to confront with dignity the terrible
sufferings induced by the Soviets
-
the Romanian Bessarabian poetry of
resistance against dictatorship, foreign occupation and totalitarianism, has
both an undeniable literary and aesthetic value and the immense value of a
moral and ethical example.
This study highlights the value of such moral resistance against
totalitarian communist regimes, which is relevant to the European
countries drawn from the former Soviet empire and the socialist camp,
which then endured an excessively long transitional period, and a
harrowing process of search for an identity or of creation of new identities.
We hope this study contributes to the change in the perception of
Romanian literature from this area, and to the inclusion of the works of
some Romanian Bessarabian writers into the circuit of literary values at
national Romanian and European level.
243
|
| any_adam_object | 1 |
| author | Matei, Claudia |
| author_facet | Matei, Claudia |
| author_role | aut |
| author_sort | Matei, Claudia |
| author_variant | c m cm |
| building | Verbundindex |
| bvnumber | BV041640354 |
| ctrlnum | (OCoLC)873468349 (DE-599)BVBBV041640354 |
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| era_facet | Geschichte 1970-1991 Geschichte 1941-1964 |
| format | Book |
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| geographic | Bessarabien (DE-588)4006036-6 gnd |
| geographic_facet | Bessarabien |
| id | DE-604.BV041640354 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:01:34Z |
| institution | BVB |
| isbn | 9789731671628 |
| language | Romanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027081166 |
| oclc_num | 873468349 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 245 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Ed. Muzeului Naţional al Literaturii Române |
| record_format | marc |
| series2 | Colecţia Aula Magna |
| spelling | Matei, Claudia Verfasser aut Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei Claudia Matei Bucureşti Ed. Muzeului Naţional al Literaturii Române 2013 245 S. txt rdacontent n rdamedia nc rdacarrier Colecţia Aula Magna Zsfassung in engl. Sprache u.d.T.: The poetry of resistance during the soviet occupation of Bessarabia Geschichte 1970-1991 gnd rswk-swf Geschichte 1941-1964 gnd rswk-swf Besetzung (DE-588)4006020-2 gnd rswk-swf Rumänisch (DE-588)4115807-6 gnd rswk-swf Widerstand Motiv (DE-588)4193190-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Bessarabien (DE-588)4006036-6 gnd rswk-swf Rumänisch (DE-588)4115807-6 s Literatur (DE-588)4035964-5 s Widerstand Motiv (DE-588)4193190-7 s Bessarabien (DE-588)4006036-6 g Besetzung (DE-588)4006020-2 s Geschichte 1941-1964 z DE-604 Geschichte 1970-1991 z Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027081166&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027081166&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Matei, Claudia Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei Besetzung (DE-588)4006020-2 gnd Rumänisch (DE-588)4115807-6 gnd Widerstand Motiv (DE-588)4193190-7 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4006020-2 (DE-588)4115807-6 (DE-588)4193190-7 (DE-588)4035964-5 (DE-588)4006036-6 |
| title | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei |
| title_auth | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei |
| title_exact_search | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei |
| title_full | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei Claudia Matei |
| title_fullStr | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei Claudia Matei |
| title_full_unstemmed | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei Claudia Matei |
| title_short | Poezia rezistenţei în perioada ocupaţiei sovietice a Basarabiei |
| title_sort | poezia rezistentei in perioada ocupatiei sovietice a basarabiei |
| topic | Besetzung (DE-588)4006020-2 gnd Rumänisch (DE-588)4115807-6 gnd Widerstand Motiv (DE-588)4193190-7 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Besetzung Rumänisch Widerstand Motiv Literatur Bessarabien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027081166&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027081166&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mateiclaudia poeziarezistenteiinperioadaocupatieisovieticeabasarabiei |