Modernist form and the myth of jewification:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Fordham Univ.
2014
|
Ausgabe: | 1. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- Provided by publisher. -- "This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception"-- Provided by publisher. Includes bibliographical references and index |
Beschreibung: | X, 261 S. Ill. |
ISBN: | 9780823255061 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV041630473 | ||
003 | DE-604 | ||
005 | 20190704 | ||
007 | t | ||
008 | 140206s2014 xxua||| |||| 00||| eng d | ||
010 | |a 2013016311 | ||
020 | |a 9780823255061 |c hardback |9 978-0-8232-5506-1 | ||
035 | |a (OCoLC)843955747 | ||
035 | |a (DE-599)BVBBV041630473 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-12 |a DE-188 |a DE-83 | ||
050 | 0 | |a NX456.5.M64 | |
082 | 0 | |a 700/.4112 | |
084 | |a BD 1300 |0 (DE-625)9833: |2 rvk | ||
100 | 1 | |a Levi, Neil |d 1967- |e Verfasser |0 (DE-588)1049417844 |4 aut | |
245 | 1 | 0 | |a Modernist form and the myth of jewification |c Neil Levi |
250 | |a 1. ed. | ||
264 | 1 | |a New York |b Fordham Univ. |c 2014 | |
300 | |a X, 261 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- Provided by publisher. -- "This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception"-- Provided by publisher. | ||
500 | |a Includes bibliographical references and index | ||
650 | 4 | |a Antisemitismus | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Judentum | |
650 | 4 | |a Ästhetik | |
650 | 4 | |a Modernism (Art) | |
650 | 4 | |a Art criticism | |
650 | 4 | |a Antisemitism | |
650 | 7 | |a RELIGION / Judaism / History |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM / European / German |2 bisacsh | |
650 | 7 | |a PHILOSOPHY / Aesthetics |2 bisacsh | |
650 | 0 | 7 | |a Musikkritik |0 (DE-588)4139777-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Antisemitismus |0 (DE-588)4002333-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Modernismus |0 (DE-588)4133275-1 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Modernismus |0 (DE-588)4133275-1 |D s |
689 | 0 | 1 | |a Antisemitismus |0 (DE-588)4002333-3 |D s |
689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
689 | 0 | 3 | |a Musikkritik |0 (DE-588)4139777-0 |D s |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027071386&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |n jfk | |
942 | 1 | 1 | |c 909.04924 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 909.04924 |e 22/bsb |f 09034 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027071386 |
Datensatz im Suchindex
_version_ | 1806595393425768448 |
---|---|
adam_text |
Modernist Form and the
Myth of Jewification
Neil Levi
FORDHAMUNIVERSITYPRESS
NEWYORK2OI4
CONTENTS
Acknowledgments ix
Introduction: Phobic Reading, Modernist Form,
and the Figure of the Antisemite i
PARTI:MODERNISTFORMASJUDAIZATION
1 Genealogies: Judaization, Wagner, Nordau 23
2 Jews, Art, and History: The Nazi Exhibition of
Degenerate Art as Historicopolitical Spectacle 50
3 Fanatical Abstraction: Wyndham Lewis's Critique of
Modernist Form as Judaizat ion in Time and Western Man 90
PARTII:MODERNISTFORMANDTHE
ANTISEMITICIMAGINATION
4 Straw Men: Projection, Personification, and Narrative
Form in Ulysses 121
5 Images of the Bilderverbot: Adorno, Antisemitism, and
the Enemies of Modernism 139
6 The Labor of Late Modernist Poetics: Beckett after Celine 170
Notes 201
Bibliography 235
Index 247 |
any_adam_object | 1 |
author | Levi, Neil 1967- |
author_GND | (DE-588)1049417844 |
author_facet | Levi, Neil 1967- |
author_role | aut |
author_sort | Levi, Neil 1967- |
author_variant | n l nl |
building | Verbundindex |
bvnumber | BV041630473 |
callnumber-first | N - Fine Arts |
callnumber-label | NX456 |
callnumber-raw | NX456.5.M64 |
callnumber-search | NX456.5.M64 |
callnumber-sort | NX 3456.5 M64 |
callnumber-subject | NX - Arts in General |
classification_rvk | BD 1300 |
ctrlnum | (OCoLC)843955747 (DE-599)BVBBV041630473 |
dewey-full | 700/.4112 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700/.4112 |
dewey-search | 700/.4112 |
dewey-sort | 3700 44112 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Theologie / Religionswissenschaften |
edition | 1. ed. |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV041630473</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190704</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">140206s2014 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2013016311</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823255061</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-8232-5506-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)843955747</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041630473</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-83</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NX456.5.M64</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.4112</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">BD 1300</subfield><subfield code="0">(DE-625)9833:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Levi, Neil</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1049417844</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modernist form and the myth of jewification</subfield><subfield code="c">Neil Levi</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Fordham Univ.</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 261 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- Provided by publisher. -- "This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception"-- Provided by publisher.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antisemitismus</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Judentum</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Art)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antisemitism</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">RELIGION / Judaism / History</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / German</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY / Aesthetics</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027071386&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">jfk</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909.04924</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">909.04924</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027071386</subfield></datafield></record></collection> |
id | DE-604.BV041630473 |
illustrated | Illustrated |
indexdate | 2024-08-06T00:20:26Z |
institution | BVB |
isbn | 9780823255061 |
language | English |
lccn | 2013016311 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027071386 |
oclc_num | 843955747 |
open_access_boolean | |
owner | DE-12 DE-188 DE-83 |
owner_facet | DE-12 DE-188 DE-83 |
physical | X, 261 S. Ill. |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Fordham Univ. |
record_format | marc |
spelling | Levi, Neil 1967- Verfasser (DE-588)1049417844 aut Modernist form and the myth of jewification Neil Levi 1. ed. New York Fordham Univ. 2014 X, 261 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- Provided by publisher. -- "This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception"-- Provided by publisher. Includes bibliographical references and index Antisemitismus Geschichte Judentum Ästhetik Modernism (Art) Art criticism Antisemitism RELIGION / Judaism / History bisacsh LITERARY CRITICISM / European / German bisacsh PHILOSOPHY / Aesthetics bisacsh Musikkritik (DE-588)4139777-0 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Antisemitismus (DE-588)4002333-3 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Modernismus (DE-588)4133275-1 s Antisemitismus (DE-588)4002333-3 s Kunstkritik (DE-588)4033659-1 s Musikkritik (DE-588)4139777-0 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027071386&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Levi, Neil 1967- Modernist form and the myth of jewification Antisemitismus Geschichte Judentum Ästhetik Modernism (Art) Art criticism Antisemitism RELIGION / Judaism / History bisacsh LITERARY CRITICISM / European / German bisacsh PHILOSOPHY / Aesthetics bisacsh Musikkritik (DE-588)4139777-0 gnd Kunstkritik (DE-588)4033659-1 gnd Antisemitismus (DE-588)4002333-3 gnd Modernismus (DE-588)4133275-1 gnd |
subject_GND | (DE-588)4139777-0 (DE-588)4033659-1 (DE-588)4002333-3 (DE-588)4133275-1 |
title | Modernist form and the myth of jewification |
title_auth | Modernist form and the myth of jewification |
title_exact_search | Modernist form and the myth of jewification |
title_full | Modernist form and the myth of jewification Neil Levi |
title_fullStr | Modernist form and the myth of jewification Neil Levi |
title_full_unstemmed | Modernist form and the myth of jewification Neil Levi |
title_short | Modernist form and the myth of jewification |
title_sort | modernist form and the myth of jewification |
topic | Antisemitismus Geschichte Judentum Ästhetik Modernism (Art) Art criticism Antisemitism RELIGION / Judaism / History bisacsh LITERARY CRITICISM / European / German bisacsh PHILOSOPHY / Aesthetics bisacsh Musikkritik (DE-588)4139777-0 gnd Kunstkritik (DE-588)4033659-1 gnd Antisemitismus (DE-588)4002333-3 gnd Modernismus (DE-588)4133275-1 gnd |
topic_facet | Antisemitismus Geschichte Judentum Ästhetik Modernism (Art) Art criticism Antisemitism RELIGION / Judaism / History LITERARY CRITICISM / European / German PHILOSOPHY / Aesthetics Musikkritik Kunstkritik Modernismus |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027071386&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT levineil modernistformandthemythofjewification |