Rockin' out: popular music in the U.S.A.
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, Mass. [u.a.]
Pearson
2014
|
| Ausgabe: | 6., rev. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 491 - 505 |
| Beschreibung: | XIV, 538 S. Ill. |
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MARC
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Datensatz im Suchindex
| _version_ | 1804151844863213568 |
|---|---|
| adam_text | Contents
о
Θ
Preface x
Introduction:
Definitions, Themes, and Issues
1
Into the Twentieth Century: Popular Music and Mass Culture
2
Rock n Roll: The Birth of a New Era
4
Marketing and the Politics of Race, Language, and Gender
8
No
Hablamos Español:
The Language Barrier
11
The Long, Hard Climb: Gender Discrimination
13
Regulating Popular Music
14
Constructing Tin Pan Alley:
From Minstrelsy to Mass Culture
16
Minstrelsy: The Making of Mainstream U.S. Culture
17
Sheet Music, Sound Recording, and the Sounds of Music
20
Tin Pan Alley Creates Musical Tradition
24
Incorporating Ragtime, Blues, and Jazz
25
Listening Guide
1:
Alexander s Ragtime Band
26
Dance Crazes, Latin Influences, Musical Theater, and Records
29
Commercial Broadcasting: A Very Private Enterprise
ЗІ
The Growth of Network Radio
32
The Advertisers versus the Programmers
33
Tin Pan Alley Goes Hollywood
..
.and Latin
¿55
Blues, Jazz, and Country:
The Segregation of Popular Music
39
Blues, Jazz, and Country: More Equal Than Separate
40
Race Music: The Popular Sounds of Black America
43
The Birth of the Blues
43
Listening Guide
2:
Crazy Blues
45
/III That Jazz
47
111
Hillbilly: The Music of the White Working Class
50
Listening Guide
3:
Blue Yodel
#9 (Standin
on the Corner)
53
Disseminating Blues, Jazz, and Country: More Separate Than Equal
54
The Long Road Back for Records
56
Good Rockin Tonight :
The Rise of Rhythm and Blues
59
The Publishers and the Broadcasters: ASCAP versus
BMI 60
Enter the Deejay: The Broadcasters versus the AFM
61
From Big Bands to Solo Singers
63
The Major Labels Reclaim Country Music
65
Listening Guide
4:
Hey, Good Lookin
67
The Independents Promote Rhythm and Blues
68
Listening Guide
5:
(Mama) He Treats Your Daughter Mean
73
Mass Technology and Popular Taste
75
High Fidelity/Low Overhead
75
Television and the Suppression of
FM
Broadcasting
76
Independent Radio: Deejays in Your Face
77
Crossing Cultures:
The Eruption of Rock n Roll
81
Cultural Diversity: The Roots of Rock n Roll
82
Structural Changes in the Music Industry
84
Sounds of the Cities
87
New Orleans: The Fertile Crescent of Rock n Roll
87
Listening Guide
6:
Tutti Frutti
91
Los Angeles: From Jump Blues to
Chicano
Rock
93
Chicago: The Blues Electrified
95
Listening Guide
7:
Rock and Roll Music
97
Cincinnati: The Crossroads of Blues and Country
100
R&B Sanctified: The Gospel Connection 1
01
Doo
Wop: The Intersection of Gospel, Jazz, and Pop
104
Listening Guide
8:
Sh Boom
107
Latin Music Rocks
111
Rockabilly: The Country Strain
113
Listening Guide
9:
Hound Dog
1
1
9
IV ROCKIN OUT
The Empire Strikes Back:
The Reaction to Rock n Roll
124
The Established Powers Fight Back
126
Covering the Bases
127
Listening Guide
10:
Tutti Frutti
129
Pop Diversions: From Kingston Town to the Kingston Trio
130
Schlock Rock : Enter the White Middle Class
132
Television s Greatest Hits
135
The Brill Building: The New Tin Pan Alley
13 7
The War on Rock n Roll
13 8
Surf s Up!
142
Listening Guide
11 :
Surfin
U.S.A.
145
Popular Music and Political Culture:
The Sixties
149
The Civil Rights Movement and Popular Music
150
Girl Groups, Male Producers, and Brill Building Pop
151
Selected Brill Building Girl Group Classics
154
Motown: The Integration of Pop
155
Folk Music: The Voice of Civil Rights
157
Listening Guide
12:
Stop! In the Name of Love
158
Listening Guide
13:
The Times They Are A-Changin
161
The British Invasion Occupies the Pop Charts
163
Breaking the Sounds of Silence·. New Voices in the Music
169
Folk Rock: Adding Substance to Form
169
Black (Music) Is Beautiful
171
Latino Rock n Roll: From the Southwest to the Spanish Caribbean
175
Listening Guide
14:
(I Got You) I Feel Good
176
Listening Guide
15:
Oye Como Va
119
Rock and Revolution: The Counterculture
181
Blues on Acid: Psychedelic Rock
182
Commercializing the Counterculture: Sgt. Pepper and Monterey Pop
184
Listening Guide
16:
A Day in the Life
186
Riding the Storm: Radicals, Riots, and Revolutions
190
Woodstock and Altamont: The Highs and the Lows
193
CONTENTS
Music
Versus
Markets:
The Fragmentation of Pop
197
198
The Music Industry: A Sound Investment
Merger Mania
198
Expanding the Infrastructure: Counterculture as Commodity
Creativity and Commerce: Rock as Art
203
Listening Guide
17:
Roundabout
208
Sweeter Soul Music
211
Listening Guide
18:
You Make Me Feel Brand New
Singer/Songwriters, Soft Rock, and More
218
Listening Guide
19:
You ve Got a Friend
Women s Music: The Feminist Alternative
225
From Country Rock to Southern Boogie
228
Mad with Power: Heavy Metal
234
Listening Guide
20:
Smoke on the Water
All That Glitters Does Not Sell Gold
242
Listening Guide
21 :
Changes
244
200
214
221
238
Punk and Disco:
The Poles of Pop
247
Punk Versus Disco
249
Punk: Rock as (White) Noise
250
Born in the U.S.A.
251
Listening Guide
22:
I Don t Wanna Be Learned, I Don t Wanna
Be Tamed
256
Anarchy in the U.K.
259
Listening Guide
23:
Anarchy in the U.K.
260
Flirtation with Fascism: The Underbelly of Punk
263
Rock Against Racism: Progressive Punk
265
Riding the New Wave
267
Disco: The Rhythm without the Blues
271
Proto-Disco:
The Funk Connection
272
Up from the Disco Underground
275
Listening Guide
24:
Last Dance
278
Mainstream Disco: The Bee Gees Boogie Down
279
The Hard Rock Reaction
282
VI
R O OK
IN OUT
Are We the World? Music Videos,
Superstars, and Mega-Events
285
Early Music Television: They Want Their MTV
287
Listening Guide
25:
Beat It
293
Superstars: The Road to Economic Recovery
295
Listening Guide
26:
Born in the U.S.A.
298
Listening Guide
2 7 :
Like a Virgin
301
Charity Rock and Mega-Events: Who Is the World?
306
Christmas in Ethiopia: The Advent of Charity Rock
307
Mega-Events: The Politics of Mass Culture
309
Rap and Metal:
The Voices of Youth Culture
317
The Continuing History of Heavy Metal
318
Heavy Metal: The New Wave
319
Listening Guide
28:
Jump
322
Metal Fragments
325
Listening Guide
29: ..
.And Justice for All
328
Hip Hop, Don t Stop
333
Old School Rap
333
Hip Hop: The Next Generation
336
Listening Guide
30:
Rock Box
338
Listening Guide
31 :
Ladies First
343
Regulating Popular Music: The Politics of Censorship
346
The Parents Music Resource Center
347
The Issues: Sex, Drugs, and Rock n Roll Revisited
349
Repackaging Pop:
The Changing Mainstream
359
Meet the New Boss
...
Bigger than the Old Boss
361
Major Labels and Monster Contracts
362
Teen Pop: Boy Bands and Teen Queens
364
Listening Guide
32: ..
.Baby One More Time
368
CONTEN
Τ
S Vil
SoundScan: Remapping the Charts
3 70
From Indie Scenes to Alternative Nation S7O
Seattle: From Sub Pop to Superstars
3 73
Listening Guide
33:
Smells Like Teen Spirit
374
Lollapalooza and Pop Punk:
Mainstreaming
the Counterculture
377
Country into Pop
381
The Latin Boom and Beyond
383
Listening Guide
34:
Livin
La Vida
Loca
385
Black Music at the Base
390
Hip Hop with Soul: The New R&B
390
Branding Rap: Moguls from the Street
393
Listening Guide
35:
I ll Be Missing You
395
Diversifying Hip Hop
402
Women on the Rise
407
Listening Guide
36:
Bad Romance
413
Changing Channels: Music and Media
in the New Millennium
417
They Want Their
МРз
418
Legislation and Litigation
420
Piracy and Theft
422
The Music Industry in a Post-Napster World
423
Popular Music, Power, and Protest after
9/11 429
Corporate Radio and the New Patriotism
431
Country Music Goes to War
433
Listening Guide
37:
Courtesy of the Red, White, and Blue
(The Angry American)
435
Dissent Unplugged
437
Mixing Sound, Mashing Beats
442
Copyright Criminals
444
The
DJ
as Star
446
Listening Guide
38:
Turn Me On
448
Multimedia Stardom
451
Idol Worship
452
Learningfrom TouTube
454
The Future of Music
456
VIII
ROC KIN OUT
Live Music in the Digital Era
457
Making Music Free
458
Listening Guide
39:
Everything in Its Right Place
460
Streaming the Long Tail
462
Notes
465
Bibliography
491
Subject Index
506
Music Index
528
CONTENTS IX
|
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| bvnumber | BV041627917 |
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| ctrlnum | (OCoLC)878071215 (DE-599)BVBBV041627917 |
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| edition | 6., rev. ed. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spellingShingle | Rockin' out popular music in the U.S.A. Popmusik (DE-588)4046781-8 gnd Geschichte (DE-588)4020517-4 gnd Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4020517-4 (DE-588)4115774-6 (DE-588)4078704-7 |
| title | Rockin' out popular music in the U.S.A. |
| title_auth | Rockin' out popular music in the U.S.A. |
| title_exact_search | Rockin' out popular music in the U.S.A. |
| title_full | Rockin' out popular music in the U.S.A. Reebee Garofalo ; Steve Waksman |
| title_fullStr | Rockin' out popular music in the U.S.A. Reebee Garofalo ; Steve Waksman |
| title_full_unstemmed | Rockin' out popular music in the U.S.A. Reebee Garofalo ; Steve Waksman |
| title_short | Rockin' out |
| title_sort | rockin out popular music in the u s a |
| title_sub | popular music in the U.S.A. |
| topic | Popmusik (DE-588)4046781-8 gnd Geschichte (DE-588)4020517-4 gnd Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Popmusik Geschichte Rockmusik USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027068885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT garofaloreebee rockinoutpopularmusicintheusa AT waksmansteve rockinoutpopularmusicintheusa |