In search of real music: the story of classical music from 1600 to 2000
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leicester
Upfront Publ.
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 240 S. 30 cm |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804151840078561280 |
|---|---|
| adam_text | IN SEARCH OF REAL MUSIC
Contents Page
1.
INTRODUCTION
3
2.
HISTORICAL PERSPECTIVE
7
3.
PROFILE OF MUSIC IN THE PERIOD
1600-1650 11
The end of the Renaissance
Fundamental changes in music around
1600
The musical nations
Occasions for music
Musical genres:
Vocal music, Opera, Church music,
Instrumental music
Composers
4.
PROFILE OF MUSIC IN THE PERIOD
1650-1700 18
Changes in music
The musical nations
Occasions for music
Musical genres:
Opera, Church music, Instrumental music
Composers
5.
PROFILE OF MUSIC IN THE PERIOD
1700-1750 25
Three great composers
The musical nations
The employment of composers
Advances in the theory of music
Musical genres:
Orchestral music, Instrumental music, Opera,
Church music
Other composers
6.
PROFILE
OF MUSIC IN THE PERIOD
1750-1800 33
The transition to the classical era
The
galant
style
The influence of Sturm
und
Drang
The reform of opera
The classical symphony
The musical nations
The employment of composers
Musical genres:
Orchestral music: Symphonies, Serenades, Concertos
Instrumental music, Opera, Vocal music
Other composers
7.
PROFILE OF MUSIC IN THE PERIOD
1800-1850 46
An era driven by revolutionary composers
Principal changes in music
Larger musical structures
Inspiration from nature and literature
The growth of the orchestra
The age of the piano, and the virtuoso performer
The development of romantic opera and ballet
The employment of composers
The musical nations: Nationalism
Musical genres:
Orchestral music: Symphonies, Concertos, Overtures,
the Symphonic poem, Waltzes and polkas
Chamber music, Piano music, Opera,
Choral music, the Lied
Other composers
8.
PROFILE OF MUSIC IN THE PERIOD
1850-1900 66
Overview
Leading Composers
Changes in music
The growth of nationalism
An advance in the scientific understanding of music
The Employment of Composers
Musical Genres
Orchestral music: Symphonies, Concertos, Overtures and
Symphonic poems, Other orchestral genres
Chamber music, Piano music
Opera: Italian opera, French opera, German opera,
Russian and Czech opera,
Operetta and Incidental music
Choral music, Song
Other composers by nationality
Women composers
9.
PROFILE OF MUSIC IN THE PERIOD
1900-1950 89
The broad picture
The leading composers
The musical scene from
1900
to
1920
Late romanticism
The quiet revolution of Debussy
The assimilation of folk music
Chromaticism and atonality
Modernism
Changes of the
1920s
Reinventing the past
The assimilation of popular music
The advent ofserialism
The job of the composer
-
new opportunities and dangers
The nations and their composers
Wars and politics
France, Italy, Germany, Austria, Russia, Great Britain,
The USA, Scandinavia, Poland, Spain, Czechoslovakia,
Hungary and South-Eastern Europe, Latin America
Musical genres
Orchestral music: Symphonies, Concertos
Programme music
Music for strings, music for wind
Variations and other forms
Chamber Music, Piano music
Opera, Ballet, Operetta, musicals and films
Choral Music, Songs
Women composers
Conclusion
10.
PROFILE
OF MUSIC IN THE PERIOD
1950-2000 131
The broad picture
Post-romanticism
-
the late flowering of tonality
The elements of innovation and experimentation
A climate for radical change
Broadening the range of sounds
Electronic music
New techniques of composition
Changing the relationship between composer, performer
and audience
The avant-garde of the
1950s
and
1960s
The return to tonality
The minimalists
The post-modernists
Trends in performance: the quest for authenticity
Musical genres:
Orchestral music, Chamber music, Opera,
Filmmusik
Choral music, Vocal music,
Reconstructions
An international culture
Conclusion
11.
KEYBOARD INSTRUMENTS
147
12.
STRINGED INSTRUMENTS
157
13.
WIND INSTRUMENTS
166
14.
PERCUSSION AND ELECTRONIC INSTRUMENTS
177
15.
THE ORCHESTRA
185
16.
PUBLISHING, RECORDING AND MUSIC MANAGEMENT
208
17.
BUILDINGS
-
CONCERT HALLS AND OPERA HOUSES
223
18.
BIBLIOGRAPHY
230
19.
INDEX of persons mentioned in the text
231
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| title | In search of real music the story of classical music from 1600 to 2000 |
| title_auth | In search of real music the story of classical music from 1600 to 2000 |
| title_exact_search | In search of real music the story of classical music from 1600 to 2000 |
| title_full | In search of real music the story of classical music from 1600 to 2000 by Clive Bate |
| title_fullStr | In search of real music the story of classical music from 1600 to 2000 by Clive Bate |
| title_full_unstemmed | In search of real music the story of classical music from 1600 to 2000 by Clive Bate |
| title_short | In search of real music |
| title_sort | in search of real music the story of classical music from 1600 to 2000 |
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