Identitate şi excentricitate: comparatismul românesc între specific local şi globalizare
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Bucureşti
Ed. Muzeului Naţional al Literaturii Române
2013
|
| Schriftenreihe: | Colecţia Aula Magna
|
| Schlagworte: | |
| Online-Zugang: | Abstract Inhaltsverzeichnis |
| Beschreibung: | Zsfassung und Inh.-Verz. in engl. Sprache |
| Beschreibung: | 270 S. |
| ISBN: | 9789731671956 |
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ADDENDA
Abstract
The most common and most difficult question that professors of
comparative literature must address as soon as they declare their specialty
-
especially in a non-professional context
-
is: "Comparative? Compared to
what?" (or "What do you compare?"). In other words: "what does
comparative literature mean?" Indeed, if we are willing to see beyond the
academic familiarity of the term "comparative literature", we cannot deny
that the concept seems so poorly designed, that it requires further
clarification; particularly in languages where the verb "to compare" is
transitive (as in the case of Romanian language). There is always a distance
(larger than in disciplines whose titles are self-explanatory) between the
term "comparative literature" and the content it endorses. Or, at least, this is
the implication of the perplexity that continues to surround its occurrence.
Albert Guerard articulates the same terminological dissatisfaction that all
specialists of the discipline experience at a given moment: "My attachment
to the principle of Comparative Literature gives me the right to express my
opinion that the term Comparative Literature is useless, dangerous and
ought to be abolished." („Comparative Literature?", in Yearbook of
Comparative and General Literature
VII,
1958: 1).
However, in a
1940
preface,
the same author had confessed that, although some protest against the term
"comparative literature" is needed, not less binding is the testimony, "in the
same breath" that "we have no better one to suggest".
More than any other discipline, comparative literature today still
gives a discourse of legitimacy. This is motivated and often claimed by
polemic insinuations or direct attacks, as well as by the issues still raised by
its terminology and concept, by its methods and subject. Finally, a
continuous legitimation discourse is justified by the allegation (made from
the distance of other research fields) that
comparatiste
are either marginal,
outsiders, or
imposters
and usurpers of dominance over territories
-------------------------------------------263----------------------------------------—
"previously assigned". Even worse, they are sometimes seen as "literary
ecotourists" who "dwell mentally in one or two (usually Western)
countries, summer metaphorically in the third, and visit other places for
brief interludes." (Susan
Lanser,
Compared to what?, p.
281)
This study has no ambition to explain all this problematic fabric: though it
will be discussed and not overlooked, this text deals with the extent to
which certain identity values can be attached to the way in which
comparative literature in Romania was conceived as a theory, methodology
and practice between the sixties and
2010,
i.e. during what we can properly
call the disciplinary and institutional history of Romanian comparative
literature.
Complex documentation (in Romanian libraries and archives, but
also in France, Italy and the United States, as well as in archives and
electronic databases) has proved that the problems raised by this approach
are multiply rooted. Firstly, a historical zoom on the past fifty years of
Romanian comparative theory and practice was needed, with special
attention to those quite a few authors who have academically evolved
between several cultures. Leaving Romania, these authors continued to
write and think about Romanian culture developments in the international
context that had become accessible to them in a different light. Secondly,
the question of identity is always
contrastive.
In order to highlight an
identity, one has to highlight some form of otherness and use it as a
landmark. Or, if we're talking about cultural identity, the major criterion of
tracking specific features has been, since the nineteenth century onwards,
that of national terms and culture. By
1990
(see especially Parts II, HI and IV
of the study), the national criterion gives good results in finding a
Romanian comparative literature, theory and practice. They can be seen as
a reflex of Romanian culture perceived in an international network.
Whether invoked for nationalist or
universalist
reasons, saluted or blamed,
the national criterion is visible and reveals the concerns, obsessions and
complexes of comparative literature studies. But from the nineties to the
present day (see especially Part V) cultural semantics begins to favor
globalization, where national structures have less and less power (given the
collapse of historical states and of the national ideology, but also cultural
and individual mobility allowed by population movements driven by
------------------------------------------264 ------------------------------------------
economie criteria
or simply encouraged by new communication
technologies, leading to the weakening patriotic attachment).
Therefore, for the decades between
1990
and
2010,
we find that there
function two secondary criteria: the first one is used in
postcolonial
studies,
where the main issue is the revelation of those identities previously censored by
imperial cultures. An interest for small groups, professional communities,
academic or strictly local cultures nurtures this view. The second one is the
adherence to a "republic of letters", as defined by
Pascale
Casanova in his
volume. The latter can be seen at work in studies with a more traditional
look, but written with almost no attention to national culture or terms, as if
the authors have already assumed a transnational authorial conscience.
Both of these secondary criteria are subspecies of main one, active even
before
1990
in exceptional circumstances, which we identify as the need for
intermediality
.
Intermediality becomes equally important as a reference and
landmark after
1990
as the national criterion was before this date, whether
it applies to comparative studies written in exile, or it appears as a favoring
factor or a consequence of living and acting in-between, or of the discomfort
experienced in a fixed paradigm of thought and the inability to find a self-
matrix. Therefore, I proposed the concept and analyzed the manifestation
of a comparatism of ex-centric repositioning. Although not specifically
Romanian, it is characteristic for the need to describe and explain a specific
space of cultural transition and translation. However, as the purpose of this
study was not theoretical, I only propose the concept in this paper and I
intend to further develop it in a subsequent paper.
Thirdly, a discussion about the characters of comparative literature in
Romania could not get around the thorny issue of comparative literature
everywhere, i.e. the methodological crisis. However, this theme has its own
set of ramifications: a problematic concept and terminology, a
temperamental history, various explanations of the sources and extension
of the crisis, very different configurations of the crisis in the West and
South-Eastern Europe and the East. Even if the latter were not the subject of
this research, they had to be analyzed in order to clarify the theoretical and
historical concept of the "crisis of comparative literature."
265
Finally, one of the most urgent issues that required discussion covers
teaching comparative literature in universities. An exhibition of "theoretical
fashion" in the academic world, of fluctuations of academic sympathy
towards this discipline were synthetically associated with my results on the
institutional conditions of teaching comparative literature in the main
universities in Romania.
The structure of the study is not diachronic, but follows a set of
chains of problems. In Part I, entitled A Discipline or a Concept in Crisis, I
attacked one of the most pressing historical concerns of this quite young
discipline: that of a methodological impasse. Historically speaking,
comparative crisis is reported several times, in different ways and invoking
different reasons (Wellek criticizes the dogmatic historicism of the binary
theory in
1958,
Etiemble argues that comparison alone does not motivate
comparative literature in
1963, Bassnett
declares in
1993
that, in some sense,
comparative literature is dead and Spivak states the death of the discipline
in
2003).
The chapter An Archaeology of a Methodological Impasse is meant to
color the picture of pro and con debate in the mater of the crisis of
comparative literature, the interpretation of the main arguments being
reserved for chapter Comparative Literature: between Triumph and Autopsy. As
it is impossible to decide who knows "the truth" in that debate and even
what that truth is, I chose to emphasize the functional or dysfunctional
dimension of the solutions that were offered. Reverse logic argumentation
(from present-day issues to their historical roots and to traditional
definitions), led me to place here a chapter of Definitions, objectives, goals.
This order allowed me to conclude Part I by joining discussions on the
history and those on the future of comparative literature (in A Comparative
Literature for Digital Beings). Throughout this discussion, as in most of the
following parts, references to Romanian issues were interwoven with
references to other contexts, without segregation on different chapters. A
focus on the Romanian history of the discipline, but also on the identity of
Romanian comparative literature occupies Part II, National and Universal.
Problems of disciplinary adaptation and upgrading, according to the
current episteme are not specific to the Romanian space, since the epi-
phenomena of globalization challenge all areas of contemporary life (s.
Global and Local). Four were the terms of discussion in the three chapters of
--------------------------------------------266 --------------------------------------------
Part II: universal, global and local. The approach became
integrative,
comprising local and national modulations of the general history of this
terminology (s. Complexes and tradition). The conclusion of this part was
formulated in The Transnational Challenge, which I have identified as one of
the most constant creative impulses in the discipline of comparative
literature (overcoming national boundaries), as well as one of the most
sensitive factors for the Romanian space. I devoted Part III (How to Make a
Discipline) to the issues rising from converting a discourse and praxis into a
discipline. Besides the wish of belonging to a community of people of
letters (analyzed in Romanians in the Republic of Letters), I found that the
definition of national identity, far from being "hindered" by imitation
theories, was stimulated by the inherent opposition that a
"
foreign model
"
stirred. In Imitation and Influence. Simulation and Stimulation, starting from
the idea of the 19-th century Romanian theorist and critic
Titu
Maiorescu,
of simulation as stimulation (from the „forms without substance" theory), I
followed the power of creative motivation that a few famous "patriotic
hoaxes" had in East-European cultures. Chapters Stages of Construction and
Acquiring an Identity imprint recovered a sensitive archeology through
which Romania went from "mere manifestations of Romanian comparative"
to a proper "Romanian comparative literature" with the few forms of
institutionalization (in a scientific and academic community
-
the latter
aspect being pursued with statistical data and observations regarding
standard comparative teaching practices in Romanian universities, s.
Comparative Literature as an Academic Discipline in Today Romania). I ended
Part III with a chapter entitled One Discipline, Different Ways to Use It, in
order to prepare the typological description of Part IV (Distinctive Marks).
Each chapter here describes one feature I considered to be representative
for a definition, in terms of identity, of Romanian comparative literature.
Until
1990,
the identity of Romanian comparative literature is characterized
by: Spontaneous Comparatism, Philological roots, Synchronicity, Methodological
crisis affirmed as dispute between formalism and contexrualism, concern
for Theory and method, Polemic
universalism
vs. Owned Nationalism, National
values, Critical and anti-imitative encyclopaedism, Localism, Imagologic interest,
National specific. Finally, Part V, entitled Romanian Comparative Literature
today focuses on forms that the discipline take after
1990,
i.e. on several sets
267
of themes characteristic for the intermediality that began to preoccupy the
specialists just as strongly as the national question before
1990.
Of course
the time limit must be understood in conventional terms, because
-
for
many comparatists
-
intermediality is rather a forma mentis than a historical
development. In this light, I reviewed several studies grouped in Themes of
exile, Themes of mutation
ană destructuring
in postmodern times, Themes of
refusing traditional prejudice, Themes of cognitive anarchy, Nostalgia themes,
Themes of translation. Part V ends with a very important chapter, where I
formulate my conceptual proposal: Intermediate Considerations: On the
Comparatism of Ex-centric Repositioning. Despite the unstable and fluid
nature of my object of research, a series of conclusions and predictions have
precipitated at the end of the study.
Since I tried to stay away
-
when possible
-
from any strong
adherence to one theory or taxonomy or another, the term "comparative
literature" is used alternatively with that of "comparatism". My goal was
not to solder the problematic connection of this discipline and literature,
but to insist on fertile and creative possibilities that comparative
methodology brings to any system of thought and analysis.
(traducere de Mihaela Ursa)
268
Cuprins
MULŢUMIRI
.9
I.
CRIZA UNEI DISCIPLINE SAU CRIZA UNUI CONCEPT?
.17
1.1.
Arheologia unui impas metodologic
.24
1.2.
Literatura comparată: între triumf şi autopsie
.29
1.3.
Definiţie, obiect, scopuri
.38
II.
NAŢIONAL ŞI UNIVERSAL
.44
ILI.
Complexe şi tradiţie
.51
11.2. Global şi local
.55
11.
3.
Dezideratul transnaţional
.63
III. CUM SE CONSTITUIE O DISCIPLINĂ
.69
111.1. Români în Republica Literelor
.76
111.2. Imitaţie şi influenţă. Simulare şi stimulare
.80
111.3. Stadii de construcţie
.87
111.
4.
Dobândirea unei amprente identitare
.92
IIL5. Literatura comparată ca disciplină academică
în România de astăzi
.100
III.6. O singură disciplină, mai multe moduri de utilizare
.112
IV.
SEMNE DISTINCTIVE
.119
IV.l. Comparatism spontan
.121
IV.2. Rădăcini filologice
.124
IV.3. Sincronism
.127
IV.4. Criza metodologică: formalism sau contextualism
.130
IV.5. Teorie şi metodă
.143
IV.6. Universalism polemic
vs.
naţionalism asumat
.152
IV.7. Valori naţionale. Enciclopedism critic anti-imitativ
.155
IV.8. Localizare
.158
7
IV.9.
Interes imagologic
.162
IV.10.
Specific naţional.
164
V.
ACTUALITATEA COMPARATISMULUI ROMÂNESC
.175
V.l.
Temele exilului
.177
V.2. Temele mutaţiei şi ale destructurării
postmoderne
.180
V.3. Temele refuzului prejudecăţilor locale
.189
V.4. Temele anarhiei cognitive
.198
V.5. Temele nostalgiei
.204
V.6. Temele marginalităţii, ale translaţiei şi ale transgresiunii
.217
V.7. Câteva consideraţii intermediare: despre comparatismul
repoziţionării excentrice
.230
V.8. O literatură comparată pentru fiinţe digitale
.235
VI.
CONCLUZII ŞI PREVIZIUNI
.239
BIBLIOGRAFIE
.246
ADDENDA
ABSTRACT
.263
SUMMARY
.269
8 |
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| geographic | Rumänien (DE-588)4050939-4 gnd |
| geographic_facet | Rumänien |
| id | DE-604.BV041602414 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-27T15:01:03Z |
| institution | BVB |
| isbn | 9789731671956 |
| language | Romanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027043586 |
| oclc_num | 869894173 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 270 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Ed. Muzeului Naţional al Literaturii Române |
| record_format | marc |
| series2 | Colecţia Aula Magna |
| spelling | Ursa, Mihaela 1971- Verfasser (DE-588)1059247062 aut Identitate şi excentricitate comparatismul românesc între specific local şi globalizare Mihaela Ursa Bucureşti Ed. Muzeului Naţional al Literaturii Române 2013 270 S. txt rdacontent n rdamedia nc rdacarrier Colecţia Aula Magna Zsfassung und Inh.-Verz. in engl. Sprache Geschichte gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Vergleichende Literaturwissenschaft (DE-588)4062843-7 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Exzentrizität Soziologie (DE-588)4397887-3 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Rumänien (DE-588)4050939-4 gnd rswk-swf Rumänien (DE-588)4050939-4 g Vergleichende Literaturwissenschaft (DE-588)4062843-7 s Identität (DE-588)4026482-8 s Exzentrizität Soziologie (DE-588)4397887-3 s Öffentlichkeit (DE-588)4043183-6 s Globalisierung (DE-588)4557997-0 s Geschichte z DE-604 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027043586&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027043586&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ursa, Mihaela 1971- Identitate şi excentricitate comparatismul românesc între specific local şi globalizare Identität (DE-588)4026482-8 gnd Vergleichende Literaturwissenschaft (DE-588)4062843-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd Exzentrizität Soziologie (DE-588)4397887-3 gnd Globalisierung (DE-588)4557997-0 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4062843-7 (DE-588)4043183-6 (DE-588)4397887-3 (DE-588)4557997-0 (DE-588)4050939-4 |
| title | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare |
| title_auth | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare |
| title_exact_search | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare |
| title_full | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare Mihaela Ursa |
| title_fullStr | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare Mihaela Ursa |
| title_full_unstemmed | Identitate şi excentricitate comparatismul românesc între specific local şi globalizare Mihaela Ursa |
| title_short | Identitate şi excentricitate |
| title_sort | identitate si excentricitate comparatismul romanesc intre specific local si globalizare |
| title_sub | comparatismul românesc între specific local şi globalizare |
| topic | Identität (DE-588)4026482-8 gnd Vergleichende Literaturwissenschaft (DE-588)4062843-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd Exzentrizität Soziologie (DE-588)4397887-3 gnd Globalisierung (DE-588)4557997-0 gnd |
| topic_facet | Identität Vergleichende Literaturwissenschaft Öffentlichkeit Exzentrizität Soziologie Globalisierung Rumänien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027043586&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027043586&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ursamihaela identitatesiexcentricitatecomparatismulromanescintrespecificlocalsiglobalizare |