Horyzonty opery:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | Polish |
| Veröffentlicht: |
Poznań
Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk
2012
|
| Schriftenreihe: | Prace Komisji Muzykologicznej / Poznańskie Towarzystwo Przyjaciół Nauk / Wydział Nauk o Sztuce
29 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: Horizons of the opera Bibliogr. w przypisach. Indeks |
| Beschreibung: | 208 s. Notenbeisp. 24 cm |
| ISBN: | 9788376541556 |
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| 490 | 1 | |a Prace Komisji Muzykologicznej / Poznańskie Towarzystwo Przyjaciół Nauk / Wydział Nauk o Sztuce |v 29 | |
| 500 | |a Zsfassung in engl. Sprache u.d.T.: Horizons of the opera | ||
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Datensatz im Suchindex
| _version_ | 1804151794892275712 |
|---|---|
| adam_text | Spis
tresei
Wstęp
......................................... 7
Anna Igielska, Przerwane ballady. O śpiewie w Tragedii
Otelia i
jego operowej
transpozycji
................................... 9
Barbara Judkowiak, Pasterka, królowa czy święta? Gryzelda na scenie muzycz¬
nej
1
połowy
XVIII
wieku. Rekonesans
..................... 25
Ryszard Daniel Golianek, Włoskie opery Józefa Michała Ksawerego Poniatow-
skiego w kontekście tradycji gatunkowych
................... 33
Przemysław Krzywoszyński, >rA teraz posłuchajmy, kurtyna się podnosi
-
trzy
wizje opery w Hrabim Monte
Christo
Aleksandra
Dumosa
.......... 49
Marcin Gmys, Eros i Psyche: od powieści scenicznej Jerzego Żuławskiego do
opery Ludomira Różyckiego
........................... 65
Anna Lubońska,
Thomas
Mann i
Hans Pfitzner.
Wokół legendy muzycznej
w trzech aktach Palestrina
........................... 93
Joanna Maleszyńska O piosence w operze
..................... 103
Katarzyna Lisiecka, Z poetyki libretta. Kilka uwag o dramatycznych i epickich
walorach dzieła operowego
........................... 115
Krzysztof Kozłowski, „Wagner w kraju bez Wagnera . O polskiej recepcji
Pierścienia
Nibelunga
.............................. 131
Małgorzata Choczaj, Estetyka
fi
Іти
i opery.
Otelio
Franco Zeffirellego
...... 139
Alina Borkowska-Rychlewska, „Cały świat jest groteską ?
Falstaff Giuseppe
Verdiego
jako ironiczne zwierciadło dziewiętnastowiecznych konwencji
literackich i operowych
............................. 151
Tomasz Kowalski, Trzy życzenia hulaki. O libretcie Żywota rozpustnika
Wystana
Hugh
Audena i Chestera
Kallmana
................. 169
Dobrochna Ratajczakowa, Straszny dwór Chęcińskiego-Moniuszki w cieplarni
mieszczańskiego teatru
............................. 181
Indeks nazwisk
.................................... 197
Horizons of the
Opera
................................ 205
Horizons
of the Opera
Τ!
Ше
monograph entitled Horyzony
opery
( Horizons of the
Opera ) edited by Dobrochna Ratajczakowa and
Katarzyna
Lisiecka is a presentation of thirteen studies concerning the opera issues,
observed from the interdisciplinary perspectives of: the theory of litera¬
ture, musicology, theatre studies, film studies and of culture. All articles
composing the monograph aim at a possibly comprehensive portrayal of
the attractiveness of the opera
—
the subject of study shared by all authors.
The publication is addressed to the audiences interested in art, theatre,
broadly understood humanities and a cultural and aesthetic reflection.
According to research principles into musical theatre, pursued in the
humanities in Western Europe and the world, the presented articles deal
with, on the basis of the most recent literature on the subject, their own
queries and scholarly findings, the questions concerning individual oper¬
atic compositions, and also
—
which is extremely valuable
-
analyse va¬
rious facets of the opera theatre.
The volume starts with the articles by Anna
Igielska Przerwane
ballady. O śpiewie w Tragedii
Otelia i
jego operowej transpozycji ( The
Interrupted Ballads. On Singing in the Otello s Tragedy and Its Operatic
Transposition ) and Barbara Judkowiak
Pasterka, królowa czy święta?
Gryzelda
nascerne
muzycznej
1
połowy
XVIII
w. Rekonesans
( Shepherdess,
Queen or
Saint?
Griselda
on the Musical Scene in the First Half of the
18th Century. Reconnaissance ) concerning the role and significance of
historical and literary sources (mediaeval and Renaissance) as an inspira¬
tion or the subject for dramatic and musical compositions. Anna Igielska
brings attention to Shakespearian roots of Verdi s opera, recalls the folk
origin of ballads, their popularity in the general circulation of the English
culture of the Elizabethan time the influence of those phenomena on the
songs occurring in the work by Shakespeare as well as the opera by Verdi,
significantly enhancing the meaning of both works. Barbara Judkowiak
provides an in-depth analysis of various plots of the story about
Griselda
focusing on the motifs, topics and
topoi
(love, faithfulness, devotion, hero¬
ism) forming a universal heritage of the European culture, which in a fine
way express the meanings found at many levels of the operatic work.
206
Horizons of the
Opera
The studies by
Ryszard
Daniel Golianek
Opery włoskie Józefa Ksawerego
Poniatowskiego
w świetle tradycji gatunkowych
( Italian Operas by
Józef
Ksawery Poniatowski in the Light of Genre Traditions ) and
Marcin
Gmys
Eros i
Psyche:
od „powieści scenicznej Jerzego Żuławskiego do ope¬
ry Różyckiego ( Eros and Psyche:
from Stage Novel of
Jerzy Żuławski
to
Rózycki s Opera )
describe the operatic works until now insufficient¬
ly present in the European and Polish research
—
the compositions by
Różycki
and Poniatowski. They show that these operas unequivocally be¬
long to the main aesthetic trends of the
19th-century
European culture,
and, at the same time, present a valuable analysis of the contents and
form of the selected plots and genre questions, musical and dramatic, ob¬
servable in the operas of Polish composers. Between the two abovemen-
tioned studies readers shall find the analysis of operatic motifs appearing
in the novel, that was undertaken by
Przemysław Krzywoszyński
in the
chapter entitled >yA
teraz posłuchajmy, kurtyna się podnosi
-
trzy wizje
opery w „Hrabim Monte
Christo
Aleksandra Dumasa.
( And Now Please
Listen, the Curtain is Rising.
-
Three Visions of the Opera in Count Monte
Christo
by Alexander Dumas ). It refers to the question of relationships
connecting the subject matter of the opera with epic poetry and their mu¬
tual bonds concerning the formal structure of the composition. The author
stresses the significance of the references to the opera included in Dumas
novel, which influence the structure of the storyline, presentation of the
inner motivations of the protagonist, as well as credible construction of the
background of the era in which the action of the novel takes place. Also
Anna
Lubońska
points out important relations between the creators of
the operatic and literary works. In the study titled Thomas Mann
i Hans
Pfitzner.
Wokół legendy muzycznej w trzech aktach „Palestrina
( Thomas
Mann and Haus
Pfitzner.
around the
Musical Legend
in Three Acts of
Palestrina ) she combines the subject matter of the opera by Hans Pfitzner
with ideological and biographical elements appearing in the opinions of
Thomas Mann and the composer of the opera and concerning their out¬
looks on art and its social and cultural tasks.
References to great masterpieces of the musical theatre and their
close relationships with song, drama, film, are, in turn, the point of depar¬
ture for research for several further studies. Joanna
Maleszyńska (O pio¬
sence w operze
[ About Song in the Opera ]) analyses lyrical vocal forms
in the selected operatic works: Gretry s
Ryszardzie Lwie Serce
( Richard
the Lionsheart ), in Mozart s Don Giovanni, in Flotow s Martha and in
Otelio
by Verdi. She demonstrates their different meanings and functions
in structuring the message of the composition.
Katarzyna Lisiecka (Z poetyki libretta. Kilka uwag o dramatycznych
i epickich walorach dzieła operowego)
[ From the Poetics of Libretto. Some
Remarks on the Dramatic and Epic Qualities of the Operatic Work ] treats
of the problems connected with the relationships between libretto and the
Horizons
of the Opera
207
visual part occurring in the opera composition. Proceeding to the analy¬
sis of meaning of the verbal layer of the opera and its relationships with
other dramatic forms, the author presents the area of theatrical and visu¬
al interdependencies taking place between the means of expression of the
operatic theatre and dramatic theatre, for which the opera is a source of
important inspiration.
Krzysztof Kozłowski
in his sketch entitled „Wagner
w kraju bez
Wagnera . O polskiej recepcji „Pierścienia
Nibelunga
( Wagner
in the
Country
without
Wagner.
About the Polish Reception of The Ring of the
Nibelung )
takes a look upon the ideas and concepts characteristic for stag¬
ings of musical dramas by Wagner on Polish scenes in the recent twenty
years. The leading motif for him is the problem of transferring the mean¬
ings inherent in this work as confronted with various director s interven¬
tions taking into account
—
to a greater or smaller degree
—
the social and
political situation in which the staging was produced.
The article by
Małgorzata Choczaj Estetyka filmu i opery.
„Otelio
Franco Zeffirellego
( Aesthetics of Film and the Opera.
Otelio
by Franco
Zeffirelli ) introduces a film expert perspective into the sphere of reflec¬
tion on the opera theatre. The author demonstrates the way the means
of director s art contribute to the creation of an intensified film aura en¬
riched by visual elements. In an in-depth analysis he defines the musi¬
cal and film masterpiece
Otelio
by Zeffirelli as a story of downfall and
annihilation of the protagonists, becoming inevitably evident at its dra¬
matic, musical and film-visual level. The search for interdependencies be¬
tween the drama and libretto in the opera, set in the context of reflec¬
tion on the fringe of literature and theatre, is the point of departure for
the two following studies.
Alina
Вогко
wska-Rychlewska (Cały świat
jest
groteską ? „Falstaff
Giuseppe
Verdiego
jako ironiczne zwierciadło
dziewiętnastowiecznych konwencji literackich i operowych) [,,Is
the Whole
World
Grotesque?
Falstaff
by Giuseppe
Verdi as an
Ironic Mirror of the
19th-century
Literary and Operatic Conventions ] and
Tomasz Kowalski
(Trzy życzenia hulaki. O libretcie „Żywota rozpustnika Wystana
Hugh
Audena i Chestera
Kallmana)
[Three Wishes of a Rake. About the Libretto
The Rake s Progress by Wystan Hugh Auden and Chester
Källman )
ana¬
lysing the selected musical dramatic works demonstrate the in-depth mes¬
sages of those compositions, as well as a broadly understood ideological
context of the era, in which they were written.
The volume concludes the text by Dobrochna Ratajczakowa entitled:
Straszny dwór Chącińskiego-Moniuszki w cieplarni mieszczańskiego
teatru
[ The Haunted Manor by
Chęciński-Moniuszko
in the Hothouse of
Bourgeois Theatre ] being an important proposal of a new reading of the
national opera by
Moniuszko
in the context of cultural and civilizational
transformations occurring in the 19th century. The metaphor of Crystal
Palace and „hothouse served the author as an important reference point
208
Horizons of the Opera
for the presentation of dependencies between theatre
-
including operatic
theatre
—
and the commercial aspects of culture in the times of the birth
of capitalism. The papers constituting the volume
Horyzonty opery
show
interesting thematic and formal relationships occurring within the opera
art, and also on its outskirts: musical-filmic, libretto-visual, dramatic-cul¬
tural, theatrical etc. They mark
—
valuable from the point of view of the
humanistic studies
—
the horizons of reflection upon the opera as a model
realization of the idea of synthesis and correspondence of the arts.
|
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| id | DE-604.BV041601199 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:00:29Z |
| institution | BVB |
| isbn | 9788376541556 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027042800 |
| oclc_num | 869893766 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 208 s. Notenbeisp. 24 cm |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk |
| record_format | marc |
| series2 | Prace Komisji Muzykologicznej / Poznańskie Towarzystwo Przyjaciół Nauk / Wydział Nauk o Sztuce |
| spelling | Horyzonty opery pod red. Dobrochny Ratajczakowej i Katarzyny Lisieckiej Poznań Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk 2012 208 s. Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Prace Komisji Muzykologicznej / Poznańskie Towarzystwo Przyjaciół Nauk / Wydział Nauk o Sztuce 29 Zsfassung in engl. Sprache u.d.T.: Horizons of the opera Bibliogr. w przypisach. Indeks Geschichte gnd rswk-swf Opery / historia i krytyka jhpk Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Oper (DE-588)4043582-9 s Geschichte z DE-604 Ratajczak, Dobrochna 1943- Sonstige (DE-588)1055084398 oth Poznańskie Towarzystwo Przyjaciół Nauk / Wydział Nauk o Sztuce Prace Komisji Muzykologicznej 29 (DE-604)BV005893205 29 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027042800&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027042800&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Horyzonty opery Opery / historia i krytyka jhpk Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4143413-4 |
| title | Horyzonty opery |
| title_auth | Horyzonty opery |
| title_exact_search | Horyzonty opery |
| title_full | Horyzonty opery pod red. Dobrochny Ratajczakowej i Katarzyny Lisieckiej |
| title_fullStr | Horyzonty opery pod red. Dobrochny Ratajczakowej i Katarzyny Lisieckiej |
| title_full_unstemmed | Horyzonty opery pod red. Dobrochny Ratajczakowej i Katarzyny Lisieckiej |
| title_short | Horyzonty opery |
| title_sort | horyzonty opery |
| topic | Opery / historia i krytyka jhpk Oper (DE-588)4043582-9 gnd |
| topic_facet | Opery / historia i krytyka Oper Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027042800&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027042800&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV005893205 |
| work_keys_str_mv | AT ratajczakdobrochna horyzontyopery |