Francis Poulenc, articles and interviews: notes from the heart
"He plays the piano well," wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. "His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is." Intelligent though the lady was, she got this one spectacularly w...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English French |
Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "He plays the piano well," wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. "His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is." Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of "genius", preferring "artisan", a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it's boasting that he'd be happy never to hear "The Mastersingers" ever again, pointing out that what critics condemn as the "formlessness" of French music is one of its delights, voicing his outrage at attempts to "finish" the Unfinished Symphony, writing "in praise of banality" - or remembering the affair of Debussy's hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. (Klappentext) |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | IX, 313 S. Ill. |
ISBN: | 9781409466222 |
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520 | |a "He plays the piano well," wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. "His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is." Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of "genius", preferring "artisan", a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it's boasting that he'd be happy never to hear "The Mastersingers" ever again, pointing out that what critics condemn as the "formlessness" of French music is one of its delights, voicing his outrage at attempts to "finish" the Unfinished Symphony, writing "in praise of banality" - or remembering the affair of Debussy's hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. (Klappentext) | ||
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Datensatz im Suchindex
_version_ | 1804151778304851968 |
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adam_text | Contents
List of Illustrations
xi
Preface to the Translation
xiii
Acknowledgements
xv
Translator s Note
xvii
Introduction
1
PART I: ARTICLES
I
Le Coq and Le Coq Parisien:
May-November
1920 17
II
On Igor
Stravinsky s
Mavra ,
Feuilles libres, no.
27,
June-July
1922,
section La musique , pp.
222-224 21
III
On Igor
Stravinsky s Symphony of Psalms ,
Le Mois,
no.
2,
February
1931,
pp.
249-250 25
IV In Praise of Banality ,
Présence,
no.
8,
October
1935,
pp.
24-25 27
V Long Live Stravinsky!
Le Figaro,
no.
199,
7
April
1945,
Chronique , p.
1 31
VI The Composer and the Sorcerer ,
Les Lettres Françaises,
no.
54, 5
May
1945,
p.
5 35
VII
Francis
Poulenc on
His Ballets , Ballet, no.
4/2,
September
1946,
pp.
57-58 39
VIII
For the Harpsichord, Wanda Landowska has Completed in New York
Her life s work* ,
Le
Figaro
littéraire,
no.
214, 27
May
1950,
p.
1 43
IX Pages from America (Diary extracts) , La Table
Ronde,
no.
30,
June
1950,
pp.
66-75 45
vi Francis
Poulenc: Articles and Interviews
X
Erik Satie s Piano
Music ,
La Revue Musicale, Satie
number,
no.
214,
June
1952,
pp.
23-26 51
XI How I Composed
Les Dialogues des Carmélites
,
L Opéra de Paris, no.
14,
Second
Quarter,
1957,
pp.
15-17 55
XII
Opera in the Cinema Era , Opera, vol.
12/1,
January
1961,
p.
18
(as told to Elliott Stein)
61
PART II: CRITICAL ARTICLES AND REVIEWS
XIII
On Richard Strauss s Elektra
Le
Figaro, no.
244,
1
September
1934,
p.
4 65
XIV
On Oberon
Le
Figaro, no.
247, 4
September
1934,
p.
5 69
XV The Paris
Opéra
Ought to Put on
Fidelio , Le
Figaro,
no.
272, 29
September
1934,
p.
5 73
XVI
The Heart of Maurice Ravel ,
La Nouvelle
Revue
Française,
no.
323, 1
Jan
1941,
pp.
237-240 77
PART III: CONTRIBUTIONS TO WORKS BY OTHERS
XVII
The Lesson of Claude Debussy , in
Auguste
Martin,
Claude Debussy,
Chronologie de sa vie et de ses œuvres,
Catalogue
of the
Exhibition
Organised from
2
to
17
May
1942,
in the Foyer of the
Opéra-Comique,
pp. XH-XIII
83
XVIII
Preface to Gabriel Laplane,
Albéniz: sa vie, son œuvre,
[Geneva],
Editions
du
milieu
du monde,
1956,
pp.
11-12 85
XIX
Notes on Ravel , in
Enciclopedia
della Musica,
vol.
3,
Milan,
Ricordi,
1964,
pp.
540-541 87
PART IV: RESPONSE TO A SURVEY
XX Is there a Messiaen Affair ?
,
Le Littéraire,
no.
4, 13
April
1946,
p.
4 91
Contents
vii
PART V: LECTURES
XXI
My Teachers and My Friends ,
Conferencia,
vol.
29/21,
15
October
1935,
pp.
521-527 95
XXII
My Songs and Their Poets ,
Conferencia,
no.
36,
15
December
1947,
pp.
507-513 105
PART VI: INTERVIEWS
XXIII
Interview with
André
Laphin
115
XXIV
Interview with
Lucien Chevaillier:
An Interview with
...
Francis
Poulenc ,
Le
Guide
du
Concert
et des
Theatres
Lyriques,
no.
ЗО,
26
April
1929,
pp.
855-857 119
XXV
Interview with
José Bruyr:
Francis
Poulenc*,
L
Ecran des Musiciens
I,
Paris, Des Cahiers de France,
1930,
pp.
40-47 123
XXVI
Interview
with
Nino
Franck: Poulenc in Montmartre ,
Candide, no.
424, 28
April
1932,
p.
13 129
XXVII
Interview with A.P.:
Francis Poulenc
Talks to Us about
His New Ballet
Les Animaux modèles
Le Figaro, no.
194, 14
August
1942,
p.
4 133
XXVIII
Interview
with Jeannie Chauveau: The Work of Two Great
French Artists, Written in Secret during the Occupation,
is Going to be Revealed to the World by the Chorale
d Anvers ,
Ce soir,
no.
994, 25
November
1944,
p.
1 137
XXIX
Interview with Claude Chamfray: Francis
Poulenc
Tells Us About
Music in England , Arts, no.
25, 20
July
1945,
p.
4 141
XXX
Interview with Fernando
Lopes-Graça:
Francis
Poulenc
in
Visita
aos Músicos
Franceses,
Lisbon,
Seara
Nova,
1947,
pp.
53-62 145
XXXI
Interview with Paul Guth: From
Les Mamelles de Tirésias
to the
Stabat Mater There are Two Sides to Francis
Poulenc , Le
Figaro
littéraire,
no.
3
17, 17
May
1952,
p.
4 149
viii Francis
Poulenc: Articles and Interviews
XXXII
Poulenc: An
Act of Faith , reported by Daniel
Bernét,
Arts,
no.
625, 26
June
1957,
p.
7 155
XXXIII
Interview with Henri Hell: Francis
Poulenc
at Work:
The Music of
La Voix humaine
Will be My Most Intense,
Most Carefully Worked Composition , Arts, no.
688,
17
September
1958,
pp.
1
and
9 157
XXXIV
Interview with
Martine Cadieu:
Duet with Francis
Poulenc ,
Les Nouvelles littéraires,
no.
1757, 4
May
1961,
p.
7 163
XXXV
Interview: A Denizen of Noizay and the Honorary President of
Local Musicmaking, Francis
Poulenc
is Going to Play to Restore his
Village Church. He is Going to Perform
La Voix humaine
Tomorrow
Evening in Amboise with
Denise
Duval ,
La Nouvelle République,
7
September
1961 171
XXXVI
Interview with
Denise Bourdet:
5
December Will See the Musical Birth of
La Dame de
Monte-Carlo. For Me, Monte-Carlo is Venice.
Le
Figaro
littéraire,
no.
815,
December
1961,
p.
19 173
PART
VII:
INTERVIEWS WITH CLAUDE ROSTAND
Preface to Interviews 1
79
Interview
1
Paris and Nogent-sur-Marne:
A Childhood Spent between Couperin and the Dance Hall
181
Interview
2
Musical Adventures with the Moderns :
Debussy, Stravinsky
187
Interview
3
Poulenc
at the Piano: Advice and Favourites
191
Interview
4
The
Maître
of Arcueil and Lifelong Friends
197
Interview
5
From Monte-Carlo to Paris under the Occupation
203
Interview
6
The Composer and His Poets: The Meeting with
Eluard
209
Interview
7
The Keyboard Concertos
215
Interview
8
Pierre Bernac, or the Unexpected Partner
221
Contents
їх
Interview 9
Choral
Music
Interview 10
Faith Restored
Interview 11
Interview 12
Interview 13
Interview 14
Interview 15
Interview 16
Interview 17
Chamber
Works
The Monk and the Naughty
Boy
Poulenc-
Janus:
Le Bal masqué and Les Mamelles de Tirésias
A
Countryman s Prayers: A Mass and Some Motets
The Composer s Studio: The Eye and the Ear
Musical Likes and Dislikes
What Future for Music?
227
233
239
245
251
259
265
273
279
Interview
18
Conclusions and Perspectives: At Work on the Dialogues
285
Index
291
|
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author | Poulenc, Francis 1899-1963 |
author_GND | (DE-588)11879308X (DE-588)1023795914 (DE-588)13499468X |
author_facet | Poulenc, Francis 1899-1963 |
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author_sort | Poulenc, Francis 1899-1963 |
author_variant | f p fp |
building | Verbundindex |
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dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
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discipline | Musikwissenschaft |
format | Book |
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"His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is." Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of "genius", preferring "artisan", a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it's boasting that he'd be happy never to hear "The Mastersingers" ever again, pointing out that what critics condemn as the "formlessness" of French music is one of its delights, voicing his outrage at attempts to "finish" the Unfinished Symphony, writing "in praise of banality" - or remembering the affair of Debussy's hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. 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genre | (DE-588)4020713-4 Gespräch gnd-content (DE-588)4027503-6 Interview gnd-content (DE-588)4135952-5 Quelle gnd-content |
genre_facet | Gespräch Interview Quelle |
geographic | Frankreich |
geographic_facet | Frankreich |
id | DE-604.BV041586705 |
illustrated | Illustrated |
indexdate | 2024-07-10T01:00:13Z |
institution | BVB |
isbn | 9781409466222 |
language | English French |
lccn | 2013009010 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027031851 |
oclc_num | 869276674 |
open_access_boolean | |
owner | DE-12 DE-703 DE-20 |
owner_facet | DE-12 DE-703 DE-20 |
physical | IX, 313 S. Ill. |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Ashgate |
record_format | marc |
spelling | Poulenc, Francis 1899-1963 Verfasser (DE-588)11879308X aut Francis Poulenc, articles and interviews notes from the heart collected, introduced and annotated by Nicolas Southon. Transl. by Roger Nichols Farnham [u.a.] Ashgate 2014 IX, 313 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "He plays the piano well," wrote the society hostess Mme de Saint-Marceaux in her diary on 18 March 1927. "His compositions are not devoid of talent but he's not a genius, and I'm afraid he thinks he is." Intelligent though the lady was, she got this one spectacularly wrong. Poulenc has in fact outpaced his colleagues in Les Six by many a mile, as singers and instrumentalists all over the world will attest, and while he would never have accepted the title of "genius", preferring "artisan", a genius is increasingly what he appears to have been. Part of the answer lay in always being his own man, and this independence of spirit shows through in his writings and interviews just as brightly as in his music, whether it's boasting that he'd be happy never to hear "The Mastersingers" ever again, pointing out that what critics condemn as the "formlessness" of French music is one of its delights, voicing his outrage at attempts to "finish" the Unfinished Symphony, writing "in praise of banality" - or remembering the affair of Debussy's hat. And in every case, his intelligence, humour and generosity of spirit help explain why he was so widely and deeply loved. (Klappentext) Poulenc, Francis 1899-1963 Interviews Poulenc, Francis 1899-1963 (DE-588)11879308X gnd rswk-swf Rostand, Claude 1912-1970 (DE-588)172337704 gnd rswk-swf Musik Music History and criticism Composers France Interviews Musikjournalismus (DE-588)1033525375 gnd rswk-swf Frankreich (DE-588)4020713-4 Gespräch gnd-content (DE-588)4027503-6 Interview gnd-content (DE-588)4135952-5 Quelle gnd-content Poulenc, Francis 1899-1963 (DE-588)11879308X p Musikjournalismus (DE-588)1033525375 s DE-604 Rostand, Claude 1912-1970 (DE-588)172337704 p Southon, Nicolas 1977- Sonstige (DE-588)1023795914 oth Nichols, Roger 1939- Sonstige (DE-588)13499468X oth Erscheint auch als Online-Ausgabe, EPUB 978-1-409-46624-6 Erscheint auch als Online-Ausgabe, PDF 978-1-409-46623-9 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027031851&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Poulenc, Francis 1899-1963 Francis Poulenc, articles and interviews notes from the heart Poulenc, Francis 1899-1963 Interviews Poulenc, Francis 1899-1963 (DE-588)11879308X gnd Rostand, Claude 1912-1970 (DE-588)172337704 gnd Musik Music History and criticism Composers France Interviews Musikjournalismus (DE-588)1033525375 gnd |
subject_GND | (DE-588)11879308X (DE-588)172337704 (DE-588)1033525375 (DE-588)4020713-4 (DE-588)4027503-6 (DE-588)4135952-5 |
title | Francis Poulenc, articles and interviews notes from the heart |
title_auth | Francis Poulenc, articles and interviews notes from the heart |
title_exact_search | Francis Poulenc, articles and interviews notes from the heart |
title_full | Francis Poulenc, articles and interviews notes from the heart collected, introduced and annotated by Nicolas Southon. Transl. by Roger Nichols |
title_fullStr | Francis Poulenc, articles and interviews notes from the heart collected, introduced and annotated by Nicolas Southon. Transl. by Roger Nichols |
title_full_unstemmed | Francis Poulenc, articles and interviews notes from the heart collected, introduced and annotated by Nicolas Southon. Transl. by Roger Nichols |
title_short | Francis Poulenc, articles and interviews |
title_sort | francis poulenc articles and interviews notes from the heart |
title_sub | notes from the heart |
topic | Poulenc, Francis 1899-1963 Interviews Poulenc, Francis 1899-1963 (DE-588)11879308X gnd Rostand, Claude 1912-1970 (DE-588)172337704 gnd Musik Music History and criticism Composers France Interviews Musikjournalismus (DE-588)1033525375 gnd |
topic_facet | Poulenc, Francis 1899-1963 Interviews Poulenc, Francis 1899-1963 Rostand, Claude 1912-1970 Musik Music History and criticism Composers France Interviews Musikjournalismus Frankreich Gespräch Interview Quelle |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027031851&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT poulencfrancis francispoulencarticlesandinterviewsnotesfromtheheart AT southonnicolas francispoulencarticlesandinterviewsnotesfromtheheart AT nicholsroger francispoulencarticlesandinterviewsnotesfromtheheart |