Thinking through dance: the philosophy of dance through performance and practices
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Binsted, Hampshire
Dance Books
2013
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 301 S. |
| ISBN: | 9781852731656 |
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Datensatz im Suchindex
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| adam_text | Contents vi x 1 Contributors Acknowledgements Introduction Part I: Dancers and People Dancing 1 Graham McFee: ‘Admirable legs’, or the dancer’s importance for the dance 2 Raf Geenens: Bodies and movements or persons and actions? 3 Jane Carr: Embodiment and dance: puzzles of consciousness and agency Part II: Dance Works and their Performances 4 Anna Fakes: The plausibility of a platonist ontology of dance 5 Renee Conroy: The Beat goes on: reconsidering dancework identity 6 Geraldine Morris: What should dancers think about when performing? Issues of interpretation and identity in ballet Part III: Dance Expression andRepresentation 7 Noël Carroll: Expression, music and dance 8 Julia Beauquel: Physical and aesthetic properties in dance 9 Henrietta Bannerman: Visible symbols: Dance and its modes of representation 10 Jonathan Owen Clark: The intrinsic significance of dance: a phenomenological approach Part IV: Dance and Philosophy / Dance as Philosophy 11 Catherine Botha: Dance and/as art: considering Nietzsche and Badiou 12 Larraine Nicholas: Dance and the historical imagination 13 Kristin Boyce: The thinking body: dance, philosophy and modernism 14 Efrosini Protopapa: Choreography as philosophy, or exercising thought in performance Index 21 22 46 63 83 84 102 127 149 150 165 185 202 223 224 241 256 273 291
Thinking Through Dance explores important philosophical questions raised in and by dance. Its themes include the embodiment and personhood of dancers: issues of dance work ontology and performance identity; how dance is perceived and understood: the relevance of philosophy to dance as an artform: and whether dance itself, or its associated practices, are themselves philosophical in any significant sense. Individual essays draw on different philosophical traditions, including analytic, phenomenological and poststructuralist, and the primary focus is on theatre dance in the Western tradition, although the issues discussed have a much broader sweep. The volume poses fundamental questions about what it means to be or witness a dancer moving, about the nature of choreography, dance works and performances, and about the interest and value of a dialogue between philosophy and dance. The philosophy of dance is a burgeoning field of enquiry and this volume seeks to represent something of the breadth of international research currently underway. It draws together contributors who are professional philosophers, dance scholars and dance practitioners (in some cases, people combine these roles), from Britain, continental Europe, the USA and South Africa. As the first anthology of essays about philosophy and dance to be published in English for some time, the aim is to provoke debate and develop the existing reflection on dance, but in new and invigorating directions. The editors are colleagues at the University of Roehampton, London: Jenny Bunker teaches aesthetics on the philosophy
programme of the Department of Humanities; Anna Pakęs and Bonnie Rowell (who is now retired) are from the Department of Dance, and have a longstanding interest in the application of analytic philosophy to dance, as well as the intersections between this and other philosophical traditions and dance studies.
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| title | Thinking through dance the philosophy of dance through performance and practices |
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