The African American theatrical body: reception, performance, and the stage
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | UEI01 |
| Beschreibung: | Includes bibliographical references and index "Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath"-- |
| Beschreibung: | 1 Online-Ressource (XIII, 329 S.) Ill. |
| ISBN: | 9781107014381 9781139157889 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV041558971 | ||
| 003 | DE-604 | ||
| 005 | 20171128 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 140114s2011 |||| o||u| ||||||eng d | ||
| 020 | |a 9781107014381 |c Print |9 978-1-107-01438-1 | ||
| 020 | |a 9781139157889 |c Online |9 978-1-139-15788-9 | ||
| 035 | |a (OCoLC)773039571 | ||
| 035 | |a (DE-599)BVBBV041558971 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-824 | ||
| 082 | 0 | |a 812/.509896073 |2 23 | |
| 084 | |a HU 1728 |0 (DE-625)53761: |2 rvk | ||
| 100 | 1 | |a Colbert, Soyica Diggs |d 1979- |e Verfasser |0 (DE-588)1017304904 |4 aut | |
| 245 | 1 | 0 | |a The African American theatrical body |b reception, performance, and the stage |c Soyica Diggs Colbert |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2011 | |
| 300 | |a 1 Online-Ressource (XIII, 329 S.) |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a "Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath"-- | ||
| 505 | 0 | |a Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a American literature / African American authors / History and criticism | |
| 650 | 4 | |a African Americans in literature | |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 2 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 3 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 912 | |a ZDB-38-EBR | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027004550 | ||
| 966 | e | |u http://site.ebrary.com/lib/ubeichstaett/Doc?id=10514189 |l UEI01 |p ZDB-38-EBR |q UEI_PDA_EBR_Kauf |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804151742448795648 |
|---|---|
| any_adam_object | |
| author | Colbert, Soyica Diggs 1979- |
| author_GND | (DE-588)1017304904 |
| author_facet | Colbert, Soyica Diggs 1979- |
| author_role | aut |
| author_sort | Colbert, Soyica Diggs 1979- |
| author_variant | s d c sd sdc |
| building | Verbundindex |
| bvnumber | BV041558971 |
| classification_rvk | HU 1728 |
| collection | ZDB-38-EBR |
| contents | Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography |
| ctrlnum | (OCoLC)773039571 (DE-599)BVBBV041558971 |
| dewey-full | 812/.509896073 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 812 - American drama in English |
| dewey-raw | 812/.509896073 |
| dewey-search | 812/.509896073 |
| dewey-sort | 3812 9509896073 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03682nmm a2200517zc 4500</leader><controlfield tag="001">BV041558971</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171128 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">140114s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107014381</subfield><subfield code="c">Print</subfield><subfield code="9">978-1-107-01438-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139157889</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-15788-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)773039571</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041558971</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-824</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">812/.509896073</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1728</subfield><subfield code="0">(DE-625)53761:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Colbert, Soyica Diggs</subfield><subfield code="d">1979-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1017304904</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The African American theatrical body</subfield><subfield code="b">reception, performance, and the stage</subfield><subfield code="c">Soyica Diggs Colbert</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XIII, 329 S.)</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath"--</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American literature / African American authors / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-38-EBR</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027004550</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://site.ebrary.com/lib/ubeichstaett/Doc?id=10514189</subfield><subfield code="l">UEI01</subfield><subfield code="p">ZDB-38-EBR</subfield><subfield code="q">UEI_PDA_EBR_Kauf</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV041558971 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:59:39Z |
| institution | BVB |
| isbn | 9781107014381 9781139157889 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027004550 |
| oclc_num | 773039571 |
| open_access_boolean | |
| owner | DE-824 |
| owner_facet | DE-824 |
| physical | 1 Online-Ressource (XIII, 329 S.) Ill. |
| psigel | ZDB-38-EBR ZDB-38-EBR UEI_PDA_EBR_Kauf |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Colbert, Soyica Diggs 1979- Verfasser (DE-588)1017304904 aut The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2011 1 Online-Ressource (XIII, 329 S.) Ill. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath"-- Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography Geschichte gnd rswk-swf American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Drama (DE-588)4012899-4 s Performance Künste (DE-588)4173750-7 s Geschichte z DE-604 |
| spellingShingle | Colbert, Soyica Diggs 1979- The African American theatrical body reception, performance, and the stage Machine generated contents note: Overture: rites that render repairing: Suzan-Lori Parks' The America Play; 1. Repetition/reproduction: the DNA of black expressive culture: Lorraine Hansberry's A Raisin in the Sun; 2. Recuperating black diasporic history: W. E. B. Du Bois' The Star of Ethiopia; 3. Re-enacting the Harlem Renaissance: Zora Neale Hurston's Color Struck; 4. Resisting shame, offering praise and worship: Langston Hughes's Tambourines to Glory; 5. Resisting death: the blues bravado of a ghost: James Baldwin's Blues for Mister Charlie; 6. Rituals of repair: August Wilson's Joe Turner's Come and Gone; 7. Reconstitution: Suzan-Lori Parks' Topdog/Underdog; Epilogue: Black movements: Tarell Alvin McCraney's In the Red and Brown Water; Bibliography American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4012899-4 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | The African American theatrical body reception, performance, and the stage |
| title_auth | The African American theatrical body reception, performance, and the stage |
| title_exact_search | The African American theatrical body reception, performance, and the stage |
| title_full | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_fullStr | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_full_unstemmed | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_short | The African American theatrical body |
| title_sort | the african american theatrical body reception performance and the stage |
| title_sub | reception, performance, and the stage |
| topic | American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | American literature / African American authors / History and criticism African Americans in literature Performance Künste Drama Schwarze USA |
| work_keys_str_mv | AT colbertsoyicadiggs theafricanamericantheatricalbodyreceptionperformanceandthestage |