The pop, rock, and soul reader: histories and debates
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2013
|
Ausgabe: | 3. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XIX, 587 S. 24 cm |
ISBN: | 9780199811700 |
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Datensatz im Suchindex
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adam_text | Contents
Preface.
..................................................................... xiii
Before
1950
1.
Irving
Berlín
in Tin Pan Alley
........ ......
л
Charles Hamm,
Irving Berlin and the Crucible of God
................ 2
2.
Technology, the Dawn of Modern Popular Music,
and the King of Jazz
9
Paul Whiteman and Mary Margaret McBride, On Wax
.....................11
3.
Big Band Swing Music: Race and Power in the Music Business
и
Marvin Freeâman,
Black Music s on Top; White Jazz Stagnant
.............. 15
Irving Kolodin, The Dance Band Business: A Study in Black
and White
.............. .......... . ....................
Л8
4.
Solo Pop Singers and New Forms of Fandom
21
Martha Weinman Lear, The Bobby Sox Have
Wilted, but the Memory Remains Fresh
,.,.,,,,...... 22
5.
Hillbilly and Race Music
.......... 25
Kyle Crichton, Thar s Gold in Them Hillbillies
.......................26
6.
Blues People and the Classic Blues
зо
LeRoi Jones, from Blues People: The Negro Experience
in White America and the Music that Developed from It
.......................32
7.
The Empress of the Blues
39
Nat Shapiro and Nat Hentoff, from Hear Me Talkin to Ya:
The Story of Jazz as Told by the Men Who Made it
...................... 40
8.
At the Crossroads with Son House
.....................................44
Jerry Gilbert, Son House: Living King of Delta
...... 46
iii
¡V
Contents
9.
From Race Music to Rhythm and Blues-.
Т
-Bone
Walker
48
Kevin Sheridan and Peter Sheridan, T-Bone Walker: Father
of the Blues
.49
10.
Jumpin the Blues with Louis Jordan
.51
Down Beat, Bands Dug by the Beat: Louis Jordan
52
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
53
11.
On the Bandstand with Johnny Otis
56
Johnny Otis, from Upside Your Head! Rhythm and Blues
on Central Avenue
.......
.57
12.
The Producers Answer Back: The Emergence of the Indie
Record Company
58
Bill Simon, Indies Surprise Survival: Small Labels
Ingenuity and Skill Pay Off
..... . . ....... ........... 6°
Arnold Shaw, from Honkers and Shouters: The Golden Years
of Rhythm and Blues
... ......... . ..................
62
13.
Country Music as Folk Music, Country Music as Novelty
65
Billboard, American Folk Tunes: Cowboy and Hillbilly Tunes
and
Tunesters . ,.„.,,.......,,.......,...,..... .66
Newsweek, Corn of Plenty
............... 68
PART
2
The
1950s
14.
Country Music Approaches the Mainstream 71
Rufus Jarman, Country Music Goes to Town
........
72
15.
Rhythm and Blues in the Early
1
950s: B. B. King 74
Arnold Shaw, from Honkers and Shouters: The Golden Years of
Rhythm and Blues
............................,............
7^
16.
The House that Ruth Brown Built 77
Ruth Brown (with Andrew Yule), from Miss Rhythm:
The Autobiography of Ruth Brown, Rhythm and Blues Legend,
. . .
78
17.
Ray Charles, or, When Saturday Night Mixed It Up with Sunday Morning
82
Ray Charles and David
Ritz,
from Brother Ray: Ray Charles
Own Story
........................ ............................83
18.
Jerry Wexlen
A Ufe
in R&B
Jerry Wexkr and
David Ritz,
from Rhythm and the Blues:
A Life in American Music
........ . . ...... /. .·
Contents
V
19.
The Growing Threat of Rhythm and Blues
..... 94
Variety, Top Names Now Singing the Blues as Newcomers
Roll on R&B Tide
.............................................. 95
Variety, A Warning to the Music Business
........ 98
20.
From Rhythm and Blues to Rock n Roll: The Songs of Chuck Berry
100
Norman Jopling, Chuck Berry: Rock Lives!
101
21.
Little Richard: Boldly Going Where No Man Had Gone Before
104
Charles White, from The Life and Times of Little Richard:
The Quasar of Rock
......................... ......... 105
22.
Elvis Presley, Sam Phillips, and Rockabilly no
Elizabeth Kaye, Sam Phillips Interview
......... 112
23.
Rock n Roll Meets the Popular Press us
24.
The Chicago Defender Defends Rock n Roll
120
Rob Roy, Bias Against Rock n Roll Latest Bombshell in Dixie
121
25.
The Music Industry Fight Against Rock n Roll: Dick Clark s
Teen-Pop Empire and the Payola Scandal
123
Peter Bunzel, Music Biz Goes Round and Round:
It Comes Out Clarkola
................... 125
New York Age, Mr. Clark and Colored Payola
........ 128
PART3
The
1960s
26.
The Brill Building and the Girl Groups
131
Charlotte Greig, from Will You Still Love Me Tomorrow?
Girl Groups from the 50s On
... ,.................. 133
27.
From Surf to Smile
Ш
Richard Cromelin, Interview with Brian Wilson
....... 141
28.
Urban Folk Revival
144
Gene Bluestein, Songs of the Silent Generation
146
Time, Folk Singing: Sibyl with Guitar
........................... 149
29.
Bringing It All Back Home: Dylan at Newport
153
Irwin Silber,
Newport Folk Festival,
1965 ,___. . . . 156
Paul Nelson, Newport Folk Festival,
1965 .................... 157
vi
Contents
30. Тог
a Man to Be At Ease. He Must Not Tell
AU
He Knows,
Nor Say
AU
He Sees
................ ........... .................
leo
John Cohen and Happy
Traum, Sing
Out! An Interview
with Bob Dylan
.....
161
31.
From R&B to Soul
............. 169
Jerry Wexler and
David Ritz,
from Rhythm and the Blues:
A Life in American Music
............... 170
32.
No Town Like Motown 173
Harvey Kubernik, Berry Gordy: A Conversation with Mr. Motown
174
33.
The Godfather of Soul and the Beginnings of Funk 178
James Brown (with Bruce Tucker), from The Godfather of Soul
180
34.
The Blues Changes from Day to Day 189
Jim
Delehant,
Otis Redding Interview
.
190
35.
Aretha Franklin Earns Respect
194
Phyl Garland, Aretha Franklin
—
Sister Soul :
Eclipsed Singer Gains New Heights
,..... ... 195
36.
The Beatles, the British Invasion. and Cultural Respectability
200
William Mann, What Songs the Beatles Sang
... ............
201
Theodore Strongin, Musicologically
... ..................
2^
37.
A Hard Day s Night and Beatlemania 205
Andrew
Sarris,
Bravo Beatles!
.......................
205
Barbara
Ehrenreich,
Elizabeth Hess, and Gloria Jacobs,
Beatlemania: Girls Just Want to Have Fun
.....
208
38.
England Swings, and the Beatles Evolve on Revolver
and Sgt Pepper
............
213
Richard Goldstein, Pop Eye: On Revolver
............... .214
Jack
Kroll,
It s Getting Better
.. . ......................... .... 217
39.
The British Art School Blues
,219
Ray Coleman, Rebels with a Beat
. .___.............................. 221
40.
The Stones versus the Beatles
.........
225
Ellen Willis, Records: Rock, Etc.—the Big Ones
.............
226
41.
If You re Goin to San Francisco
.......................................
231
Ralph J. Gleason, Dead Like Live Thunder
...........................
233
Contents
VU
42.
The Kozmic Blues of
Janis
Joplin
.... .235
Nűr
Hentoff, We Look at Our Parents and
... ................... ...........237
43.
Jimi Hendrix
and the Electronic Guitar
240
Bob Dawbarn, Second Dimension:
Jimi
Hendrix in Action
242
44.
Rock Meets the
Avant-Garde:
Frank Zappa
.244
Sally Kempton, Zappa and the Mothers: Ugly Can
Be Beautiful
....................................................... 245
45.
The Aesthetics of Rock
.249
Richard Goldstein, Pop Eye: Evaluating Media
.............................250
46.
Festivals: The Good, the Bad, and the Ugly
................. 254
ƒ.
R. Young, Review of Various Artists, Woodstock
....................255
George Paul Csicsery, Altamont, California,
December
6,1969 , . , . . ...........................___............ 258
PART
4
The
1970s
47.
The Sound of Autobiography: Singer-Songwriters. Carole King
261
Robert
Windeier,
Carole King: You Can Get to Know Me
through My Music
............................................ ___263
48.
ExclusiveJoniMitchelllnterview
266
Penny Valentine, Joni Mitchell: An Interview (part
1) ..................267
49.
Sly Stone·. The Myth of Staggerlee
.................... 270
Greti
Marcus, from Mystery Train: Images of America in
Rock n Roll Music
______..........................................272
50.
Not-So-IHHe Stevie Wonder
277
Ben Pong-Torres, The Formerly Little Stevie Wonder
....... ......... 278
51.
Parliament Drops the Bomb
........... ,283
W. A. Brower, George Clinton: Ultimate Liberator of
Constipated Notions
..........................................,......284
52.
Heavy Metal Meets the Counterculture
290
John Mendelsohn, Review of Led Zeppelin
................ .........292
Ed
Kelleher,
Black Sabbath Don t Scare Nobody
...................... 294
53.
Led Zeppelin Speaks!
299
Dave Schulps, The Crunge: Jimmy Page Gives a History Lesson
........300
viii Contents
54.
Ί
Have No Message Whatsoever
....
307
Cameron Crowe, David Bowie Interview
308
55.
Rock Me
Amadeus
зі4
Domenie
Milano,
Keith
Emerson
316
Tim
Morse,
from Yesstories: Yes in Their Own Words
319
56.
The Global Phenomenon of Reggae
323
Robert Hilburn, Third-World Theme of Bob Marley
324
57.
Get On Up Disco
....... 328
Andrew Kopkind, The Dialectic of Disco: Gay Music
Goes Straight
........... ..... ............. 330
58.
Punk: The Sound of Criticism?
зз9
James Wolcott, A Conservative Impulse in the New Rock
Underground
......... „.................................. ................341
59.
Punk Crosses the Atlantic
345
Caroline Coon, Rebels Against the System
. . . 346
60.
Punk to New Wave?
352
Stephen
Holden,
The B-52S American Graffiti
........ ..............
353
61.
UK New Wave
355
Allan Jones, The Elvis
(Costello,
That Is) Interview
356
PARTS
The
1980s
62.
Thriller Begets the King of Pop 363
Greg
Tate,
I m White! What s Wrong with Michael Jackson
........,365
Daryl Easlea, Don t Stop Til You Get Enough: Bruce Swedien
Remembers the Times with Michael Jackson
........
368
63.
Madonna and the Performance of Identity 372
Camille
Paglia,
Venus of the Radio Waves
............ .
373
64.
Bruce Springsteen: Reborn in the USA
...... -
377
David Marsh, Little Egypt from Asbury Park
—
and
Bruce Springsteen Don t Crawl on His Belly, Neither 378
Simon Frith, The Real Thing
—
Bruce Springsteen
........... .381
65.
R&B in the
1980s:
To Cross Over or Not to Cross Over?
388
Nelson George, from The Death of Rhythm and Blues
............. · ·
389
■■№
;.:„£■■■·
Contents
¡Χ
66.
Heavy Metal Thunders On!
395
J. D. Considine,
Purity
and Power
—
Total, Unswerving
Devotion to Heavy Metal Form: Judas Priest and the Scorpions
396
67.
Metal in the Late Eighties:
Glam
or Thrash?
399
Richard Gehr, Metallica .................................. . .. . . . 400
68.
Parents Want to Know: Heavy Metal, the PMRC.
and the Public Debate over Decency
405
Record Labeling: Hearing before the Committee on
Commerce, Science, and Transportation, United States Senate,
99th Congress, September
19,1985 .................................... 408
69.
Postpunk
Goes indie
415
AI Flipside,
What Is This Thing Called Hardcore?
.................... 416
70.
Hip-Hop, Don t Stop
.... .419
Robert Ford, Jr., B-Beats Bombarding Bronx: Mobile
DJ
Starts Something with Oldie R&B Disks
.............................420
Robert Ford, Jr., Jive Talking N.Y.
DJs
Rapping Away in
Black Discos
.............................. 421
71.
The Music is a Mirror
423
Harry Allen, Hip Hop Madness: From
Def
Jams to Cold
Lampin , Rap Is Our Music
................... . , . .......... 425
Carol Cooper, Girls Ain t Nothin but Trouble
....... . .___............429
72.
Where Rap and Heavy Metal Converge
431
Jon
Páreles,
There s a New Sound in Pop Music: Bigotry .
............. 432
PART
6
The
1990s
and Beyond
73.
Hip-Hop into the
1990s:
Gangstas.
Fly Girls.
and the Big Bling-Bling
439
J. D. Considine, Fear of a Rap Planet
................441
74.
Nuthin butaTThang
447
Touré,
Snoop Dogg s Gentle Hip Hop Growl
................... 448
75.
Keeping It a Little Too Real
452
Sam Gideon
Anso
and Charles Rappleye, Rap Sheet
... ........ ..., 453
Selwyn Seyfu Hinds, Tarty Over
...........___........;.-■;.......... 454
Natasha
Štovali,
Town Criers
..........................______........455
x
Contents
76.
Women in Rap 456
Christopher John Farley, Hip-Hop Nation 458
77.
The Beat Goes On
464
Renee Graham, Eminem s Old Words Aren t Hip-Hop s
Biggest Problem 465
78.
From Indie to Alternative to
...
Seattle?
Dave DiMartino, A Seattle Slew 468
79.
Grunge Turns to Scrunge 471
Eric
Weisbard,
Over and Out: Indie Rock Values in the Age
of Alternative Million Sellers 473
80.
We Are the World ? 479
George Lipsitz, Immigration and Assimilation:
Rai,
Reggae, and Bhangramuffin
............. ,....., 48
81.
Genre or Gender? The Resurgence of the Singer-Songwriter
490
Robert
L
Doerschuk, Tori Amos: Pain for Sale
........
492
82.
Public Policy and Pop Music History Collide 496
Jenny Toomey, Empire of the Air
83.
Electronica
Is in the House
......
501
Simon Reynolds,
Historia
Electronica
Preface
....... 504
84.
R&B Divas Go Retro 515
Ann Powers, The New Conscience of Pop Music
^16
85.
Country in the Post-Urban Cowboy Era 520
Mark Cooper, Garth Brooks: Meet Nashville s New Breed
Of Generously Stetsoned Crooner
.........................■.......
Charles Taylor, Chicks Against the Machine
............. ,527
86.
Performance as Simulacrum, Boy Bands, and Other
21st-century
Epiphanies 534
Joshua Clover, Jukebox Culture: How I Learned to Stop
Worrying and Love the Boy Band
.... ........... ..... ......
53
Nina C. Ayoub, Idol Pursuits
.................................... 537
87.
Lady Gaga and the Triumph of Camp
.................. ..................... 540
Sasha Frere-Jones, Ladies Wild: How Not Dumb Is Gaga? .
.......
Contents xi
The End of History, the Mass-Marketing of Trivia.
and a World of Copies without Originals
544
Jay
ВаЪсоск,
The Kids Aren t Alright
.. .
They re Amazing
546
Robert Everett-Green, Ruled by Frankenmusic
.................. 552
Eliot Van Buskirk, Why File Sharing Will Save Hollywood, Music
556
Selected Bibliography
........................., ............ 561
Index
........................................................ . ........ .. . . 567
|
any_adam_object | 1 |
author | Brackett, David 1958- |
author_GND | (DE-588)131421468 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
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dewey-sort | 3781.6409 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
edition | 3. ed. |
era | Geschichte 1920-2006 gnd Geschichte 1920-2013 gnd Geschichte 1920-2009 gnd |
era_facet | Geschichte 1920-2006 Geschichte 1920-2013 Geschichte 1920-2009 |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | USA |
geographic_facet | USA |
id | DE-604.BV041557336 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T00:59:38Z |
institution | BVB |
isbn | 9780199811700 |
language | English |
lccn | 013024079 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027002930 |
oclc_num | 849510178 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | XIX, 587 S. 24 cm |
publishDate | 2013 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Oxford Univ. Press |
record_format | marc |
spelling | Brackett, David 1958- Verfasser (DE-588)131421468 aut The pop, rock, and soul reader histories and debates David Brackett 3. ed. New York [u.a.] Oxford Univ. Press 2013 XIX, 587 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Geschichte 1920-2006 gnd rswk-swf Geschichte 1920-2013 gnd rswk-swf Geschichte 1920-2009 gnd rswk-swf Popular music United States History and criticism Soul (DE-588)4181885-4 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Rockmusik (DE-588)4115774-6 s Soul (DE-588)4181885-4 s Geschichte 1920-2013 z DE-604 Geschichte 1920-2006 z 1\p DE-604 Geschichte 1920-2009 z 2\p DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002930&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Brackett, David 1958- The pop, rock, and soul reader histories and debates Popular music United States History and criticism Soul (DE-588)4181885-4 gnd Rockmusik (DE-588)4115774-6 gnd Popmusik (DE-588)4046781-8 gnd |
subject_GND | (DE-588)4181885-4 (DE-588)4115774-6 (DE-588)4046781-8 (DE-588)4143413-4 |
title | The pop, rock, and soul reader histories and debates |
title_auth | The pop, rock, and soul reader histories and debates |
title_exact_search | The pop, rock, and soul reader histories and debates |
title_full | The pop, rock, and soul reader histories and debates David Brackett |
title_fullStr | The pop, rock, and soul reader histories and debates David Brackett |
title_full_unstemmed | The pop, rock, and soul reader histories and debates David Brackett |
title_short | The pop, rock, and soul reader |
title_sort | the pop rock and soul reader histories and debates |
title_sub | histories and debates |
topic | Popular music United States History and criticism Soul (DE-588)4181885-4 gnd Rockmusik (DE-588)4115774-6 gnd Popmusik (DE-588)4046781-8 gnd |
topic_facet | Popular music United States History and criticism Soul Rockmusik Popmusik USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002930&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT brackettdavid thepoprockandsoulreaderhistoriesanddebates |