Screen adaptations: Shakespeare's Hamlet: the relationship between text and film
"Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Ham...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Bloomsbury
2014
|
Schriftenreihe: | The Arden Shakespeare
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"-- "A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- |
Beschreibung: | Includes bibliographical references, filmography and index Machine generated contents note: -- Acknowledgements Preface 1 Literary contexts 2 Laurence Olivier's Hamlet: from text to screen 3 Kenneth Branagh's Hamlet: from text to screen 4 Critical response and the afterlife of text and film Bibliography Index |
Beschreibung: | XVIII, 154 S. |
ISBN: | 9781408129555 9781472538918 9781472538932 9781472538925 |
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Datensatz im Suchindex
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adam_text | Titel: Screen adaptations: Shakespeare s Hamlet
Autor: Crowl, Samuel
Jahr: 2014
CONTENTS
Acknowledgements x
Preface xii
Creditslfdmograpby xiv
1 Literary contexts l
Hamlet in its time 1
Shakespeare s sources 2
The text 5
Hamlet and revenge 6
Hamlet as intellectual hero 7
Politics and religion 9
Hamlet in our time 13
Hamlet and Freud 14
Hamlet and the Age of Aquarius 17
Hamlet in contemporary Performance 19
Hamlet and the art of adaptation 23
2 Laurence Olivier s Hamlet: From text
to screen 29
Screenplay 29
Film score 33
Landscape and atmosphere 39
Camera 41
Stage and film Conventions 45
CONTENTS
Hamlet and Gertrude 50
Flashbacks 55
Hamlet at mid-century 57
Kenneth Branagh s Hamlet: From text
to screen 65
Branagh and Olivier 65
Screenplay 68
Film score 70
Landscape and character 73
Camera 76
Flashcuts and flashbacks 85
Landscape and atmosphere 88
Hamlet and fin de siecle 94
Critical response and the afterlife of text
and film 99
Olivier s Hamlet: Afterlife 100
Olivier s Hamlet: Critical response 102
Olivier s Hamlet and selected Hamlet films:
1948-1990 107
Grigori Kozintsev s Hamlet (1964) 109
Tony Richardson s Hamlet (1969) 112
Franco Zeffirelli s Hamlet (1990) 114
Branagh s Hamlet: A new paradigm 117
Branagh s Hamlet and the Shakespeare films
ofthe 1990s 120
Branagh s Hamlet: Critical response 122
Branagh s Hamlet and selected Hamlet
films: 1996-2006 126
Michael Almereyda s Hamlet (2000) 128
CONTENTS
Campbell Scott s Hamlet (2001) 130
Sherwood Hu s Prince ofthe Himalayas (2006) 133
Bibliography 141
Index 151
г;
The Screen Adaptations Series provides in-depth analysis
of how classic literature has been adapted for the
screen, showing how alternative readings offer up new
interpretations of the original text, Each book, authored by
a leading scholar in adaptations studies, collects together
a vast array of study material, critical insight and thought-
provoking comparisons. From the literary context of the
original work, to the critical afterlife of the screen versions,
this is a vital study aid for film and literature students.
Hamlet is the most ofien produced play in the western
literary canon, and a fertile global source for film
adaptation. Samuel Crowl a noted scholar of Shakespeare
on film, unpacks the process of adapting from text to
screen through concentrating on two sharply contrasting
film versions of Hamlet by Laurence Olivier
(1948)
and
Kenneth Branagh
(1996).
The films socio-political contexts
are explored and the importance of their screenplay, film
score, setting, cinematography and editing examined.
Offering an analysis of two of the most important figures in
the history of film adaptations of Shakespeare, this study
seeks to understand a variety of cinematic approaches to
translating Shakespeare s vwords, words, words into film s
particular grammar and rhetoric.
|
any_adam_object | 1 |
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building | Verbundindex |
bvnumber | BV041557030 |
ctrlnum | (OCoLC)869872191 (DE-599)BVBBV041557030 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Crowl, Samuel 1940- Verfasser (DE-588)133985997 aut Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl London [u.a.] Bloomsbury 2014 XVIII, 154 S. txt rdacontent n rdamedia nc rdacarrier The Arden Shakespeare Includes bibliographical references, filmography and index Machine generated contents note: -- Acknowledgements Preface 1 Literary contexts 2 Laurence Olivier's Hamlet: from text to screen 3 Kenneth Branagh's Hamlet: from text to screen 4 Critical response and the afterlife of text and film Bibliography Index "Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's "words, words, words" into film's particular grammar and rhetoric"-- "A study of how Hamlet has been adapted for film and TV, with a focus on the classic film by Olivier and Branagh"-- Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd rswk-swf Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd rswk-swf Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 u Film (DE-588)4017102-4 s Geschichte z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002634&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002634&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Crowl, Samuel 1940- Screen adaptations: Shakespeare's Hamlet the relationship between text and film Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4099350-4 (DE-588)4017102-4 |
title | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
title_auth | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
title_exact_search | Screen adaptations: Shakespeare's Hamlet the relationship between text and film |
title_full | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
title_fullStr | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
title_full_unstemmed | Screen adaptations: Shakespeare's Hamlet the relationship between text and film Samuel Crowl |
title_short | Screen adaptations: Shakespeare's Hamlet |
title_sort | screen adaptations shakespeare s hamlet the relationship between text and film |
title_sub | the relationship between text and film |
topic | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd PERFORMING ARTS / Film & Video / Reference bisacsh Film (DE-588)4017102-4 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William 1564-1616 Hamlet PERFORMING ARTS / Film & Video / Reference Film |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002634&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027002634&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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