The freak-garde: extraordinary bodies and revolutionary art in America
" Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. The Freak-garde traces the arts of the freak show from P. T. Barnum to Mat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis, Minn. [u.a.]
Univ. of Minnesota Press
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | " Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. The Freak-garde traces the arts of the freak show from P. T. Barnum to Matthew Barney and demonstrates how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Exploring a wide range of writers, filmmakers, photographers, and artists who have appropriated the arts of the freak show, Robin Blyn exposes the disturbing power of human curiosities and the desires they unleash. Through a series of incisive and often startling readings, Blyn reveals how such figures as Mark Twain, Djuna Barnes, Tod Browning, Lon Chaney, Nathanael West, and Diane Arbus use these desires to propose alternatives to the autonomous and repressed subject of liberal capitalism. Blyn explains how, rather than grounding revolutionary subjectivities in imaginary realms innocent of capitalism, freak-garde works manufacture new subjectivities by exploiting potentials inherent to capitalism itself. Defying conventional wisdom, The Freak-garde ultimately argues that postmodernism is not the death of the avant-garde but the inheritor of a vital and generative legacy. In doing so, the book establishes innovative approaches to American avant-garde practices and embodiment and lays the foundation for a more nuanced understanding of the disruptive potential of art under capitalism. ".. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXVII, 281 S. Ill. |
| ISBN: | 9780816678167 9780816678174 |
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Datensatz im Suchindex
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| adam_text | THE FREAK-GARDE
/ BLYN, ROBIN.
: 2013
TABLE OF CONTENTS / INHALTSVERZEICHNIS
CONTENTS
PREFACE AND ACKNOWLEDGMENTS
INTRODUCTION. UNBECOMING SUBJECTS: FREAK SHOWS AND THE AMERICAN
AVANT-GARDE
1. A CURIOUS EDUCATION: MARK TWAIN S CORPORATE PERSONS
2. BETWEEN SILENCE AND SOUND: THE LON CHANEY SENSATION
3. DECADENCE IN THE AGE OF FASCISM: DJUNA BARNES S FREAK DANDIES
4. DADA IN HOLLYWOOD: NATHANAEL WEST S HUMAN MACHINES
5. THE BIOLOGY OF REVOLUTION: MAPPING MUTATION WITH DIANE ARBUS
CODA. BARNUM & BAILEY & BARNEY: FREAK SHOW AT THE GUGGENHEIM
NOTES
BIBLIOGRAPHY
INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| spelling | Blyn, Robin Verfasser (DE-588)1047506777 aut The freak-garde extraordinary bodies and revolutionary art in America Robin Blyn Minneapolis, Minn. [u.a.] Univ. of Minnesota Press 2013 XXXVII, 281 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index " Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. The Freak-garde traces the arts of the freak show from P. T. Barnum to Matthew Barney and demonstrates how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Exploring a wide range of writers, filmmakers, photographers, and artists who have appropriated the arts of the freak show, Robin Blyn exposes the disturbing power of human curiosities and the desires they unleash. Through a series of incisive and often startling readings, Blyn reveals how such figures as Mark Twain, Djuna Barnes, Tod Browning, Lon Chaney, Nathanael West, and Diane Arbus use these desires to propose alternatives to the autonomous and repressed subject of liberal capitalism. Blyn explains how, rather than grounding revolutionary subjectivities in imaginary realms innocent of capitalism, freak-garde works manufacture new subjectivities by exploiting potentials inherent to capitalism itself. Defying conventional wisdom, The Freak-garde ultimately argues that postmodernism is not the death of the avant-garde but the inheritor of a vital and generative legacy. In doing so, the book establishes innovative approaches to American avant-garde practices and embodiment and lays the foundation for a more nuanced understanding of the disruptive potential of art under capitalism. ".. Geschichte 1900-2000 Geschichte gnd rswk-swf ART / History / General bisacsh LITERARY CRITICISM / American / General bisacsh HISTORY / United States / General bisacsh Geschichte Arts United States Experimental methods Arts, American 20th century Themes, motives Freak shows ART / History / General LITERARY CRITICISM / American / General HISTORY / United States / General Anomalie (DE-588)4274436-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Das Andere (DE-588)4195640-0 gnd rswk-swf Schaubude (DE-588)4549634-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Das Andere (DE-588)4195640-0 s Anomalie (DE-588)4274436-2 s Schaubude (DE-588)4549634-1 s Geschichte z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026998899&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Blyn, Robin The freak-garde extraordinary bodies and revolutionary art in America ART / History / General bisacsh LITERARY CRITICISM / American / General bisacsh HISTORY / United States / General bisacsh Geschichte Arts United States Experimental methods Arts, American 20th century Themes, motives Freak shows ART / History / General LITERARY CRITICISM / American / General HISTORY / United States / General Anomalie (DE-588)4274436-2 gnd Kunst (DE-588)4114333-4 gnd Das Andere (DE-588)4195640-0 gnd Schaubude (DE-588)4549634-1 gnd |
| subject_GND | (DE-588)4274436-2 (DE-588)4114333-4 (DE-588)4195640-0 (DE-588)4549634-1 (DE-588)4078704-7 |
| title | The freak-garde extraordinary bodies and revolutionary art in America |
| title_auth | The freak-garde extraordinary bodies and revolutionary art in America |
| title_exact_search | The freak-garde extraordinary bodies and revolutionary art in America |
| title_full | The freak-garde extraordinary bodies and revolutionary art in America Robin Blyn |
| title_fullStr | The freak-garde extraordinary bodies and revolutionary art in America Robin Blyn |
| title_full_unstemmed | The freak-garde extraordinary bodies and revolutionary art in America Robin Blyn |
| title_short | The freak-garde |
| title_sort | the freak garde extraordinary bodies and revolutionary art in america |
| title_sub | extraordinary bodies and revolutionary art in America |
| topic | ART / History / General bisacsh LITERARY CRITICISM / American / General bisacsh HISTORY / United States / General bisacsh Geschichte Arts United States Experimental methods Arts, American 20th century Themes, motives Freak shows ART / History / General LITERARY CRITICISM / American / General HISTORY / United States / General Anomalie (DE-588)4274436-2 gnd Kunst (DE-588)4114333-4 gnd Das Andere (DE-588)4195640-0 gnd Schaubude (DE-588)4549634-1 gnd |
| topic_facet | ART / History / General LITERARY CRITICISM / American / General HISTORY / United States / General Geschichte Arts United States Experimental methods Arts, American 20th century Themes, motives Freak shows Anomalie Kunst Das Andere Schaubude USA |
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