Crosscurrents: American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009]
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge [u.a.]
Boydell Press
2014
|
| Schriftenreihe: | A publication of the Paul Sacher Foundation
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 527 S. Ill. |
| ISBN: | 9781843839002 |
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Datensatz im Suchindex
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| adam_text | TABLE
OF CONTENT
INTRODUCTION
11 Felix Meyer,
Carol
J. Oja,
Wolfgang Rathert,
Anne C.
Shreff
1er
1
KEYNOTE ADDRESSES
23
Michael Denning
Decolonizing the Ear:
The Work of Music in the Age of
Electrical Reproduction
40
Berndt
Ostendorf
From Cold War to Cool War:
Contradictions of a
Frankfurt School Bebop Snob
PERFORMING
NATIONAL IDENTITY
NETWORKS OF PEDAGOGY
AND PATRONAGE
147
Sarah Adams and
Elizabeth Titrington Craft
Nadia Boulanger
and Her American
Composition Students: An Exhibition
163
Jeanice Brooks
New links between them :
Modernist Historiographies and the
Concerts of
Nadia Boulanger
177
Giselher Schubert
Horizons Shifted: Hindemith and
Germany s Post-war Musical Culture
59
Celia
Applegate
Music at the Fairs: A Paradigm
of Cultural Internationalism?
72 Dörte
Schmidt
The most American city in Europe
Americans and Images of America
in Berlin between the Wars
89
Christopher Moore
Charles Koechlin s America
EXILE AND EMIGRATION
197
Brigid
Cohen
Musical Modernism beyond the Nation:
The Case of Stefan Wolpe
210 Eckhard
John
Music of the
Futureon
the Move:
Joseph
Schillinger
and the Emigration
of Russian Musicians to the U.S.A.
TOURING ON
THE OTHER SIDE
105
James Deavi lie
Performing Black Identity on the
Blue Danube: The Songs of
African-American Entertainers in
Turn-of-the-Century Vienna
119
Tobias
Bleek
Take jazz seriously! :
American Tours by European
Composers in the
1920s
132
ElectraYourke
Dear Dorothy : Letters from
Nicolas Slonimsky to His Wife
219
Pietro Cavallotti
The Twelve-tone Method as the
Musical Language of
Emigrés:
Hanns Eisler,
Ernst Krenek,
and Stefan Wolpe duringTheir First
Years in Exile
233
Jonathan Hiam
Reconstructing a Shaken Culture :
The Re-emergence of Schoenberg s
Verein für musikalische Privat¬
aufführungen
at the Black Mountain
College Summer Music Institute
of
1944
WARTIME CONCERNS
247 Annegret Fauser
Music for the Allies:
Representations of Nationhood in the
United States during World War II
259
William Brooks
A Child Went Forth:
Hanns Eisler,
American Progressives, and Folk Song
275 David Schiff
Oklahoma! and the Nazi Threat
TABLE
OF
CONTENT
CULTURAL POLITICS
IN THE COLD WAR
287
Emily AbramsAnsari
A serious and delicate mission :
American Orchestras, American
Composers, and Cold War Diplomacy
in Europe
299
Penny
Von Eschen
Jazz Ambassadors Play the
Cold War: Crosscurrents of Jazz in
the Twentieth Century
309
Zbigniew
Granat
An East Side Story:
Polish Soil, American Jazz,
and theThingThat Grew
320 Claudia Vincis
To
Nono: a No : Luigi Nono
and His
Intolleranza
1965
in the U.S.
8
TECHNOLOGICAL
INTERSECTIONS
335
Nicola Scaldaferri
The Voice and the Tape:
Aesthetic and Technological
Interactions in European Studios
during the
1950s
350
Veniero Rizzardi
The Complete Birth of the Loop:
Terry Riley in Paris,
1962-63
10
MUSICAL LANGUAGES:
CONVERGENCES
AND DIVERGENCES
411
Angela Ida
De Benedictis
Indeterminacy and Open Form in
the United States and Europe:
Freedom from Control vs. Control
of Freedom
425
Felix
Wörner
Transmitting Schoenberg s Legacy
into a New World:
Patricia Carpenter s Contribution
435
Hermann
Danuser
Postmodernism
-
This Side/That Side
of the Atlantic and Modernity
11
QUESTIONING
HIERARCHIES,
CHALLENGING
BOUNDARIES
451
Claudia
di
Luzio
L opera è aperta:
Luciano Berio s Experimental Music
Theater from His American Years
464
David Nicholls
All Made of [Classical] Tunes :
Toward a Taxonomy of Rock s
Art Music Borrowings
472
J. Griffith Rollefson
Musical (African-)Americanization:
APPENDIX
510
Concert Programs
512
Contributors
516
Index
364
Amy
С
Beai
The Case of Aggro Berlin
Musica Elettronica Viva
and the
Art
Ensemble
of Chicago:
Tradition and Improvisation in
Self-Exile, ca.
1970
12
INTERVIEWS
9
INSTITUTIONAL HAVENS
AND CONFRONTATIONS
375
Martin
Brody
Cold War Genius: Music and
Cultural Diplomacy at the
American Academy in Rome
388
Steve Swayne
Irresistible Vision Meets
Immovable Reality:
William
Schuman
and the Lincoln
Center Festivals of the
1960s
396
Max Noubel
The Ensemble InterContemporain
and Its America
489
Steve Reich in Conversation
with Paul
Hilller
499
Betsy
Jolas
in Conversation
with Vivian Perlis
|
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| era_facet | Geschichte 1900-2000 |
| format | Conference Proceeding Book |
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| spelling | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] ed. by Felix Meyer ... Woodbridge [u.a.] Boydell Press 2014 527 S. Ill. txt rdacontent n rdamedia nc rdacarrier A publication of the Paul Sacher Foundation Geschichte 1900-2000 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Kulturaustausch (DE-588)4165964-8 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2008 Cambridge, Mass. gnd-content (DE-588)1071861417 Konferenzschrift 2009 München gnd-content Europa (DE-588)4015701-5 g USA (DE-588)4078704-7 g Neue Musik (DE-588)4428235-7 s Jazz (DE-588)4028532-7 s Kulturaustausch (DE-588)4165964-8 s Geschichte 1900-2000 z DE-604 Meyer, Felix 1957- (DE-588)130954276 edt International Conference Crosscurrents: American and European Music in Interaction, 1900 - 2000 2008-2009 Cambridge, Mass.; München Sonstige (DE-588)1048299708 oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026986497&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] Jazz (DE-588)4028532-7 gnd Neue Musik (DE-588)4428235-7 gnd Kulturaustausch (DE-588)4165964-8 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4428235-7 (DE-588)4165964-8 (DE-588)4015701-5 (DE-588)4078704-7 (DE-588)1071861417 |
| title | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] |
| title_auth | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] |
| title_exact_search | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] |
| title_full | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] ed. by Felix Meyer ... |
| title_fullStr | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] ed. by Felix Meyer ... |
| title_full_unstemmed | Crosscurrents American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] ed. by Felix Meyer ... |
| title_short | Crosscurrents |
| title_sort | crosscurrents american and european music in interaction 1900 2000 based on the international conference crosscurrents american and european music in interaction 1900 2000 harvard university cambridge massachussetts usa 30 october 1 november 2008 ludwig maximilians universitat munich germany 7 9 may 2009 |
| title_sub | American and European music in interaction, 1900 - 2000 ; [based on the International Conference "Crosscurrents: American and European Music in Interaction, 1900 - 2000", Harvard University, Cambridge, Massachussetts, USA, 30 October - 1 November 2008, Ludwig-Maximilians-Universität, Munich, Germany, 7-9 May 2009] |
| topic | Jazz (DE-588)4028532-7 gnd Neue Musik (DE-588)4428235-7 gnd Kulturaustausch (DE-588)4165964-8 gnd |
| topic_facet | Jazz Neue Musik Kulturaustausch Europa USA Konferenzschrift 2008 Cambridge, Mass. Konferenzschrift 2009 München |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026986497&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT meyerfelix crosscurrentsamericanandeuropeanmusicininteraction19002000basedontheinternationalconferencecrosscurrentsamericanandeuropeanmusicininteraction19002000harvarduniversitycambridgemassachussettsusa30october1november2008ludwigmaximiliansuniversitatmunichgermany AT internationalconferencecrosscurrentsamericanandeuropeanmusicininteraction19002000cambridgemassmunchen crosscurrentsamericanandeuropeanmusicininteraction19002000basedontheinternationalconferencecrosscurrentsamericanandeuropeanmusicininteraction19002000harvarduniversitycambridgemassachussettsusa30october1november2008ludwigmaximiliansuniversitatmunichgermany |