Law, culture and visual studies:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Dordrecht [u.a.]
Springer
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XLI, 1042 S. Ill. |
| ISBN: | 9789048193219 9789048193226 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Law, Culture and Visual Studies
Autor: Wagner, Anne
Jahr: 2014
Contents
Introduction: Law, Culture, and Visual Studies...................................... xxxiii
Richard K. Sherwin
Part I Introducing Visual Legal Studies
1 Devising Law: On the Philosophy of Legal Emblems...................... 3
Peter Goodrich
2 Law and Image: Towards a Theory of Nomograms........................ 25
Paolo Heritier
3 The Book as Authoritative Sign in Seventeenth-Century
England: A Review Through the Lens of Holistic
Media Theory...................................................................................... 49
Paul Douglas Callister
4 Representing Sovereignty in Renaissance England: Pictorial
Metaphors and the Visibility of Law................................................. 79
Cristina Costantini and Lucia Morra
5 Visual Common Sense........................................................................ 105
Neal Feigenson
6 The Photographic Image: Truth or Sign?......................................... 125
Ira Torresi
7 Visualization Between Fictitious Law and Factual Behaviour:
A Pragmatic-Institutional Analysis................................................... 143
Hanneke van Schooten
Part II Visualizing Legal Scholarship
8 The First Amendment and the Second Commandment.................. 161
Amy Adler
viii Contents
9 The Semiotics of Film in US Supreme Court Cases............................. 179
Jessica Silbey and Meghan Hayes Slack
10 Looking Again at Photographs and Privacy: Theoretical
Perspectives on Law s Treatment of Photographs
as Invasions of Privacy............................................................................ 205
David Rolph
11 Drawing Attention: Art, Pornography, Ethnosemiotics
and Law.................................................................................................... 225
Alec McHoul and Tracey Summerneid
12 What s Wrong with Pink Pearls and Cornrow Braids?
Employee Dress Codes and the Semiotic Performance
of Race and Gender in the Workplace.................................................. 241
Janet Ainsworth
13 Semiotic Interpretation in Trademark Law: The Empirical
Study of Commercial Meanings in American English
of f^^^WAr^T^M Checkered Pattern ........................ 261
Ronald R. Butters
14 A Multimodal Social Semiotic Approach to Shape
in the Forensic Analysis of Trademarks................................................ 283
Christian Mosbaek Johannessen
15 French Commemorative Postage Stamps as a Means
of Legal Culture and Memory............................................................... 307
Anne Wagner and Malik Bozzo-Rey
16 The Criminal Trial as Theater: The Semiotic
Power ofthe Image................................................................................. 329
Denis J. Brion
Part III Law and Iconic Art
17 Do You See What I See? Iconic Art and Culture
and the Judicial Eye in Australian Law................................................ 363
Marett Leiboff
18 The Iconography of the Giving of the Law:
A Semiotic Overview............................................................................... 395
Massimo Leone
19 Daumier and Replacing the King s Body............................................. 421
Oliver Watts
20 Law, Code, and Governance in Prophetic Painting:
Notes on the Emergence of Early, High, and Late
Modern Forms of Life and Governance................................................ 445
Ronnie Lippens
Contents ix
Part IV Visualizing Law in Indigenous or Folk Loric Culture
21 Signs at Odds? The Semiotics of Law, Legitimacy,
and Authenticity in Tribal Contexts...................................................... 471
Renee Ann Cramer
22 Emblem of Folk Legality: Semiotic Prosecution
and the American Bald Eagle................................................................. 497
Sarah Marusek
Part V Visualizing Law s Topography
23 Constructing Courts: Architecture, the Ideology
of Judging, and the Public Sphere......................................................... 515
Judith Resnik, Dennis Curtis, and Allison Tait
24 Saying the Saffu and Beating the Law: The Changing
Role of Sacred Sites in the Oromo Politico-Juridical System............. 547
Pekka Virtanen
25 The Mandala State in Pre-British Sri Lanka:
The Cosmographical Terrain of Contested Sovereignty
in the Theravada Buddhism Tradition.................................................. 573
Roshan de Silva Wijeyeratne
26 Linguistic Landscape, Law and Reflexive Modernity......................... 599
Christopher Mark Hutton
27 Visual Art in American Courthouses.................................................... 615
James R. Fox
Part VI Visual Technologies of Law
28 Mediating Disputes with Digital Media................................................ 631
Maurizio Gotti and Larissa D Angelo
29 The Alleged Liveness of Live : Legal Visuality, Biometrie
Liveness Testing and the Metaphysics of Presence.............................. 649
Joseph Pugliese
30 Visual Legal Commentary...................................................................... 671
Karen Petroski
31 The Invisible Court: The Foreign Intelligence Surveillance
Court and Its Depiction on Government Websites.............................. 697
Pamela Hobbs
x Contents
Part VII Law and Populär Visual Media: Case Studies
32 Seeking Truth and Telling Stories in Cinema and the Courtroom:
Reversal of Fortune s Reflexive Critique............................................... 723
Cynthia Lucia
33 Hollywood s Hero-Lawyer: A Liminal Character
and Champion of Equal Liberty............................................................ 747
Orit Kamir
34 The Representation of Law on Film: Mr. Deeds
and Adam s Rib Goto Court.................................................................. 775
Wim Staat
35 Justice for the Disabled: Crime Films on Punishment
and the Human Rights of People with Learning Disabilities.............. 791
Majid Yar and Nicole Rafter
36 Make Enough Money, Everything Else Will Follow :
Litigation and the Signification of Happiness
in Populär Culture.................................................................................. 805
Jason Bainbridge
37 Trial by Ordeal: CSI and the Rule of Law........................................... 825
Christina O. Spiesel
38 The Visibly Offensive Offender: A Semiotic Phenomenology
ofanExecution........................................................................................ 849
Jody Lynee Madeira
39 A Tale of Many Newspapers: Perversion, Criminality,
and Scopophilia in the Edison Chen Scandal....................................... 873
Marco Wan and Janny Leung
Part VIII Law and Populär Visual Media: In Theory
40 Make em Laugh: Images of Law in Eighteenth Century
Populär Culture....................................................................................... 893
Mary Hemmings
41 Judge Dredd: Dreaming of Instant Justice............................................ 917
Alexander V. Kozin
42 Oil and Water Do Not Mix: Constitutional Law
and American Populär Culture............................................................. 943
David Ray Papke
43 Where There Is No Need to Screen Local Justice:
Law and Film in Israel........................................................................... 959
Shulamit Almog
Contents xi
44 Influence of Public Perceptions of Media Legality
on Making Biopic Films.......................................................................... 975
Betty L. Hart
45 Film and the Reconstruction of Memory.............................................. 993
Farid Samir Benavides Vanegas
46 The Impact of Film and Television on Perceptions
of Law and Justice: Towards a Realisable Methodology..................... 1011
Peter Robson, Guy Osborn, and Steve Greenfield
Index................................................................................................................. 1029
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| title | Law, culture and visual studies |
| title_auth | Law, culture and visual studies |
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| title_full | Law, culture and visual studies Anne Wagner ; Richard K. Sherwin eds. |
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