Best in the West - Nashville guitar: Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Partitur Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Brühl
Ama-Verl.
2000
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 276 S. Ill., überw. Notenbeisp. CD (12 cm) |
| ISBN: | 3932587359 |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
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| 005 | 20140211 | ||
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| 020 | |a 3932587359 |9 3-932587-35-9 | ||
| 024 | 2 | |a M700136185 |9 M-700136-18-5 | |
| 028 | 5 | 2 | |a 610228 : DM 49.80 |
| 035 | |a (OCoLC)869855695 | ||
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| 245 | 1 | 0 | |a Best in the West - Nashville guitar |b Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD |c Richard Köchli |
| 264 | 1 | |a Brühl |b Ama-Verl. |c 2000 | |
| 300 | |a 276 S. |b Ill., überw. Notenbeisp. |e CD (12 cm) | ||
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Datensatz im Suchindex
| _version_ | 1804151608719704064 |
|---|---|
| adam_text | Inhaltsverzeichnis
Inhaltsverzeichnis
Seite
Vorwort.................................................................................................................................................................3
CD Index...............................................................................................................................................................8
Kapitel 1: Grundlagen der Country-Rhythmusgitarre....................................................................................11
Etwas Geschichte................................................................................................................................................12
Die ersten Schlagmuster...........................................................................................Niveau 1.............................13
Kapodaster...........................................................................................................................................................14
Der Shuffle-Rhythmus.........................................................................................................................................15
Basic-Countryrhythmen.......................................................................................................................................16
Der Wechselbass.............................................................................................................................................16
Der Basslauf....................................................................................................................................................18
Das Carter-Back-up-Lick.................................................................................................................................18
Basic-Bassruns................................................................................................................................................20
Hammer-on...............................................................................................................Niveau 2............................27
Pull-off..................................................................................................................................................................29
Workshop - Jimmie Rodgers...............................................................................................................................31
Dämpfakzente...........................................................................................................Niveau 3............................36
Ghostnote-Rhythmen mit
Fills
und Bassläufen....................................................................................................38
Barreakkorde beim Back-up-Spiel.......................................................................................................................45
Riffs..................................................................................................................................................................45
Kombinationen verschiedener Grifftypen (Sektorspiel)...................................................................................50
High Class
-
Back-up
mit offenen Akkorden.......................................................................................................51
Diskographie........................................................................................................................................................54
Kapitel 2: Bluegrass-Back-up...........................................................................................................................55
Etwas Geschichte................................................................................................................................................56
Die Rhythmusgitarre im Bluegrass...........................................................................Niveau 2/3.........................57
G-Run..................................................................................................................................................................57
Zusätzliche Akkordanschläge..........................................................................................................................62
Weniger Akkordanschläge...............................................................................................................................63
Ending
..................................................................................................................................................................63
Barré
-
G-Runs
....................................................................................................................................................71
Diskographie........................................................................................................................................................73
Kapitel 3: Carter-Leadstyle...............................................................................................................................75
Maybelle s Geschichte..............................................................................................Niveau 1.............................76
Maybelle s Technik...............................................................................................................................................76
Maybelle s
Flower
............................................................................................................................................78
John Hardy
.......................................................................................................................................................78
Will
The Circle Will Be Unbroken
..........................................................................Niveau 2.............................80
Farther Along
...................................................................................................................................................81
Diskographie........................................................................................................................................................83
Wreck Of Old
97.......................................................................................................Niveau 3.............................84
Kapitel 4: Bluegrass-Flatpicking-Soli..............................................................................................................85
Die Leadgitarre im Bluegrass...................................................................................Niveau 1.............................86
Bluegrass-Licks in G-Dur.................................................................................................................................87
Bluegrass-Licks in C-Dur.................................................................................................................................90
Bluegrass-Licks in D-Dur.................................................................................................................................92
Inhaltsverzeichnis
Seite
Solo in G-Dur............................................................................................................Niveau 2............................94
Solo in C-Dur................................................................................................................■............■.........................95
Theoretische Kurzanalyse...................................................................................................................................97
Fiddletunes...............................................................................................................Niveau 3..........................100
Workshops - Drei große Flatpicker.....................................................................................................■.............101
Alton Delmore................................................................................................................................................101
Doc Watson...................................................................................................................................................
103
Clarence White
..............................................................................................................................................105
Crosspicking
......................................................................................................................................................107
Diskographie
......................................................................................................................................................108
Kapitel 5:
Fingerpicking
..................................................................................................................................109
Etwas Geschichte..............................................................................................................................................110
Einführung ins Fingerpicking....................................................................................Niveau 1...........................111
Back-up-Picking.................................................................................................................................................113
Basic-
Patterns
................................................................................................................................................113
Der Wechselbass...........................................................................................................................................120
Bassruns........................................................................................................................................................121
Melodie-Picking - Melodische Verzierungen.....................................................................................................122
Erweiterung der
Basic-Patterns
durch
Fill-ins
...........................................................Niveau 2..........................124
З/4
-Takt
Pattern.................................................................................................................................................127
Workshops.........................................................................................................................................................130
Sam Mc
Gee
..................................................................................................................................................130
Merle Travis
...................................................................................................................................................132
Travis-Picking
mit beweglichen Akkorden.................................................................Niveau 3..........................138
Workshop- Chet
Atkins
....................................................................................................................................139
Fingerpicking-Licks zum Prahlen.......................................................................................................................142
Leadpicking........................................................................................................................................................145
Diskographie......................................................................................................................................................147
Kapitel 6:
A Rockabilly-Trip............................................................................................................................
149
Etwas Geschichte..............................................................................................................................................150
Back-up-Basics.........................................................................................................Niveau 1...........................150
Bewegliche Back-up-Riffs..................................................................................................................................154
Erweiterung der Back-up-Riffs..................................................................................Niveau 2..........................156
Workshop - Scotty Moore.................................................................................................................................158
Rockabilly-Leadlicks..........................................................................................................................................160
Rockabilly-Solo.........................................................................................................Niveau 3...........................162
Diskographie............................................................................ .......................................163
Kapitel 7: Nashville-Leadstyles...................................................................................................................165
Etwas Geschichte.................................................................................... ....................................................166
Workshop- Luther
Perkins
......................................................................................Niveau 1...........................167
Leadbasics............................................................... ...............................170
Die vier Varianten der Durpenta-Improvisation..............................................................................................170
Improvisationen mit verschiedenen
Scales
...................................................................................................178
Mehrstimmiges Solospiel............................. ...............................180
Akkord-Licks.................................................
ZľZľľlľ.................
... ...........................................................180
Doublenote-Licks....................................................... .......................................185
Kombinationen des bisherigen Stoffes..............................................................................................................189
Nashville Hammer-on-
und Pull-off-Licks.................................................................Niveau 2..........................191
Pedalsteel-Bending.................................................................. ....................................................198
Chicken-Picking
...........................................................■··■··■■■.......................... ................................^
Inhaltsverzeichnis
Seite
Ghostnotes........................................................................................................................................................210
Gedämpfte Trillervorschläge..............................................................................................................................210
Workshop - James Burton.................................................................................................................................211
Country
Rock -
What s that?.............................................................................................................................
213
Workshop - Pete Anderson...............................................................................................................................215
Open String-Adventures
...........................................................................................Niveau 3..........................217
Twin-Leads........................................................................................................................................................
221
Nashville-Specials
.............................................................................................................................................223
Bottleneck-Slide
.............................................................................................................................................223
Bend behind the nut
.......................................................................................................................................225
Der magische
Chromatic-Spurt
.....................................................................................................................227
Harmonics
......................................................................................................................................................227
Workshop -Albert Lee
......................................................................................................................................229
Diskographie
......................................................................................................................................................231
Kapitel 8:
Western Swing
und
Honky Tonk
..........................................................................,........................233
Etwas Geschichte..............................................................................................................................................234
Texas-Style-Comping................................................................................................Niveau 1...........................234
Der Sock-Rhythmus.......................................................................................................................................235
Passing-Chords
.............................................................................................................................................235
Western-Swing-Leadgitarre......................................................................................Niveau 2..........................238
Honky-Tonk-Leadgitarre
....................................................................................................................................239
Diminished Scale
......................................................................................................Niveau 3..........................241
Workshop
-
Eldon Shamblin
.............................................................................................................................242
Diskographie
......................................................................................................................................................243
Kapitel
9:
Cajun................................................................................................................................................
245
Etwas Geschichte..............................................................................................................................................246
Eine kurze Stilanalyse..............................................................................................Niveau 1...........................247
Cajun Workshop............................,...........................................................................Niveau 2/3.......................247
Diskographie......................................................................................................................................................250
Kapitel 10: New Generation............................................................................................................................251
Workshops.........................................................................................................................................................252
Danny Gatton.................................................................................................................................................252
Brent Mason..................................................................................................................................................
256
Weitere
Nashville-Cracks..................................................................................................................................
259
Ray Flacke.....................................................................................................................................................259
Steve Wariner................................................................................................................................................259
Jerry
Donahue
...............................................................................................................................................260
Abschluss-Workshop.........................................................................................................................................262
Kapitel 11: Theorie...........................................................................................................................................265
Das Griffbrett.....................................................................................................................................................266
Tonstufen- und Intervallbezeichnungen............................................................................................................266
Nashville-Leadsheet..........................................................................................................................................267
Die häufigsten Durtonleitern und ihre Akkordstufen..........................................................................................268
Die häufigsten Molitonleitern und ihre Akkordstufen.........................................................................................268
Beliebte Countryschemas..................................................................................................................................269
Simultanintervalle -Tonleitern...........................................................................................................................270
Sektorbezogene Gesamtübersicht....................................................................................................................272
Sonderzeichentabelle......................................................................................................................................276
CD-Index
8
CD-Index
Track
Inhalt (Beispiel - Thema) Seite
1 1 - Der Shuffle-Rhythmus.....................................................................................................................16
3 -Der Basslauf....................................................................................................................................18
4, 7 - Der Carter-Back-up-Lick........................................................................................................18, 20
2 9 -
Old Smokey (trad.)
..........................................................................................................................23
11
-The Days Of
49
(trad.)
...................................................................................................................26
3
13, 15, 17, 18-
Hammer-ons
und Pull-offs im Back-up-Spiel...........................................................27 ff.
4 20 -
We Don t Forget You Jimmie
.........................................................................................................32
5 21 -
Bury Me Beneauth The Willow (trad.)
...........................................................................................34
6 22
-The Frozen Logger (trad.)
.............................................................................................................35
7 23, 25, 27, 28, 29, 30, 31 - Dämpfakzente........................................................................................37 f.
8 33, 34 - Ghostnote-Rhythmen mit
Fills
und Bassläufen (C-Dur-Akkord)..............................................39
36, 38, 39 - Ghostnote-Rhythmen mit
Fills
und Bassläufen (G-Dur-Akkord)........................................40
9 40, 41, 42 -Ghostnote-Rhythmen mit
Fills
und Bassläufen (A-Dur-Akkord)........................................41
44, 46, 47 - Ghostnote-Rhythmen mit
Fills
und Bassläufen (E-Dur-Akkord)........................................42
10 49, 50 - Ghostnote-Rhythmen mit
Fills
und Bassläufen (D-Dur-Akkkord)............................................43
51, 52 - zwei Übungsstücke (erweiterter Ghostnote-Back-up-Stil).......................................................44
11 54, 56, 59, 60 - Barreakkorde beim Back-up-Spiel, E-Typ..............................................................46 ff.
12 61, 63, 64, 65 - Barreakkorde beim Back-up-Spiel, A-Typ................................................................48 f.
13 66 - Barreakkorde beim Back-up-Spiel, G-Typ......................................................................................50
67, 68 - Barreakkorde beim Back-up-Spiel,
C
-Тур
und Kombination versch. Typen.........................50 f.
14 69, 70 - High-Class-Back-up mit offenen Akkorden..........................................................................52 f.
15 71,72, 74, 76 - Der G-Run (G-Dur-Akkord).....................................................................................57 ff.
16 78,79, 80,81, 83, 84, 85, 88, 89 - G-Run über C, D,
A
und
E
.........................................................59 ff.
17 90, 92, 93 - Zusätzliche bzw. weniger Akkordanschläge...................................................................62 f.
94, 95, 96 -
Ending
............................................................................................................................63 f.
18 97 - Banks
Of The Ohio (trad.)
.............................................................................................................64
19 98-
Roll In My
Sweet
Baby sArms (trad.)
............................................................................................66
20 99 -
Cripple Creek (trad.)
......................................................................................................................68
21 100
-All Your Good Songs
...................................................................................................................70
22 101, 103, 104-
Barré
-
G-Runs
........................................................................................................71
f.
23 107, 108
-Maybelle s Flower/John Hardy (trad.)
................................................................................78
24 109
-Will The Circle Will Be Unbroken (trad.)
......................................................................................80
25 110-
Farther Along (trad.)
....................................................................................................................82
26 111 -
Wreck Of Old
97
(trad.)
................................................................................................................84
27 112, 114, 115, 117, 118, 119, 120 -
Bluegrass-Licks in
G
.................................................................87 ff.
28 123, 124, 125, 126 -
Bluegrass-Licks in
С
............................................................................................91
29 128, 129, 1
3О
-
Bluegrass-Licks
in D
.................................................................................................92 f.
132 - Bluegrass-Solo in
G
....................................................................................................................94
30 133-
Roll In My
Sweet
Baby s Arms (trad.)
..........................................................................................94
134-Bluegrass-Solo in
С
.....................................................................................................................96
31 135-Banks
Of The Ohio (trad.)
...........................................................................................................97
32 136 -
Fiddle Tune „Turkey In The Straw (trad.)
.................................................................................10°
33 137-
Blues for Alton
...........................................................................................................................102
34 138 -
Billy In The Low Ground
............................................................................................................104
35 139 -
Nine Pound Hammer.
................................................................................................................106
36 144, 146, 149 - Einfache klassische Zupfmuster.............................................................................112
f-
37 150, 151 -
Basic-Pattern 1a
.............................................................................................................113
f-
154, 157 -
Basic-Pattern 2a
.............................................................................................................115
f-
38 159, 160, 162 -
Pattern
3 und 4 sowie Übungsstück.......................................................................118 ^
CD-Index
Track
Inhalt (Beispiel-Thema) Seite
39 163, 164, 165 - Wechselbass und Bassruns...................................................................................120 f.
40 167-
Jesse
James
(trad.)
...................................................................................................................123
41 168, 169, 171, 172-Erweiterung der
Patterns
(H
und
Ρ)
...............................................................124 f.
42 173, 174 - Erweiterung der
Patterns
(SL, B)
...................................................................................125 f.
175 - Übungsstück mit verschiedenen Stilmitteln...............................................................................126
43 176, 177, 178, 179 -
З/4
-Takt-Patterns
............................................................................................127 f.
44 180 -
I Never Will Marry (trad.)...........................................................................................................
129
45 182-
For Sam
.....................................................................................................................................131
46 184
-Travis-Picking „Take This Hammer (trad.)
................................................................................134
185 -
Travis-Picking „Worried Man (trad.)
.........................................................................................135
47 186, 188, 190
-Travis-Back-up-Patterns
.........................................................................................136
f.
48 191
-Travis-Picking „I m A Pilgrim (trad.)
..........................................................................................137
49 192 -
Travis-Picking
mit beweglichen Akkorden
„Careless Love (trad.)
............................................138
50 193 -
Mister Chetman
.........................................................................................................................140
51 195, 196, 197, 199,200/202, 201, 203, 204 -
Licks
zum Prahlen..................................................142 ff.
52 206, 208 -
Leadpicking
.......................................................................................................................146
53 209 - Boogie-Riff.................................................................................................................................151
211 - Übungsstück mit Septimakkord-Schlägen.................................................................................152
54 213, 214, 217-Varianten des Boogie-Runs,
Ending Run
...............................................................153 f.
218, 220 - Bewegliche Back-up-Riffs.................................................................................................154
55 224, 225, 226, 227 - Erweiterte Boogie-Riffs......................................................................................156
56 229 - Übungsstück „bluesig anghämmerte Terz ................................................................................157
57 231 -The Scotty-Beam.......................................................................................................................159
58 232, 234, 235, 236, 237 - Rockabilly-Leadücks...............................................................................160 f.
59 238 -
Nashville-Cats Don t Stray.........................................................................................................
162
60 239, 240 - Workshop Luther
Perkins
...............................................................................................168 f.
61 242, 243 - Durpentatonik
Basic-Scale
Variation 1..............................................................................171
246 - Durpentatonik Übungsstück......................................................................................................172
62 247, 248, 250, 252 - Durpentatonik
Basic-Scale
Variation 2..........................................................173 ff.
63 255, 257, 260 - Durpentatonik
Basic-Scale
Variation 3 und 4....................................................176, 178
261 - Improvisation mit verschiedenen
Scales
...................................................................................179
64 262, 265, 268, 269,271, 273 - Akkordlicks....................................................................................181 ff.
274- Übungstück im Hank-Snow-Style..............................................................................................184
65 275, 277 - Doublenote-Licks............................................................................................................185 f.
279-Tom Dooley................................................................................................................................188
66 280 - Übungsstück „Sektor-Solieren .................................................................................................190
67 281, 284, 286 -
Nashville Hammer-on-
und Pull-off-Licks Teil 1.....................................................191 ff.
68 287, 288, 289, 290 -
Nashville Hammer-on-
und Pull-off-Licks Teil 2.............................................193 ff.
69 292, 293/294 -
Nashville Hammer-on-
und Pull-off-Licks Teil 3.......................................................194 f.
70 296, 298, 299, 301 -
Nashville Hammer-on-
und Pull-off-Licks Teil 4.............................................195 ff.
71 302, 304, 305-
Nashville Hammer-on-
und Pull-off-Licks Teil 5.......................................................197 f.
72 307, 309, 310, 311, 313- Pedalsteel-Licks Teil 1............................................................................200 f.
73 316, 318, 319, 321, 323, 324 - Pedalsteel-Licks Teil 2....................................................................202ff.
74 326, 327, 329, 330 - Pedalsteel-Licks Teil 3....................................................................................205 f.
75 331 - Pedalsteel-Übungsstück............................................................................................................207
76 332 - Verschiedene Chicken-Picking-Techniken................................................................................208
333, 334, 335 - Chicken-Picking-Techniken mit Ghostnotes und Trillern........................................209 f.
77 336 - James
Hote
Tele.......................................................................................................................
212
78 337 -
Nothing To Prove
.......................................................................................................................216
79 338 - Übungsstück Pedalstell-Bending mit
Open Strings
...................................................................217
80 341/342, 344 -
Open String Hot Lick
...............................................................................................218
f.
81 349, 350, 352 -
Melodic Roll Patterns
.............................................................................................220
f.
82 354 - Übungsstück Twin
Lead
............................................................................................................222
CD-Index
10
Track
Inhalt (Beispiel-Thema) Seite
83 355-Jenny In Hawaii.........................................................................................................................225
84 356, 358, 360 -
Bend Behind The Nut Licks, Chromatik-Spurt
........................................................226
f.
85 361 -
A Little Bell
-
Waltz
....................................................................................................................228
86 362 -
Wizard Albert
.............................................................................................................................230
87 363, 364 -
Sock-Rhythmus, Passing Chords
...................................................................................235
f.
376 (inkl. 375 -
„Will The Circle
im
Western-Swing-Style
...............................................................238
f.
88 377 -
Honkey-Tonk-Heartaches
..........................................................................................................240
89 378-
Playboy
Eldon
...........................................................................................................................242
90 379 - Anhämmem bzw. Hineingleiten des Akkords............................................................................247
91 381 -
Les Jolies Filles
De Louisiana...................................................................................................249
92 382-
Danny s One-Man-Band
............................................................................................................254
93 383 - Master
Mason s
Turbo!..............................................................................................................256
94 387
-Slick Country
.............................................................................................................................262
95
Jamtrack
1 Tonart
С,
12 Takte binär;
Country-Rock,
-Blues, -Pop
96 Jamtrack 2: Tonart E, 8 Takte binär; Country-Rock, -Blues, -Pop
97 Jamtrack 3: Tonart D, Walzer, 16 Takte ternär;
Countryballade, Folk, Oldtime
98 Jamtrack 4: Tonart G,
Roll In My
Sweet
Baby s Arms ;
Bluegrass
99 Jamtrack 5: Tonart
A, Rockabilly-Shuffle;
16 Takte;
Rockabilly
|
| any_adam_object | 1 |
| author | Koechli, Richard 1962- |
| author_GND | (DE-588)135054508 |
| author_facet | Koechli, Richard 1962- |
| author_role | cmp |
| author_sort | Koechli, Richard 1962- |
| author_variant | r k rk |
| building | Verbundindex |
| bvnumber | BV041471799 |
| ctrlnum | (OCoLC)869855695 (DE-599)BVBBV041471799 |
| format | Musical Score Book |
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| geographic | Nashville, Tenn. (DE-588)4102368-7 gnd |
| geographic_facet | Nashville, Tenn. |
| id | DE-604.BV041471799 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:57:32Z |
| institution | BVB |
| isbn | 3932587359 |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026917926 |
| oclc_num | 869855695 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 276 S. Ill., überw. Notenbeisp. CD (12 cm) |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | Ama-Verl. |
| record_format | marc |
| spelling | Koechli, Richard 1962- Komponist (DE-588)135054508 cmp Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD Richard Köchli Brühl Ama-Verl. 2000 276 S. Ill., überw. Notenbeisp. CD (12 cm) ntm rdacontent n rdamedia nc rdacarrier Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf Gitarre (DE-588)4124933-1 gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Nashville, Tenn. (DE-588)4102368-7 gnd rswk-swf Nashville, Tenn. (DE-588)4102368-7 g Countrymusic (DE-588)4138030-7 s Gitarre (DE-588)4124933-1 s Gitarrenspiel (DE-588)4021101-0 s b DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026917926&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Koechli, Richard 1962- Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD Gitarrenspiel (DE-588)4021101-0 gnd Gitarre (DE-588)4124933-1 gnd Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)4021101-0 (DE-588)4124933-1 (DE-588)4138030-7 (DE-588)4102368-7 |
| title | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD |
| title_auth | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD |
| title_exact_search | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD |
| title_full | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD Richard Köchli |
| title_fullStr | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD Richard Köchli |
| title_full_unstemmed | Best in the West - Nashville guitar Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD Richard Köchli |
| title_short | Best in the West - Nashville guitar |
| title_sort | best in the west nashville guitar geschichte interpreten und spieltechniken der countrygitarre incl cd |
| title_sub | Geschichte, Interpreten und Spieltechniken der Countrygitarre ; incl. CD |
| topic | Gitarrenspiel (DE-588)4021101-0 gnd Gitarre (DE-588)4124933-1 gnd Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | Gitarrenspiel Gitarre Countrymusic Nashville, Tenn. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026917926&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT koechlirichard bestinthewestnashvilleguitargeschichteinterpretenundspieltechnikendercountrygitarreinclcd |