Performing gender, place, and emotion in music: global perspectives
While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the nexus bet...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
Univ. of Rochester Press [u.a.]
2013
|
| Ausgabe: | 1 publ. |
| Schriftenreihe: | Eastman/Rochester studies in ethnomusicology
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the nexus between these three concepts from a cross-cultural perspective. Contributors consider ways in which locally produced musics emerge from and interact with particular structures of feeling while recognizing that the emotional terrains of musical performance are complex local, national, and global domains |
| Beschreibung: | VI, 208 S. Ill., Kt. |
| ISBN: | 9781580464642 |
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| 520 | 1 | |a While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the nexus between these three concepts from a cross-cultural perspective. Contributors consider ways in which locally produced musics emerge from and interact with particular structures of feeling while recognizing that the emotional terrains of musical performance are complex local, national, and global domains | |
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Datensatz im Suchindex
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Contents
Acknowledgments
vii
Introduction:
Musical
Intersections, Embodiments,
and Emplacements
1
Fiona Magowan and Louise Wrazen
Part One: Landscape and Emotion
1
Engendering Emotion and the Environment in
Vietnamese Music and Ritual
17
Barley Norton
2
Gendering Emotional Connections to the
Balinese
Landscape:
Exploring Children's Roles in a Barong Performance
38
Jonathan Mclntosh
3
Performing Emotion, Embodying Country in
Australian Aboriginal Ritual
63
Fiona Magowan
Part Two: Memory and Attachment
4
Christian Choral Singing in Aboriginal Australia:
Gendered Absence, Emotion, and Place
85
Muriel Swijghuisen Reigersberg
5
Transforming the Singing Body: Exploring Musical Narratives of
Gender and Place in East Bavaria
109
Sara R. Walmsley-Pledl
6
A Place of Her Own: Gendered Singing in Poland's Tatras
127
Louise Wrazen
Part Three: Nationalism and Indigeneity
7
Singing the Contentions of Place: Korean Singers of the
Heart and Soul of Japan
Christine R. Yano
VI
CONTENTS
8
"In
Our
Foremothers'
Arms": Goddesses, Feminism, and
the Politics of Emotion in Sami Songs
162
Tina K. Ramnarine
Afterword
185
Beverley Diamond
Selected Bibliography
195
List of Contributors
201
Index
203 |
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| discipline | Musikwissenschaft |
| edition | 1 publ. |
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| title | Performing gender, place, and emotion in music global perspectives |
| title_auth | Performing gender, place, and emotion in music global perspectives |
| title_exact_search | Performing gender, place, and emotion in music global perspectives |
| title_full | Performing gender, place, and emotion in music global perspectives ed. by Fiona Magowan ... |
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| title_full_unstemmed | Performing gender, place, and emotion in music global perspectives ed. by Fiona Magowan ... |
| title_short | Performing gender, place, and emotion in music |
| title_sort | performing gender place and emotion in music global perspectives |
| title_sub | global perspectives |
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