Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Polish |
| Published: |
Olsztyn
Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego
2013
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Item Description: | Zsfassung in engl. Sprache u.d.T.: The performance of Polish musical songs with the piano and chamber ensemble accompaniment as a form of popularization of the genre Bibliogr. s. 141-[148] |
| Physical Description: | 147, [1] s. Notenbeisp. 21 cm |
| ISBN: | 9788372998231 |
Staff View
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| 500 | |a Bibliogr. s. 141-[148] | ||
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Record in the Search Index
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| adam_text | Spis treści
Wstęp
......................................................................................................... 7
I. Musical widziany oczami twórców
...................................................... 13
II.
Stylistyczna analiza partytur wybranych songów
.............................. 29
III. Graficzna wizualizacja budowy songu musicalowego i arii operowej
jako solowych pierwiastków tkanki muzycznej dzieła scenicznego
... 37
IV.
Opis dzieła
........................................................................................... 45
1.
Song Walc o Paryżu z musicalu Dama od
Maxima
............... 46
2.
Song Gdy dwoje ludzi się pokocha z musicalu
Wygnanie z Raju
........................................................................ 54
3.
Song Ech, ta noc z musicalu Diabeł nie śpi
........................... 59
4.
Song Razem przez życie z musicalu Cień
............................... 67
5.
Song To jest mój dzień z musicalu Achilles i miłość
............ 77
6.
Song Iść z musicalu Błękitny zamek
....................................... 83
7.
Song Arka z musicalu Miss Natura
......................................... 88
8.
Song A ja nie z musicalu Metro
............................................... 93
9.
Song Twych oczu blask z musicalu Romeo i Julia
................ 101
10.
Song Rozmowa z musicalu Noc w środku dnia
..................... 108
11.
Song
Sqd z
musicalu
Francesco
............................................... 113
Zakończenie
.............................................................................................. 127
Aneks
......................................................................................................... 135
Summary
................................................................................................... 139
Bibliografia
................................................................................................ 141
Summary
The performance of Polish musical songs
with the piano and chamber ensemble accompaniment
as a form of popularization of the genre
While researching the topic of the Polish musical it is
definiteli;
advi¬
sable to popularize the form itself. Thus, the main purpose of this publica¬
tion is to introduce and spread the domestic musical achievements through
the performance of Polish musical songs with the accompaniment of the
piano and a chamber ensemble .
Most of the available scientific publications present Polish musical
from the perspective of historical transformations or detailed libretto
analyses, ignoring at the same time an important issue of the rank of
the music layer of a stage work.
The research material for the analysis consists of eleven musical
compositions from Polish musicals created between
1969
and
2012.
They vary considerably in respect of the topics and musical design. To
present the range of topics of the shows, the descriptions of chosen
musicals« librettos have been included. The analyzed literary content
of the shows has been grouped according to the following criteria:
romantic, political, religious, social and inspired by other literary works.
To gather more detailed knowledge of the arrangement solutions
in earlier Polish musicals an analysis of five original scores of chosen
songs has been done. In three cases these are scores of the songs „To
jest
mój dzień
( This is my day ) from the musical „Achilles
i miłość
( Achilles
and love ), music by
Marek
Sart;
„Razem przez życie
( Toge¬
ther through life ) from the musical
„Cień
( Shadow ) music by
Maciej
Maiecki and
„Twych oczu blask
( Your eyes shine ) from the musical
„Romeo
і
Julia
( Romeo and Juliet ) music by
Janusz Stokłosa,
all perfor¬
med by me and recorded on a CD.
The chosen repertoire is varied in respect of the topics and themes
and also the times of preview performances. The goal of this juxtapo-
139
sition
is to present the stylistic and arrangement similarities. Eight out
of eleven songs are accompanied by
Krzysztof Jaszczak
on the piano.
Three songs were enriched by the sound of the cello, guitar and accor¬
dion. With the consent of the composer
Jarosław Kordaczuk
the song
„Rozmowa
( Conversation )
f
rom
the musical
„Noc w środku dnia
( Night
in the Middle of the Day ) uses the original course of the accompaniment
of the show recorded on a CD. Making the piano the fundamental accom¬
paniment element was deliberate since frequently it happens that the
orchestra instrumentation is so complex that it may interfere with the
literary and musical perception of the composition. It may also be a useful
solution for popularizing particular songs and whole musicals.
The choice of the repertoire is supposed to present the changes in
certain aspects, i.e. formal structure of particular compositions, melo¬
dic and rhythmic structure, the course of the piano accompaniment,
analysis of the scores of chosen songs. The materials used in this publi¬
cation mostly come from libraries and archives of Polish musical the¬
atres.
As for the possibility of popularization of the Polish musical it seems
important to consider the authors» opinions. This aspect is presented
in the form of an interview with two contemporary composers and ar¬
rangers.
In the chapter Graphic visualization of the song as a solo element
filling the music body of a musical work some graphs referring to the
formal structure of seven musical songs and three opera arias have been
presented. They point out the similarities in the structure of solo com¬
positions in both music forms.
The recording of all compositions on a CD was conducted in
a professional recording studio
Tutti in
Warsaw, completed by
Piotr
Tutka.
140
|
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| institution | BVB |
| isbn | 9788372998231 |
| language | Polish |
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| publisher | Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego |
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| spelling | Lewandowski, Grzegorz Verfasser aut Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku Grzegorz Lewandowski Olsztyn Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego 2013 147, [1] s. Notenbeisp. 21 cm txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: The performance of Polish musical songs with the piano and chamber ensemble accompaniment as a form of popularization of the genre Bibliogr. s. 141-[148] Geschichte 1969-2012 gnd rswk-swf Polnisch (DE-588)4120314-8 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Kammermusik (DE-588)4136998-1 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Klavierbegleitung (DE-588)4164061-5 gnd rswk-swf Polnisch (DE-588)4120314-8 s Musical (DE-588)4040801-2 s Lied (DE-588)4035669-3 s Klavierbegleitung (DE-588)4164061-5 s Kammermusik (DE-588)4136998-1 s Geschichte 1969-2012 z DE-604 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026902817&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026902817&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Lewandowski, Grzegorz Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku Polnisch (DE-588)4120314-8 gnd Musical (DE-588)4040801-2 gnd Kammermusik (DE-588)4136998-1 gnd Lied (DE-588)4035669-3 gnd Klavierbegleitung (DE-588)4164061-5 gnd |
| subject_GND | (DE-588)4120314-8 (DE-588)4040801-2 (DE-588)4136998-1 (DE-588)4035669-3 (DE-588)4164061-5 |
| title | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku |
| title_auth | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku |
| title_exact_search | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku |
| title_full | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku Grzegorz Lewandowski |
| title_fullStr | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku Grzegorz Lewandowski |
| title_full_unstemmed | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku Grzegorz Lewandowski |
| title_short | Wykonawstwo polskich songów musicalowych z towarzyszeniem fortepianu i zespołu kameralnego jako forma popularyzacji gatunku |
| title_sort | wykonawstwo polskich songow musicalowych z towarzyszeniem fortepianu i zespolu kameralnego jako forma popularyzacji gatunku |
| topic | Polnisch (DE-588)4120314-8 gnd Musical (DE-588)4040801-2 gnd Kammermusik (DE-588)4136998-1 gnd Lied (DE-588)4035669-3 gnd Klavierbegleitung (DE-588)4164061-5 gnd |
| topic_facet | Polnisch Musical Kammermusik Lied Klavierbegleitung |
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