Iconoclasm from antiquity to modernity:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIII, 231 S. Ill. |
| ISBN: | 9781409470335 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804151567550513152 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS VII
NOTES ON CONTRIBUTORS XI
ACKNOWLEDGEMENTS
X
V
1 INTRODUCTION - WHOSE ICONOCLASM? 1
KRISTINE KOHUD AND MARINA PRUSAC
2 DISABLING DEMONIC IMAGES: REGIONAL DIVERSITY IN ANCIENT
ICONOCLASTS MOTIVES AND TARGETS 15
EBERHARD W. SAUER
3 PRESENCE AND THE IMAGE CONTROVERSIES IN THE THIRD AND FOURTH
CENTURIES AD 41
MARINA PRUSAC
4 DEFACEMENT AND REPLACEMENT AS POLITICAL STRATEGIES IN ANCIENT
AND BYZANTINE RULER IMAGES 57
BENTE KIILERICH
5 BYZANTINE ICONOCLASM: IDEOLOGY AND QUEST FOR POWER 75
ANNE KARAHAN
6 NEITHER ICONOCLASM NOR ICONODULIA: THE CAROLINGIAN VIA MEDIA 95
THOMAS F.X. NOBLE
7 ICONOCLASM AND RELIGIOUS IMAGES IN THE EARLY LUTHERAN
TRADITION 107
TARALD RASMUSSEN
VI ICONOCLASM FROM ANTIQUITY TO MODERNITY
8 ICONOCLASM ON THE FRONTIER: LE CATEAU-CAMBRESIS, 1566 119
ANDREW SPICER
9 THE WALDENSIANS AND THE PIEDMON TESE EASTER OF 1655 139
KRISTINE KOLRUD
10 ICONOCLASM - THREE MODERN CASES 153
JENS BRAARVIG
11 CONCLUSION: ICONOCLASM IN HISTORY AND PRESENT-DAY USE OF
IMAGES 171
SIRI SANDE
BIBLIOGRAPHY 189
INDEX 215
The phenomenon of
iconoclasm,
expressed through
hostiLe actions towards images, has occurred in
many different cultures throughout history. The
destruction and mutilation of images is often
motivated by a blend of political and religious ideas
and beliefs, and the distinction between various
kinds of iconoclasms is not absolute. In order to
explore further the long and varied history of
iconoclasm
the contributors to this volume consider
iconoclastic reactions to various types of objects,
both in the very recent and distant past. The
majority focus on historical periods but also on
history as a backdrop for image troubles of our own
day. Development over time is a central question in
the volume, and cross-cultural influences are also
taken into consideration. This broad approach
provides a useful comparative perspective both on
earlier controversies over images and relevant issues
today. In the multimedia era increased awareness of
the possible consequences of the use of images is of
utmost importance, /conociasm from Antiquity to
Modernity approaches some of the problems
related to the display of particular kinds of images
in conflicted societies and the power to decide on
the use of visual means of expression. It provides a
deeper understanding of the mechanisms of the
phenomenon of
iconoclasm.
Of interest to a wide group of scholars the
contributors draw upon various sources and
disciplines, including art history, cultural history,
religion and archaeology, as well as making use of
recent research from within social and political
sciences and contemporary events. A/h
і
1st
the texts
are addressed primarily to those researching the
Western world, the volume contains material which
will also be of interest to students of the Middle
East.
|
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| title | Iconoclasm from antiquity to modernity |
| title_auth | Iconoclasm from antiquity to modernity |
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