Essays of the 1960s & 70s:
With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
<<The>> Library of America
2013
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| Schriftenreihe: | Library of America
246 |
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E.M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement |
| Beschreibung: | Enth. u.a.: Against interpretation [and other essays]. Styles of radical will. On photography. Illness as metaphor. Uncollected essays. - Includes bibliographical references (p. 825-852) and index |
| Beschreibung: | VIII, 875 S. |
| ISBN: | 9781598532555 |
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| 520 | |a With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E.M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement | ||
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| 650 | 4 | |a Photography, Artistic | |
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Datensatz im Suchindex
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| adam_text | Contents
Against Interpretation and Other Essays
(1966)
I
Against Interpretation,
10
On Style,
21
II
The Artist as Exemplary Sufferer,
44
Simone Weil, 53
Camus Notebooks,
56
Michel
Leiris
Manhood,
64
The Anthropologist as Hero,
71
The Literary Criticism of
Georg
Lukács,
83
Sartre s Saint Genet,
93
Nathalie Sarraute and the Novel,
99
in
Ionesco,
112
Reflections on The Deputy,
120
The Death of Tragedy,
127
Going to Theater, etc.,
135
Marat/Sade/
Artaud,
157
iv
Spiritual Style in the Films of Robert Bresson,
170
Godard s
Vivre Sa Vie,
187
The Imagination of Disaster,
199
Jack Smith s Flaming Creatures,
215
Resnais Muriel,
220
A Note on Novels and Films,
229
v
Piety Without Content,
234
Psychoanalysis and Norman O. Brown s Life
Against Death,
241
Happenings: An Art of Radical Juxtaposition,
248
Notes on Camp,
259
One Culture and the New Sensibility,
275
Styles of Radical Will
(1969)
I
The Aesthetics of Silence,
292
The Pornographic Imagination,
320
Thinking Against OneselP : Reflections on Cioran,
353
II
Theatre and Film,
374
Bergman s Persona,
394
Godard,
414
vii
Vlil
CONTENTS
ш
What s
Happening
in Arnerica (1966), 452
Trip to Hanoi,
462
On Photography
(1977)
In Plato s Cave,
*529 - *
:
.
America, Seen Through Photographs, Darkly,
546
Melancholy Objects,
563
The Heroism of Vision,
587
Photographic Evangels,
608
The
Im
age-World,
635
A Brief Anthology of Quotations,
656
Illness as Metaphor
(1978), 675
Uncollected Essays
William Burroughs and the Novel,
733
The Double Standard of Aging,
745
The Third World of Women,
769
Francis Bacon: About Being in Pain,
800
A Woman s Beauty: Put-Down or Power Source?,
803
Beauty: How Will It Change Next?,
806
Chronology,
815
Note on the Texts,
825
Notes,
83г
Index,
853
і
- :..
|
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| spelling | Sontag, Susan 1933-2004 Verfasser (DE-588)118751506 aut Sammlung Essays of the 1960s & 70s Susan Sontag. David Rieff, ed. Essays of the 1960s and 1970s New York, NY <<The>> Library of America 2013 VIII, 875 S. txt rdacontent n rdamedia nc rdacarrier Library of America 246 Enth. u.a.: Against interpretation [and other essays]. Styles of radical will. On photography. Illness as metaphor. Uncollected essays. - Includes bibliographical references (p. 825-852) and index With the publication of her first book, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. "What is important now," she wrote, "is to recover our senses ... In place of a hermeneutics we need an erotics of art." She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E.M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag's son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement Geschichte 1900-2000 Criticism Literature, Modern / 20th century / History and criticism Aesthetics Photography, Artistic Tuberculosis in literature Cancer in literature Ästhetik Künste (DE-588)4033422-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Künste (DE-588)4033422-3 s DE-604 Rieff, David 1952- (DE-588)113786395 edt Library of America 246 (DE-604)BV000009606 246 DE-601 pdf/application http://www.gbv.de/dms/sub-hamburg/766777359.pdf Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026884398&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_exact_search | Essays of the 1960s & 70s |
| title_full | Essays of the 1960s & 70s Susan Sontag. David Rieff, ed. |
| title_fullStr | Essays of the 1960s & 70s Susan Sontag. David Rieff, ed. |
| title_full_unstemmed | Essays of the 1960s & 70s Susan Sontag. David Rieff, ed. |
| title_short | Essays of the 1960s & 70s |
| title_sort | essays of the 1960s 70s |
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