Breaking Bad: critical essays of the contexts, politics, style, and reception of the television series
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lanham [u.a.]
Lexington Books
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VII, 224 S. Ill. |
| ISBN: | 9780739179246 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vii
Introduction
1
I: The Contexts of Breaking Bad
1
Breaking
Neoliberal?
Contemporary
Neoliberal
Discourses
and Policies in AMC s Breaking Bad
15
David P. Pierson
2
The Economy of Time and Multiple Existences in Breaking
Bad
33
Dus
tin Freeley
3 Heisenberg:
Epistemologica
1
Implications of a Criminal
Pseudonym
53
Alberto Brodesco
II: The Politics of Breaking Bad
4
Taking Control: Male Angst and the Re-Emergence of
Hegemonic Masculinity in Breaking Bad
73
Brian
Pancette
5
Not Your Average Mexican: Breaking Bad and the
Destruction of Latino Stereotypes
87
Andrew Howe
6
A Life Not Worth Living
103
Jami
L.
Anderson
III: The Style and Reception of Breaking Bad
7
Breaking the Waves
121
Pierre
Barrette
and Yves
Picard
8
Uncertain Beginnings: Breaking Bad s Episodic Openings
139
Rossend
Sánchez-Baró
9
Buying the House: Place in Breaking Bad
155
Ensley P. Guffey
10
Mediating Fictional Crimes: Music, Morality, and Liquid
Identification in Breaking Bad
173
Carlo
Nardi
11 Fang
an
;
Main Cast,
Préction
History, and Episode Guide
About the Contributors
Index
ДО
221
Breaking Bad; Critical Essays on the Contexts. Politics, Style, and Reception of the Television Series,
edited by David P. Pierson, explores AMC s original hit series, This book s first section locates and
addresses the series from several contemporary social contexts, including neo-liberalism, its
discourses and policies, the cultural obsession with the economy of time and its manipulation,
and the
epistemologica!
principles and assumptions of Walter White s criminal alias
Heisenberg.
Section two investigates how the series characterizes and intersects with current cultural politics,
such as male
angst
and the re-emergence of hegemonic masculinity, the complex portrayal of
Latinos, and the depiction of physical and mental impairment and disability. The final section
takes a close look at the series distinctive visual, aural, and narrative stylistics. Under examination
are Breaking Bad% unique visual style whereby image dominates sound, the distinct role and use
of beginning teaser segments to disorient and enlighten audiences, the representation of
geographic space and place, the position of narrative songs to complicate viewer identification,
and the integral part that emotions play as a form of dramatic action in the series.
|
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