A history of video art:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Bloomsbury
2014
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 387, [16] S. Ill. |
| ISBN: | 9780857851789 9780857851772 0857851780 9780857851895 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
LIST OF BLACK AND WHITE ILLUSTRATIONS VIII
LIST OF COLOUR PLATES XII
PREFACE TO THE 2
ND
EDITION XIII
PART II. THE ORIGINS OF VIDEO ART: THE HISTORICAL AND CULTURAL
CONTEXT
INTRODUCTION 2
1. IN THE BEGINNING: THE ORIGINS OF VIDEO ART 6
2. CROSSING BOUNDARIES: INTERNATIONAL TENDENCIES AND INFLUENCES IN EARLY
ARTISTS VIDEO 20
3. TECHNOLOGY, ACCESS AND CONTEXT: SOCIAL AND POLITICAL ACTIVISTS AND
THEIR ROLE IN
THE DEVELOPMENT OF VIDEO ART 11
4. EXPANDED CINEMA: THE INFLUENCE AND RELATIONSHIP OF EXPERIMENTAL,
AVANT-
GARDE AND UNDERGROUND FILM TO ARTISTS VIDEO 89
5. MUSIQUE CONCRETE, FLUXUS AND TAPE LOOPS: THE INFLUENCE AND IMPACT OF
SOUND
RECORDING AND EXPERIMENTAL MUSIC ON VIDEO ART 105
6. THEORY AND PRACTICE: THE INFLUENCE AND IMPACT OF THEORETICAL IDEAS ON
EARLY
TECHNOLOGY-BASED PRACTICE IN THE 1970S AND SOME SIGNIFICANT AND
INFLUENTIAL
FIGURES IN THE DEVELOPMENT OF THEORETICAL DISCOURSE AND THEIR IMPACT ON
CONTEMPORARY ART AFTER MODERNISM 116
7. BEYOND THE LENS: ABSTRACT VIDEO IMAGERY AND IMAGE PROCESSING 132
PART II. A DISCUSSION OF SOME REPRESENTATIVE AND INFLUENTIAL VIDEO
ARTWORKS SET IN RELATION TO THEIR TECHNICAL AND CRITICAL CONTEXT
8. IN AND OUT OF THE STUDIO: THE ADVENT OF INEXPENSIVE NON-BROADCAST
VIDEO 171
MONITOR, STEVE PARTRIDGE, UK, 1975; TELEVISION DELIVERS PEOPLE, RICHARD
SERRA AND CARLOTTA FAY
SCHOOLMAN, USA, 1973; THIS IS A TELEVISION RECEIVER, DAVID HALL, UK,
1974; VERTICAL ROLL, JOAN JONAS,
USA, 1972; THE VIDEO TOUCH ?WO)C &C BRUSZEWSKI, POLAND, 1977; MARCA
REGISTRADA [TRADEMARK],
LETICIA PARENTE, BRAZIL, 1975
9. CUTTING IT: ACCESSIBLE VIDEO EDITING 189
KEEPING MARLENE OUT OF THE PICTURE, ERIC CAMERON, CANADA, 1973;
TECHNOLOGY/ TRANSFORMATION: WONDER
WOMAN, DARA BIRNBAUM, USA, 1979; WITH CHILD, CATHERINE ELWES, UK, 1984;
BLUE MONDAY, DUVET
BROTHERS, UK, 1984; DER WESTEN LEBT {THE WESTERN LIVES], KLAUS VOM
BRUCH, WEST GERMANY, 1983;
SZTUKA TO POTEGA [ART IS POWER], JOSEF ROBAKOWSKI, POLAND, 1985
10. MIXING IT: ELECTRONIC/DIGITAL IMAGE MANIPULATION 209
MONUMENT, TURE SJOLANDER AND LARS WEEK, SWEDEN, 1967; MERGING-EMERGING,
PETER DONEBAUER, UK,
1978; THE REFLECTING POOL, BILL VIOLA, USA, 1977-9; OBSESSIVE BECOMING,
DANIEL REEVES, UK/USA,
1995; ART OF MEMORY, WOODY VASULKA, USA, 1987; JUSTE LE TEMPS, ROBERT
CAHEN, FRANCE, 1983; NEO
GEO: AN AMERICAN PURCHASE, PETER CALLAS, AUSTRALIA, 1989
11. THE GALLERY OPENS ITS DOORS: VIDEO INSTALLATION AND PROJECTION 231
DE LA, MICHAEL SNOW, CANADA, 1971; II NUOTATORE, STUDIO AZZURRO, ITALY,
1984; TELEVISION CIRCLE, JUDITH
GODDARD, UK, 1987; THE SITUATION ENVISAGED: THE RITE II, DAVID HALL, UK,
1988; TALL SHIPS, GARY
HILL, USA, 1992; AIEUONN SIX FEATURES, TAKAHIKO IIMURA, JAPAN, 1999
12. THE UBIQUITY OF THE VIDEO IMAGE: ARTISTS VIDEO AS AN INTERNATIONAL
PHENOMENON 248
TURBULENT, SHIRIN NESHAT, IRAN, 1998; WILD BOY, GUY BEN-NER, ISRAEL,
2004; SHAN PIPE BAND LEARNS THE
STAR SPANGLED BANNER, BANI ABIDI, PAKISTAN, 2004; 30X30, ZHANG PEILI,
CHINA, 1998; VIRUS, CHURCHILL
MADIKIDA, SOUTH AFRICA, 2005
PART III. THE DEVELOPMENT OF ARTISTS VIDEO AND VIDEO INSTALLATION
IN RESPONSE TO TECHNOLOGICAL CHANGE AND ACCESSIBILITY
13. FIELDS, LINES AND FRAMES: VIDEO AS AN ELECTRONIC MEDIUM 263
TELEVISION WORKSHOPS: BROADCAST AND CABLE; CLOSED-CIRCUIT TV; SOUND AND
PICTURE: COLOUR AND
MONOCHROME; RELATIONSHIP TO SOUND, THE PICTURE SIGNAL, THE CAMERA IMAGE,
RECORDINGS AND TAPE
14. THE MEANS OF PRODUCTION: FEMINISM AND OTHERNESS - RACE, GENDER,
TECHNOLOGY AND ACCESS 282
NEW TECHNOLOGIES: FREEDOM FROM HISTORY; PERFORMANCE, VIDEO, INTIMACY AND
LIVENESS . ETHNICITY,
SEXUALITY, RACE AND ISSUES OF REPRESENTATION, ACCESS AND VISIBILITY;
ALTERNATIVE MEANS OF DISTRIBUTION AND
EXHIBITION
15. OFF THE WALL: VIDEO SCULPTURE AND INSTALLATION 293
VIDEO INSTALLATION: RELATIONSHIPS BETWEEN IMAGES AND SPACE;
MULTI-CHANNEL VIDEO - NON CINEMATIC
SPACE?; VIDEO SCULPTURE; PROJECTION INSTALLATION: VIDEO WITHOUT THE BOX:
BREAKING THE FRAME.
16. GOING DIGITAL: THE EMERGENCE OF DIGITAL VIDEO EDITING, PROCESSING
AND EFFECTS 310
ACCESSIBLE DIGITAL EFFECTS; FROM ANALOGUE TO DIGITAL; COMPUTERS,
NON-LINEAR EDITING AND DIGITAL
VIDEO; NEW VIDEO FORMATS AND COMPUTER SOFTWARE; THE DATABASE AND
INTERACTIVITY: NEW NARRATIVE
POSSIBILITIES; HIGH-DEFINITION VIDEO; VIDEO AND THE WORLD WIDE WEB
17. VIDEO ART IN THE NEW MILLENNIUM: NEW DEVELOPMENTS IN ARTISTS VIDEO
SINCE 2000 328
CONVERGENCE: RECENT ARTISTS VIDEO AND BLURRING OF FILM AND VIDEO;
CONCLUSION AND SUMMARY
PART IV. REFERENCES
GLOSSARY 341
NOTES 347
BIBLIOGRAPHY 369
INDEX 377
|
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| language | English |
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| spelling | Meigh-Andrews, Chris 1952- Verfasser (DE-588)132789558 aut A history of video art Chris Meigh-Andrews 2. ed. New York [u.a.] Bloomsbury 2014 387, [16] S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Videokunst (DE-588)4188229-5 s Geschichte z DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026865030&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Meigh-Andrews, Chris 1952- A history of video art Videokunst (DE-588)4188229-5 gnd |
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| title | A history of video art |
| title_auth | A history of video art |
| title_exact_search | A history of video art |
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| title_full_unstemmed | A history of video art Chris Meigh-Andrews |
| title_short | A history of video art |
| title_sort | a history of video art |
| topic | Videokunst (DE-588)4188229-5 gnd |
| topic_facet | Videokunst |
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