The prehistory of music: human evolution, archaeology, and the origins of musicality
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford University Press
2013
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 447 p. ill. 22 cm |
| ISBN: | 0199234086 9780199234080 |
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| 245 | 1 | 0 | |a The prehistory of music |b human evolution, archaeology, and the origins of musicality |c Iain Morley |
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Datensatz im Suchindex
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| adam_text |
Contents
List of
Figures
xv
List of Tables
xvi
1.
Conceiving Music in Prehistory
1
Introduction
1
Conceptualizing music and prehistory
3
The organization of the book
9
2.
Implications of Music in Hunter-Gatherer Societies
11
Introduction
11
Native Americans of the plains (Blackfoot and Sioux)
15
African Pygmies of the equatorial forest (Aka and Mbuti)
19
Australian Aborigines of the Western Desert (Pintupi)
22
The Eskimo of south-west Alaska (Yupik) and Canada (Inuit)
24
Conclusions
29
Some common features in the uses and nature of music
in four
hun ter-gath
er er
societies
29
Methods and materials of construction of instruments:
implications for the archaeological record
30
3.
Palaeolithic Music Archaeology
1:
Pipes
32
Introduction
32
Introduction to the Upper Palaeolithic
33
Introduction to Palaeolithic pipes
34
The earliest reputed pipes
35
Mousterian musicianship?
38
Upper Palaeolithic pipes
41
The Swabian
Alb (Geissenklösterle, Hohle Fels, Vogelherd) 42
Isturitz 51
Other sites
88
Representations of instruments
89
The use of bone for instrument manufacture in the Middle and
Upper Palaeolithic
90
Raw material availability?
91
Neanderthal use of
avian
fauna for subsistence and as a raw
material
92
Use of
avian
fauna and technological limitations
93
Use of
avian
fauna due to environmental stress
94
Cultural revolution?
96
xii Contents
4.
Palaeolithic Music Archaeology
2:
Other Sound-Producers
99
Introduction
99
Other aerophones
100
Phalangeal whistles
100
Bullroarers (free aerophones)
105
Percussive instruments
109
Rasps (scraped idiophones)
109
Struck percussion
114
Caves and lithophones
115
Music and dance in later prehistory
121
Archaeology conclusions
124
5.
The Palaeoanthropology of Vocalization
1:
Vocal Anatomy
130
Introduction
130
The vocal apparatus and fossil evidence for its evolution
131
The larynx and basicranial flexion
135
The hyoid bone and mandible
144
The hypoglossal canal and tongue
146
Vertebral
innervation,
intercostal musculature, and breathing
control
148
Some previous explanations for increased tonal range
153
Conclusions
158
6.
The Palaeoanthropology of Vocalization
2:
The Brain and Hearing
161
Introduction
161
Evidence for the evolution of vocal control in the brain
161
Fossil endocasts
161
Neurology of vocal production in primates and humans
164
Volu
ntary control of emotional content
165
The role of the periaqueductal grey matter (PAG)
166
The FoxP2 genetic mutations
168
The ear, sound perception, and evolution
169
Conclusions
174
7.
Neurological Relationships Between Music and Speech
177
Introduction
177
Hemispheric organization: language in the left brain, music
in the right?
180
Identifying functional neuroanatomy: brain scanning and neuropathology
181
Speech and melody production
183
Processing of tonal information in music and speech
185
Tonal and rhythmic information processing
190
Does the brain have a neurological modular specialization
dedicated uniquely to music?
194
Conclusions
197
Contents xiii
8.
Vocal Versatility and Complexity in an Evolutionary Context
201
Introduction
201
Evidence for an inherited capacity for the perception
of melody and rhythm
202
Early vocal behaviours in primate infants
202
Infant-directed speech, music, and vocalization
204
Proto-music/language: rationales for a shared ancestry
214
Social vocalization in primates
220
Evolutionary rationales for complexity of vocalization: proto-music,
proto-language, and social vocalization
221
Conclusions
225
9.
Vocal Control and Corporeal Control
—
Vocalization,
Gesture, Rhythm, Movement, and Emotion
228
Introduction
228
Vocal content and manual gesture
229
Gesture and vocalization in infants
231
Gesture, vocalization, and meaning
233
Rhythm, corporeal movement, and emotion
237
Entrainment
243
Conclusions
250
10.
Emotion and Communication in Music
255
Introduction
255
Intrinsic and extrinsic emotional content of music
256
Ecological context, social context, and the human in music
259
The human in music
261
Autism,
Asperger
and Williams syndromes
265
The role of the social context in which music is experienced
267
Physiological, neurological, and neurochemical correlates with
the experience of emotion in music
268
Conclusions
273
11.
Rationales for Music in Evolution
275
Introduction
275
Non-adaptive models of musical origins
277
Some adaptive rationales for the use of music
279
Music and group cohesion
280
Music and dance as a coalition signalling system
283
Music and sexual selection
285
Music and group selection
289
Musics multiple meanings and cognitive development
291
Music and cognitive evolution
294
Cognitive modularity and symbolic thought
294
Mimesis, culture, and cognition
297
Enhanced Working Memory
301
Conclusions
303
xiv Contents
12.
Conclusions
307
The nature of music
308
Conceiving the foundations of music
335
A timeline for the emergence of musicality
319
Appendix
326
Table
1:
Inventory of Palaeolithic reputed pipes and flutes
327
Table
2:
Inventory of Palaeolithic objects originally reputed
to be pipes and flutes but since deemed unlikely
369
Table
3:
Inventory of Palaeolithic reputed phalangeal whistles
378
References
389
Index
427 |
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| spelling | Morley, Iain 1975- Verfasser (DE-588)141924233 aut The prehistory of music human evolution, archaeology, and the origins of musicality Iain Morley 1. ed. Oxford [u.a.] Oxford University Press 2013 XIV, 447 p. ill. 22 cm txt rdacontent n rdamedia nc rdacarrier Vor- und Frühgeschichte gnd rswk-swf Music--Origin Music.--ukslc Musikinstrument (DE-588)4040851-6 gnd rswk-swf Archäologie (DE-588)4002827-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Musikinstrument (DE-588)4040851-6 s Archäologie (DE-588)4002827-6 s Vor- und Frühgeschichte z DE-604 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026859243&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The prehistory of music human evolution, archaeology, and the origins of musicality |
| title_auth | The prehistory of music human evolution, archaeology, and the origins of musicality |
| title_exact_search | The prehistory of music human evolution, archaeology, and the origins of musicality |
| title_full | The prehistory of music human evolution, archaeology, and the origins of musicality Iain Morley |
| title_fullStr | The prehistory of music human evolution, archaeology, and the origins of musicality Iain Morley |
| title_full_unstemmed | The prehistory of music human evolution, archaeology, and the origins of musicality Iain Morley |
| title_short | The prehistory of music |
| title_sort | the prehistory of music human evolution archaeology and the origins of musicality |
| title_sub | human evolution, archaeology, and the origins of musicality |
| topic | Music--Origin Music.--ukslc Musikinstrument (DE-588)4040851-6 gnd Archäologie (DE-588)4002827-6 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music--Origin Music.--ukslc Musikinstrument Archäologie Musik |
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