Jag och mitt fanskap: vad musik kan betyda för människor
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Swedish |
| Veröffentlicht: |
Örebro
Örebro universitet
2013
|
| Schriftenreihe: | Örebro studies in music education
8 Örebro studies in educational sciences with and emphasis on didactics 6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 239 S. |
| ISBN: | 9789176689332 |
Internformat
MARC
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|---|---|---|---|
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| 003 | DE-604 | ||
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| 245 | 1 | 0 | |a Jag och mitt fanskap |b vad musik kan betyda för människor |c Eva Kjellander |
| 264 | 1 | |a Örebro |b Örebro universitet |c 2013 | |
| 300 | |a 239 S. | ||
| 336 | |b txt |2 rdacontent | ||
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| 490 | 1 | |a Örebro studies in music education |v 8 | |
| 490 | 1 | |a Örebro studies in educational sciences with and emphasis on didactics |v 6 | |
| 502 | |a Zugl.: Örebro, Univ., Diss., 2013 | ||
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| 650 | 0 | 7 | |a Sozialisation |0 (DE-588)4055783-2 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804151506202525696 |
|---|---|
| adam_text | fnnehallsförteckning
FÖRORD
...................................................................................................7
DELI
.......................................................................................................15
PROLOG
.................................................................................................15
Disposition...............................................................................................
16
KAPITEL
1..............................................................................................17
INLEDNING
...........................................................................................17
Bakgrund och definition
...........................................................................17
Tidigare forskning
....................................................................................20
Media
.......................................................................................................22
Syfte
.........................................................................................................24
Urval och avgränsning
.............................................................................24
KAPITEL
2..............................................................................................27
METODOLOGISKA UTGÅNGSPUNKTER
...........................................27
Grounded theory......................................................................................
27
Grounded theorys
rötter
......................................................................27
Glaser kontra
Strauss...........................................................................
28
Att arbeta utifrån
grounded theory
......................................................29
Teoretiskt urval
....................................................................................31
Forskningsprocessen
............................................................................31
Förförståelse
........................................................................................33
Intervjuer
.................................................................................................34
Livsberättelse och sanning
........................................................................35
Genomförande
.........................................................................................36
DELII
......................................................................................................39
KAPITEL
3..............................................................................................41
KICKI, ERIK OCH LASSE STEFANZ
.....................................................41
Mitt möte med fansen
..............................................................................41
Två fans berättar
......................................................................................42
Kicki
........................................................................................................42
Uppväxt
...............................................................................................42
Privat- och yrkesliv
..............................................................................44
Lasse Stefanz
........................................................................................46
Spelningar
............................................................................................46
Samlande
..............................................................................................47
Lyssnande
............................................................................................48
Fanskapet
.............................................................................................-50
Erik
..........................................................................................................50
Uppväxt
...............................................................................................51
Privat- och yrkesliv
...............................................................................52
Lasse Stefanz
........................................................................................56
Spelningar
............................................................................................57
Samlande
..............................................................................................58
Lyssnande
............................................................................................59
Fanskapet
......................................................................................·......60
KAPITEL
4...............................................................................................63
AXEL, SANNE OCH
KISS
......................................................................63
Mitt möte med fansen
..............................................................................63
Två fans berättar
......................................................................................63
Sanne
........................................................................................................63
Uppväxt
...............................................................................................64
Privat- och yrkesliv
...............................................................................65
Kiss
......................................................................................................65
Konserter
.............................................................................................67
Samlande
..............................................................................................68
Lyssnande
............................................................................................69
Fanskapet
.............................................................................................69
Axel
..........................................................................................................70
Uppväxt
...............................................................................................70
Privat- och yrkesliv
...............................................................................71
Kiss
......................................................................................................73
Konserter
.............................................................................................75
Samlande
..............................................................................................77
Lyssnande
.....................,......................................................................79
Fanskapet
.............................................................................................80
KAPITEL
5...............................................................................................83
TINA, RICKARD OCH STATUS
QUO
..................................................83
Mitt möte med fansen
..............................................................................83
Två fans berättar
......................................................................................84
Tina
..........................................................................................................84
Uppväxt
...............................................................................................85
Privat- och yrkesliv
...............................................................................87
Status
Quo
...........................................................................................87
Konserter
.............................................................................................89
Samlande
..............................................................................................91
Lyssnande
............................................................................................91
Fanskapet
.............................................................................................91
Rickard
....................................................................................................93
Uppväxt
...............................................................................................94
Privat- och yrkesliv
..............................................................................96
Status
Quo
...........................................................................................96
Konserter
.............................................................................................98
Samlande
............................................................................................100
Lyssnande
..........................................................................................101
Fanskapet
...........................................................................................101
DELHI
...................................................................................................103
KAPITEL
6............................................................................................103
DEN GRUNDADE TEORIN
.................................................................103
Kärnkategorin
........................................................................................104
Den öppna fasen
....................................................................................106
Den
axiala
fasen
.....................................................................................112
Den fokuserade fasen
.............................................................................114
KAPITEL
7............................................................................................115
TEORETISKA PERSPEKTIV
.................................................................115
Musikalisk upplevelse
............................................................................115
Den kulturella friställningen
-
möjlighet eller problem?
.........................116
Identitet
..................................................................................................118
Bourdieus sociologiska teori
...................................................................124
Habitus
..............................................................................................124
Kapital
...............................................................................................125
Subkultureilt-
och populärkulturelit kapital
...................................128
Smak
..................................................................................................129
DEL
IV
...................................................................................................133
KAPITEL
8............................................................................................133
FANSKAP SOM IDENTITETSMARKOR
.............................................133
Identitetsskapande funktioner
................................................................133
Musik och identitetsutveckling
...............................................................134
Jag och de andra
-
individen och kollektiv
.............................................136
Att spegla sig i idolerna
..........................................................................137
Att spegla sig genom yttre attribut
.........................................................139
Att spegla sig genom föremål
.................................................................140
Att visa smak
.........................................................................................142
Sammanfattande diskussion
...................................................................146
KAPITEL
9.............................................................................................149
FANSKAP SOM
SOCIALISATION
.......................................................149
Att finna sin egen musik
.........................................................................149
Populärkulturelit- och subkulturellt kapital
...........................................152
Att samla
................................................................................................154
Kvinnors och mäns
fankapital................................................................155
Sammanfattande diskussion
...................................................................160
KAPITEL
10..........................................................................................163
FANSKAP SOM SJÄLVTERAPEUTISK FUNKTION
...........................163
Att fly vardagen
.....................................................................................163
Musikens betydelse
................................................................................166
Bilen som musikaliskt rum
.....................................................................168
Musik som trygghet
...............................................................................170
Sammanfattande diskussion
...................................................................171
KAPITELU
..........................................................................................175
FANSKAP SOM KVASIRELIGION
......................................................175
Starka musikupplevelser/det transpersonliga rummet
.............................175
Att känna sig hemma
.............................................................................179
Att skapa en känsla
................................................................................181
Sammanfattande diskussion
...................................................................182
KAPITEL
12..........................................................................................185
AUTENTICITETSHANTERING
...........................................................185
Autenticitet
.............................................................................................185
Hur banden framställer sig själva
...........................................................187
Dansband som lågstatus
.........................................................................192
Legitimeringsstrategier
...........................................................................194
Sammanfattande diskussion
...................................................................196
KAPITEL
13..........................................................................................199
SLUTDISKUSSION
................................................................................199
Män och kvinnor som fans
.....................................................................202
Dagens möjligheter
.................................................................................203
Reflektioner och
framtida forskning
......................................................204
EPILOG
.................................................................................................207
ENGLISH SUMMARY..........................................................................
209
ME AND MY
FANDOM:
WHAT MUSIC CAN MEAN TO PEOPLE.
209
The outline of the dissertation
................................................................209
PARTI
...................................................................................................209
Chapter
1...............................................................................................209
Introduction
...........................................................................................209
Background
........................................................................................209
Aim
....................................................................................................210
Chapter
2...............................................................................................210
Methodological starting points
..............................................................210
Grounded Theory
...................................................................................210
PARTII
..................................................................................................212
Chapters
...............................................................................................212
Kicki
..................................................................................................212
Erik
....................................................................................................213
Chapter
4...............................................................................................213
Axel
...................................................................................................213
Sanne
.................................................................................................214
Chapters
...............................................................................................215
Tina
...................................................................................................215
Rickard
..............................................................................................216
PARTIU
................................................................................................216
Chapter
6...............................................................................................216
The grounded theory
..............................................................................216
Chapter
7...............................................................................................218
Theoretical perspectives
.........................................................................218
PART IV
................................................................................................219
Chapter
8...............................................................................................219
Fandom as a marker of identity
.............................................................219
Chapter
9...............................................................................................220
Fandom as socialisation
.........................................................................220
Chapter
10.............................................................................................221
Fandom as a form of self-therapy
...........................................................221
Chapter
11.............................................................................................222
Fandom as
a pseudo
religion
..................................................................222
Chapter
12.............................................................................................223
Authenticity usage
..................................................................................223
Chapter
13.............................................................................................224
Concluding discussion
............................................................................224
KÄLLOR
................................................................................................227
Litteratur................................................................................................
227
Elektroniska källor
.............................................................................235
BILAGA
1..............................................................................................237
|
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| bvnumber | BV041400835 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV041400835 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:55:54Z |
| institution | BVB |
| isbn | 9789176689332 |
| language | Swedish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026848360 |
| oclc_num | 862864566 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 239 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Örebro universitet |
| record_format | marc |
| series | Örebro studies in music education Örebro studies in educational sciences with and emphasis on didactics |
| series2 | Örebro studies in music education Örebro studies in educational sciences with and emphasis on didactics |
| spelling | Kjellander, Eva 1965- Verfasser (DE-588)1043789421 aut Jag och mitt fanskap vad musik kan betyda för människor Eva Kjellander Örebro Örebro universitet 2013 239 S. txt rdacontent n rdamedia nc rdacarrier Örebro studies in music education 8 Örebro studies in educational sciences with and emphasis on didactics 6 Zugl.: Örebro, Univ., Diss., 2013 Identität (DE-588)4026482-8 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Grounded theory (DE-588)4395694-4 gnd rswk-swf Alltag (DE-588)4001307-8 gnd rswk-swf Fan (DE-588)4131020-2 gnd rswk-swf Sozialisation (DE-588)4055783-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Popmusik (DE-588)4046781-8 s Fan (DE-588)4131020-2 s Alltag (DE-588)4001307-8 s Sozialisation (DE-588)4055783-2 s Identität (DE-588)4026482-8 s Grounded theory (DE-588)4395694-4 s DE-604 Örebro studies in music education 8 (DE-604)BV022188694 8 Örebro studies in educational sciences with and emphasis on didactics 6 (DE-604)BV041400824 6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026848360&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kjellander, Eva 1965- Jag och mitt fanskap vad musik kan betyda för människor Örebro studies in music education Örebro studies in educational sciences with and emphasis on didactics Identität (DE-588)4026482-8 gnd Popmusik (DE-588)4046781-8 gnd Grounded theory (DE-588)4395694-4 gnd Alltag (DE-588)4001307-8 gnd Fan (DE-588)4131020-2 gnd Sozialisation (DE-588)4055783-2 gnd |
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| title | Jag och mitt fanskap vad musik kan betyda för människor |
| title_auth | Jag och mitt fanskap vad musik kan betyda för människor |
| title_exact_search | Jag och mitt fanskap vad musik kan betyda för människor |
| title_full | Jag och mitt fanskap vad musik kan betyda för människor Eva Kjellander |
| title_fullStr | Jag och mitt fanskap vad musik kan betyda för människor Eva Kjellander |
| title_full_unstemmed | Jag och mitt fanskap vad musik kan betyda för människor Eva Kjellander |
| title_short | Jag och mitt fanskap |
| title_sort | jag och mitt fanskap vad musik kan betyda for manniskor |
| title_sub | vad musik kan betyda för människor |
| topic | Identität (DE-588)4026482-8 gnd Popmusik (DE-588)4046781-8 gnd Grounded theory (DE-588)4395694-4 gnd Alltag (DE-588)4001307-8 gnd Fan (DE-588)4131020-2 gnd Sozialisation (DE-588)4055783-2 gnd |
| topic_facet | Identität Popmusik Grounded theory Alltag Fan Sozialisation Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026848360&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV022188694 (DE-604)BV041400824 |
| work_keys_str_mv | AT kjellandereva jagochmittfanskapvadmusikkanbetydaformanniskor |