Poetic autonomy in ancient Rome:
In this book Luke Roman offers a major new approach to the study of ancient Roman poetry. A key term in the modern interpretation of art and literature, 'aesthetic autonomy' refers to the idea that the work of art belongs to a realm of its own, separate from ordinary activities and detache...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2014
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In this book Luke Roman offers a major new approach to the study of ancient Roman poetry. A key term in the modern interpretation of art and literature, 'aesthetic autonomy' refers to the idea that the work of art belongs to a realm of its own, separate from ordinary activities and detached from quotidian interests. While scholars have often insisted that aesthetic autonomy is an exclusively modern concept and cannot be applied to other historical periods, the book argues that poets in ancient Rome employed a 'rhetoric of autonomy' to define their position within Roman society and establish the distinctive value of their work. This study of the Roman rhetoric of poetic autonomy includes an examination of poetic self-representation in first-person genres from the late republic to the early empire |
| Beschreibung: | X, 380 S. |
| ISBN: | 9780199675630 0199675635 |
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| 520 | |a In this book Luke Roman offers a major new approach to the study of ancient Roman poetry. A key term in the modern interpretation of art and literature, 'aesthetic autonomy' refers to the idea that the work of art belongs to a realm of its own, separate from ordinary activities and detached from quotidian interests. While scholars have often insisted that aesthetic autonomy is an exclusively modern concept and cannot be applied to other historical periods, the book argues that poets in ancient Rome employed a 'rhetoric of autonomy' to define their position within Roman society and establish the distinctive value of their work. This study of the Roman rhetoric of poetic autonomy includes an examination of poetic self-representation in first-person genres from the late republic to the early empire | ||
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Datensatz im Suchindex
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| adam_text | Contents
Introduction:
Autonomy ancient and modern
1
Terms and definitions
2
Autonomy: a brief history
3
Aesthetic autonomy and classical culture
11
1.
First-Person Poetry and the Autonomist Turn: Lucilius, Catullus,
and Cicero s Consulatus suus
31
Introduction
31
Lucilius: satire and the self-representational tradition
35
Catullus: metaliterary trifles
42
Poetry and public life
59
Scribam
ipse
de me:
poetry and self-representation
66
The worst poet
84
Conclusion
89
2.
Autarky, Withdrawal, Confinement: The autonomist niche
in early Augustan poetry (ca.
39
вс-25 вс)
91
Introduction
91
Horace s Satires: redefining
libertas
93
Virgil s pastoral refuge
113
Propertius Book
1:
autonomy as confinement
121
Tibullus Book
1:
the ironies of security
137
Tibullus and the Panegyricus Messallae: the rhetoric of
heteronomy
150
Conclusion
162
3.
The Expansion of Autonomy: Augustan poetry (ca.
25
bc-ad
17) 163
Introduction
163
Redefining autonomy in Propertius Books
2-4:
the slave s
triumph
169
Horace s Odes and Epistles: from ludic niche to utilis
urbi
201
Permanent extremity: Ovid s autonomist poetics
238
Conclusion
261
4.
Materialities of Use and Subordination: The challenge
of the autonomist legacy
263
Introduction
263
Persius Satires: autonomy and isolation
270
Statius: panegyric, heteronomy, and the first-person tradition
279
The poet s prestige
283
The villa as site of autonomy
288
Poetry, ephemerality, materialism
291
Silvae
4 296
χ
Contents
Martial s Epigrams: the heteronomous book
301
Juvenal:
quis
locus
ingenio7.
321
Conclusion: Poetry and other games
341
Bibliography
347
Index of Passages
371
General Index
375
|
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| author | Roman, Luke |
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| discipline | Philologie / Byzantinistik / Neulatein |
| edition | 1. ed. |
| format | Thesis Book |
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