The Oxford handbook of film music studies:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index |
| Beschreibung: | X, 683 S. Ill. |
| ISBN: | 9780195328493 0195328493 9780190250591 |
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| 245 | 1 | 0 | |a The Oxford handbook of film music studies |c ed. by David Neumeyer |
| 246 | 1 | 3 | |a Handbook of film music studies |
| 246 | 1 | 3 | |a Film music studies |
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2014 | |
| 300 | |a X, 683 S. |b Ill. | ||
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| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu | |
| 650 | 4 | |a Motion picture music / History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804151495811137536 |
|---|---|
| adam_text | Contents
Contributors
xi
ι.
Overview
ι
David Neumf.yer
PARTI FILM MUSIC: CENTRAL QUESTIONS
2.
Music and the Ontology of the Sound Film: The Classical
Hollywood System
17
James Buhler and David Neumeyer
3.
Opera and Film
44
Marcia
J.
Citron
4.
Visual Representation of Film Sound as an Analytical Tool
72
Rick
Altman
5.
Film Music from the Perspective of Cognitive Science
96
Annabel J. Cohen
6.
Composing for Film:
Hanns Eislers
Lifelong Film Music Project
131
Peter Schweinhardt and Johannes C. Gall, translated
by Oliver
Dahin
7.
Ontologica!,
Formal, and Critical Theories of Film Music
and Sound
188
James Buhler
PARTII
GENRE AND PLATFORM
8.
Drawing a New Narrative for Cartoon Music
229
Daniel Goldmark
vi
CONTENTS
9.
Genre Theory and the Film
Musical
245
Cari
McDonnell
10.
The Tunes They Are A-changing : Moments of Historical
Rupture and Reconfiguration in the Production and Commerce
of Music in Film
270
Jeff Smith
11.
The Compilation Soundtrack from the
1960s
to the Present
291
Julie Hubbert
12.
The Origins of Musical Style in Video Games,
1977-1983 319
Neil Lerner
PART III INTERPRETATIVE THEORY
AND PRACTICE
13.
Classical Music, Virtual Bodies, Narrative Film
351
Lawrence Kramer
14.
Gender, Sexuality, and the Soundtrack
366
James Buhler
15.
Psychoanalysis, Apparatus Theory, and Subjectivity
383
James Buhler
16.
Case Studies: Introduction
418
Robynn
Stilwell
17.
The Order of Sanctity: Sound, Sight, and Suasion in The Ten
Commandments
424
Mitchell Morris
18.
Strange Recognitions and Endless Loops: Music, Media,
and Memory in Terry Gilliams
12
Monkeys
445
Julie McQuinn
PART IV CONTEMPORARY APPROACHES
TO ANALYSIS
19.
Transformational Theory and the Analysis of Film Music
471
Scott Murphy
CONTENTS
vu
20.
Listening in Film: Music/Film Temporality, Materiality,
and Memory
500
Marianne Kielian-Gilbert
21.
Auteurship and Agency in Television Music
526
Ronald Rodman
PART V HISTORICAL ISSUES
22.
When the Music Surges: Melodrama and the Nineteenth-century
Theatrical Precedents for Film Music Style and Placement
559
Michael V.
Pisani
23.
Audio-visual Palimpsests: Resynchronizing Silent Films with
Special Music
583
Julie Brown
24.
Performance Practices and Music in Early Cinema outside
Hollywood
611
Kathryn
Kálinak
25.
Performing Prestige: American Cinema Orchestras,
1910-1958 620
Nathan Platte
Index
639
|
| any_adam_object | 1 |
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| author2_variant | d n dn |
| author_GND | (DE-588)141167440 |
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| bvnumber | BV041394086 |
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| contents | Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu |
| ctrlnum | (OCoLC)869851669 (DE-599)BVBBV041394086 |
| discipline | Allgemeines Musikwissenschaft |
| format | Book |
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| indexdate | 2024-07-10T00:55:44Z |
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| isbn | 9780195328493 0195328493 9780190250591 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026841799 |
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| spelling | The Oxford handbook of film music studies ed. by David Neumeyer Handbook of film music studies Film music studies Oxford [u.a.] Oxford Univ. Press 2014 X, 683 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmmusik (DE-588)4017129-2 s DE-604 Neumeyer, David 1950- (DE-588)141167440 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026841799&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of film music studies Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4143413-4 |
| title | The Oxford handbook of film music studies |
| title_alt | Handbook of film music studies Film music studies |
| title_auth | The Oxford handbook of film music studies |
| title_exact_search | The Oxford handbook of film music studies |
| title_full | The Oxford handbook of film music studies ed. by David Neumeyer |
| title_fullStr | The Oxford handbook of film music studies ed. by David Neumeyer |
| title_full_unstemmed | The Oxford handbook of film music studies ed. by David Neumeyer |
| title_short | The Oxford handbook of film music studies |
| title_sort | the oxford handbook of film music studies |
| topic | Motion picture music / History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Motion picture music / History and criticism Filmmusik Aufsatzsammlung |
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