Walk the line: the art of drawing
Drawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle i...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Laurence King Publishing Ltd
2013
|
| Schriftenreihe: | Elephant book
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Drawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity. In fact, the opposite happened: the enthusiasm for digital imagery died down and the ability to draw has become a treasured skill. In the art world, attitudes to drawing have also changed. Drawing became a way of making a statement as an artist, of showing masterly skill something that up to then had been most commonly associated with painting. After centuries in the shadow of its more illustrious fine art relatives, drawing started to be appreciated for its own sake, as an art discipline, an end in itself, an art form |
| Beschreibung: | 319 Seiten |
| ISBN: | 9781780671109 |
Internformat
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| 520 | 1 | |a Drawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity. In fact, the opposite happened: the enthusiasm for digital imagery died down and the ability to draw has become a treasured skill. In the art world, attitudes to drawing have also changed. Drawing became a way of making a statement as an artist, of showing masterly skill something that up to then had been most commonly associated with painting. After centuries in the shadow of its more illustrious fine art relatives, drawing started to be appreciated for its own sake, as an art discipline, an end in itself, an art form | |
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Datensatz im Suchindex
| _version_ | 1804151494804504576 |
|---|---|
| adam_text | Ductíbegleltzettel
ÎG(*s(!ht>nk
vnn
нрхт
ł
Exlibris
I I
The Art of Drawing
Contents
Derek
Albeck (US)
22--------25
Isabel Albrecht
(Germany)
26--------29
Kato
Atkln
(UK)
ЗО—
—33
•S .
Charles Avery
(UK)
34--------37
Joe
Biel
(US)
46--------51
Adam Batchelor (UK)
38
41
Яр*
¿fr
Matt Bellinger (US)
49 _____ «57
Sabina
Baumann
(Switzorland)
42——45
George
Boorujy (US)
58---------61
Carine
Brancowltz
(France)
62--------65
Ernest© Caivano
(US)
66--------71
■ fr
John Copeland (US)
72--------75
Oathyun
Кќп
(Korea)
76--------79
Louise Despont
(US)
80--------
аз
Raisin
Dunne {UK)
84---------87
Ed-ards
Fùor·*
Bayo)
,Ό
loret
{franse)
92-------.95
A
Er
í«
Festei
96....................
Contents
Marcel Gähler
(Switzerland)
102--------105
Rachel Goodyear (UK)
106--------109
Trevor
Guthrie
(Switzerland)
110---------115
Mercedes Heinwein
(Germany)
116--------121
Warren Holder (UK)
122--------125
Seb
Jarnot (France)
126---------129
David Jien (US)
130--------133
Reece Jones (UK)
134--------137
Sagaki Keita (Japan)
138--------143
Juul Kraijer (The Netherlands)
144--------147
Juliette
Le Roux (France)
148--------151
Frank Magnotta (US)
152--------155
Judith
Mall (Germany)
156--------159
Florence Manlik
(France)
160--------163
Rob Matthews (UK)
164---------167
Aleksandra Mir
(Poland)
168— ■—173
.-..fi/
Shintaro Miyake (Japan)
174--------177
Alison Moffett (UK)
178---------181
Contents
Andrei Molodkin
(Russia)
182--------185
Ethan Murrow (US)
186---------191
Monica
Naranjo Uribe (Colombia)
192---------197
Mike Pare (US)
198--------201
Nigel Peake (Ireland)
202---------205
Olivia Plender (UK)
206---------209
is
ікззі
William Powhida (US)
210--------213
James Pyman (UK)
214---------217
Щ
Qiu Jie (China)
218---------223
Giulia
Ricci
(UK)
224--------227
Didier
Rittener
(Switzerland)
228---------233
Rik Smits
(The Netherlands)
234---------237
Christiana Soulou (Greece)
238---------241
Jen Stark (US)
242---------245
Liam
Stevens (UK)
246---------249
Marissá
Textor (US)
250--------253
John Paul Thurlow (UK)
254---------257
Ante
Timmermans
(Belgium)
258---------261
Contents
Viktor Timofeev
(Latvia)
262--------265
Winnie Truong
(Canada)
266--------269
II
Donald Urquhart (UK)
270---------275
Emílio
Valdos
(Мохіс©)
27b
--------279
Rinus Van de
Velde
(The Netherlands)
280-------285
Marcel van
Eeden
(The Netherlands)
286---------291
Joöo
Vilhona (Portugal)
292--------295
Wolfe
Von
Lenkiewicz (UK)
296--------299
Stephen Walton (UK)
300---------303
Erie Yahnkor (US)
304--------
зо?
Таіго
Yamamoto (Canada)
Hong Chun Zhang (China)
312---------317
|
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| dewey-full | 741.09051 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.09051 |
| dewey-search | 741.09051 |
| dewey-sort | 3741.09051 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | Geschichte 2000-2013 gnd |
| era_facet | Geschichte 2000-2013 |
| format | Book |
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| indexdate | 2024-07-10T00:55:43Z |
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| isbn | 9781780671109 |
| language | English |
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| physical | 319 Seiten |
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| spelling | Walk the line the art of drawing Marc Valli & Ana Ibarra London Laurence King Publishing Ltd 2013 319 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Elephant book Drawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity. In fact, the opposite happened: the enthusiasm for digital imagery died down and the ability to draw has become a treasured skill. In the art world, attitudes to drawing have also changed. Drawing became a way of making a statement as an artist, of showing masterly skill something that up to then had been most commonly associated with painting. After centuries in the shadow of its more illustrious fine art relatives, drawing started to be appreciated for its own sake, as an art discipline, an end in itself, an art form Geschichte 2000-2013 gnd rswk-swf Zeichentechnik (DE-588)4190579-9 gnd rswk-swf Zeichner (DE-588)4200345-3 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Drawing--21st century. Drawing--21st century--Pictorial works. Art and technology. (DE-588)4145395-5 Bildband gnd-content Zeichnung (DE-588)4127900-1 s Zeichentechnik (DE-588)4190579-9 s Zeichner (DE-588)4200345-3 s Geschichte 2000-2013 z DE-604 Valli, Marc (DE-588)1202879950 win Ibarra, Ana ctb KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026841185&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Walk the line the art of drawing Zeichentechnik (DE-588)4190579-9 gnd Zeichner (DE-588)4200345-3 gnd Zeichnung (DE-588)4127900-1 gnd |
| subject_GND | (DE-588)4190579-9 (DE-588)4200345-3 (DE-588)4127900-1 (DE-588)4145395-5 |
| title | Walk the line the art of drawing |
| title_auth | Walk the line the art of drawing |
| title_exact_search | Walk the line the art of drawing |
| title_full | Walk the line the art of drawing Marc Valli & Ana Ibarra |
| title_fullStr | Walk the line the art of drawing Marc Valli & Ana Ibarra |
| title_full_unstemmed | Walk the line the art of drawing Marc Valli & Ana Ibarra |
| title_short | Walk the line |
| title_sort | walk the line the art of drawing |
| title_sub | the art of drawing |
| topic | Zeichentechnik (DE-588)4190579-9 gnd Zeichner (DE-588)4200345-3 gnd Zeichnung (DE-588)4127900-1 gnd |
| topic_facet | Zeichentechnik Zeichner Zeichnung Bildband |
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