Shakespeare's stage traffic: imitation, borrowing and competition in Renaissance theatre
"Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception".. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 305 S. |
| ISBN: | 9781107040038 |
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| 520 | |a "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception".. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Shakespeare s unique status has made critics reluctant to acknowledge
the extent to which some of his plays are the outcome of adapta¬
tion. In
Shakespeares
Stage
Trafficanti
Clare re-situates Shakespeare s
dramaturgy within the flourishing and competitive theatrical trade of
the late sixteenth and early seventeenth centuries. She demonstrates
how Shakespeare worked with materials that had already entered the
dramatic tradition, and how, in the spirit of Renaissance theory, he
moulded and converted them to his own use. The book challenges
the critical stance that views the Shakespeare canon as essentially
self-contained, moves beyond the limitations of generic studies and
argues for a more conjoined critical study of early modern plays.
Each chapter focuses on specific plays and examines the networks
of influence, exchange and competition that characterized stage traf¬
fic between companies and playwrights, including Marlowe, Lyly,
Jonson, Marston,
Rowley and Fletcher. Overall, the book addresses
multiple perspectives relating to authorship and text, performance
and reception.
Contents
Acknowledgements page
viii
A note on texts
xi
Introduction
ι
ι
Troublesome reigns
29
2
Deposing kings
60
3
Cross-cultural comedy
86
4
Competing dramaturgies: later comedy
114
5
Medley history
144
6
Hamkt and the humour of children
165
7
Conversion: from Elizabethan to Jacobean theatre
195
8
Generic transformations
230
Afterword
264
Bibliography
268
Index
295
|
| any_adam_object | 1 |
| author | Clare, Janet 1954- |
| author_GND | (DE-588)140949844 |
| author_facet | Clare, Janet 1954- |
| author_role | aut |
| author_sort | Clare, Janet 1954- |
| author_variant | j c jc |
| building | Verbundindex |
| bvnumber | BV041371686 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR2976 |
| callnumber-raw | PR2976 |
| callnumber-search | PR2976 |
| callnumber-sort | PR 42976 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3385 HI 3390 |
| ctrlnum | (OCoLC)869851071 (DE-599)BVBBV041371686 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
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| isbn | 9781107040038 |
| language | English |
| lccn | 013023443 |
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| spelling | Clare, Janet 1954- Verfasser (DE-588)140949844 aut Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2014 XI, 305 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception".. Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Intertextualität (DE-588)4114051-5 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Intertextualität (DE-588)4114051-5 s Renaissance (DE-588)4049450-0 s Theater (DE-588)4059702-7 s Englisch (DE-588)4014777-0 s DE-604 http://assets.cambridge.org/97811070/40038/cover/9781107040038.jpg Cover image Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026819829&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026819829&sequence=000008&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Clare, Janet 1954- Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Intertextualität (DE-588)4114051-5 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4049450-0 (DE-588)4014777-0 (DE-588)4114051-5 (DE-588)4059702-7 |
| title | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_auth | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_exact_search | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_full | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_fullStr | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_full_unstemmed | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_short | Shakespeare's stage traffic |
| title_sort | shakespeare s stage traffic imitation borrowing and competition in renaissance theatre |
| title_sub | imitation, borrowing and competition in Renaissance theatre |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Intertextualität (DE-588)4114051-5 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature Drama Renaissance Englisch Intertextualität Theater |
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