Film stars and disourses [discourses] of gender, nation, and race in Germany: 1918-1945
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
2013
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Fälschl. Bez. auf Titelblatt: Film stars and disourses of gender, nation, and race in Germany |
| Beschreibung: | 342 Blätter Illustrationen |
Internformat
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| 245 | 1 | 0 | |a Film stars and disourses [discourses] of gender, nation, and race in Germany |b 1918-1945 |c von Pablo Dominguez Andersen |
| 246 | 1 | 3 | |a Film stars and disourses of gender, nation, and race in Germany |
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| 500 | |a Fälschl. Bez. auf Titelblatt: Film stars and disourses of gender, nation, and race in Germany | ||
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Datensatz im Suchindex
| _version_ | 1804151419637334017 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION 1
1. WHY STARS MATTER FOR A CULTURAL HISTORY OF GENDER, NATION, AND RACE 5
2. SOURCES 16
3. STRUCTURE OF THE DISSERTATION AND CHAPTER OUTLINE 18
CHAPTER ONE
THE WHITE GODDESS OF THE MASSES: HENNY PORTEN AND GERMAN FEMININITY IN
THE
WEIMAR REPUBLIC 22
1. THE MOST GERMAN OF ALL GERMAN FILM STARS: HENNY PORTEN AS NATIONAL
ALLEGORY 26
2. CONSUMERISM VS. PRODUCTIVISM AND THE BIOPOLITICAL CRISIS OF MODERNITY
31
3. HENNY PORTEN: A PRODUCTIVIST BODY IN A CONSUMERIST DISCOURSE 34
4. ETERNAL WOMANHOOD VS. NEW
WOMEN: HENNY PORTEN AND GENDER DISCOURSES IN WEIMAR
GERMANY 39
5. MOTHER AND CHILD: HENNY PORTEN AND THE GERMAN MYTH OF MOTHERHOOD 45
6. IF GERMANY DIES, THEN I DIE TOO:
GENDER, NATION, AND POLITICS IN LOUISE, QUEEN OF PRUSSIA
53
7. THE BEAUTIFUL GERMAN WOMAN: HENNY PORTEN AND RACIAL BEAUTY AS A
BIOPOLITICAL
RESOURCE 59
8. A WHITE
STAR: HENNY PORTEN AND WHITE WOMANHOOD IN POSTCOLONIAL GERMANY 67
9. REPRESENTING GERMAN WHITENESS ON SCREEN: HENNY PORTEN IN THE ANCIENT
LAW AND ANNA
BOLEYN 73
10. DECENTERING WHITENESS: HENNY PORTEN AND REPRESENTATIONS OF RACIAL
OTHERNESS 80
11. HENNY PORTEN AND WEIMAR BLACKFACE BETWEEN DESIRE AND AVERSION 85
12. CONCLUSION 94
CHAPTER TWO
NOTORIOUSLY DIFFERENT: CONRAD VEIDT AND DISCOURSES OF MASCULINITY,
NATION, AND
RACE IN THE WEIMAR REPUBLIC 97
1. BODY
TYPES, CONSTITUTIONAL TYPOLOGY, AND NERVOUSNESS IN THE WEIMAR REPUBLIC
101
2. CONRAD VEIDT, MODERNITY, AND THE WEIMAR DISCOURSE OF MALE CASTRATION
105
3. MASCULINE TYPES, MALE BEAUTY, AND THE FEMALE GAZE IN WEIMAR POPULAR
CULTURE 110
4. DANDY,
VAMPIRE, AND ROMANTIC LOVER: CONRAD VEIDT AND FEMALE SPECTATORSHIP IN
WEIMAR
CINEMA 116
5. HUSBANDS OR LOVERS AND CONRAD VEIDT BETWEEN MASCULINE CRISIS AND
FEMALE DESIRE 122
6. THE PRETTIEST GIRL ON THE
STREET: CONRAD VEIDT AND HOMOSEXUALITY IN WEIMAR POPULAR
CULTURE 127
7. GENDER,
SEXUALITY, AND [POST-) COLONIALISM IN CONRAD VEIDT S RACIAL DRAG ROLES
133
8. RACIAL MASQUERADE, EXOTIC MASCULINITY,
AND FEMININE DESIRE IN THE INDIAN TOMB 139
9. BEYOND THE HEGEMONIC VISION: POSTCOLONIAL PERSPECTIVES ON WEIMAR
ORIENTALISM 146
10. A DILIGENTLY
AND RELENTLESSLY WORKING MAN: HEGEMONIC RE-INSCRIPTIONS AND CONRAD
VEIDT S OFF-SCREEN
PERSONA 150
11. A MAN OF IRON
AND STEEL, FOR WHOM DUTY MEANS EVERYTHING: CONRAD VEIDT IN THE LAST
COMPANY AND THE MILITARIZATION OF WEIMAR MANHOOD 155
13. CONCLUSION 165
HTTP://D-NB.INFO/104469310X
CHAPTER THREE
SO TIRED OF THE PARTS I HAD TO PLAY:
ANNA MAY WONG AND GERMAN ORIENTALISM IN
THE WEIMAR REPUBLIC 167
1. GERMAN COLONIALISM, YELLOW PERIL DISCOURSE, AND THE GENDER OF GERMAN
ORIENTALISM... 171
2. THE NEW WOMAN, RACIAL MASQUERADING, AND THE COLONIAL IMAGERY OF
WEIMAR CONSUMER
ORIENTALISM 178
3. ORIENTALISM AND RELATIONAL RACE THEORY: UNCOVERING TRACES OF
RESISTANCE IN RACIST
REPRESENTATIONS 186
4. BETWEEN MIGRANT HISTORY AND ORIENTAL MYTH: AMBIGUITIES OF NATION AND
RACE IN ANNA
MAY WONG S OFF-SCREEN PERSONA 192
5. LOTUS FLOWER AND DRAGON LADY: ASIAN STEREOTYPES, SEXUALITY, AND ANNA
MAY WONG 198
6. RACISM, NATIONALISM AND CROSS-RACIAL SEXUALITY IN WONG S OFF-SCREEN
PERSONA 206
7. PERFORMING THE ASIAN OTHER IN WEIMAR CINEMA: ETHNOGRAPHIC
AUTHENTICITY AND RACIAL
MASQUERADE 211
8. TROUBLING THE ORIENTAL MYTH: BIOGRAPHICAL REALISM IN WONG S EUROPEAN
FILMS AND SONG
216
9. SUBVERTING THE RACIST LOGIC:
ANNA MAY WONG S YELLOW YELLOWFACE PERFORMANCE 221
10. CONCLUSION 229
CHAPTER FOUR
EMBODIMENT OF AND TESTAMENT TO THE GERMAN IDEA OF MANHOOD: HANS ALBERS
AND
GERMAN MASCULINITY FROM THE WEIMAR REPUBLIC TO NATIONAL SOCIALISM 233
1. NO WOMAN LOVES A WEAKLING: THE DECLINE OF THE MALE FASHIONMONGER
AND THE RISE
OF THE NEW MAN IN THE EARLY 1930S 236
2. STRONGMAN, DAREDEVIL, AND VICTOR: HANS ALBERS S RISE TO STARDOM
AROUND 1930 240
3. MILITARIZING THE DAREDEVIL: NATIONALISM, IMPERIALISM, AND MASCULINITY
IN MONTE CARLO
MADNESS 247
4. IMPERIAL MANHOOD AND THE LONGING FOR HEIMAT: F.P.I DOESN T ANSWER AND
FUGITIVES 256
5. A NAZI PAR EXCELLENCE?
HANS ALBERS, FASCIST MASCULINITY, AND NAZI CINEMA 263
6. OF CHARMING
BOYS AND
SPORTING FELLOWS: MASCULINITIES IN NAZI POPULAR CULTURE AND
THE FEMININE GAZE 269
7. FASCIST
MANHOOD AND FEMALE SEXUALITY IN ALBERS S ON-SCREEN ROLES 277
8. MILITARY MANHOOD BETWEEN HYPERACTIVE HETEROSEXUALITY AND MOTHER
FIXATION: ALBERS IN
TRENCK, THE PANDUR AND HANGMEN, WOMEN AND SOLDIERS 286
9. WHITENESS, BLACKNESS, COLONIALISM,
AND ANTISEMITISM IN CARL PETERS 294
10. CONCLUSION 303
CONCLUSION....
FILMOGRAPHY.
BIBLIOGRAPHY.
306
311
319
|
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| spelling | Dominguez Andersen, Pablo 1982- Verfasser (DE-588)1042646481 aut Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 von Pablo Dominguez Andersen Film stars and disourses of gender, nation, and race in Germany 2013 342 Blätter Illustrationen txt rdacontent n rdamedia nc rdacarrier Fälschl. Bez. auf Titelblatt: Film stars and disourses of gender, nation, and race in Germany Dissertation Humboldt-Universität zu Berlin 2013 (DE-588)4113937-9 Hochschulschrift gnd-content Reproduziert als Dominguez Andersen, Pablo, 1982- Film stars and discourses of gender, nation, and race in Germany 1918-1945 Berlin : MIK-Center GmbH, 2013 4 Mikrofiches (DE-604)BV041728114 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026793381&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dominguez Andersen, Pablo 1982- Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 |
| subject_GND | (DE-588)4113937-9 |
| title | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 |
| title_alt | Film stars and disourses of gender, nation, and race in Germany |
| title_auth | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 |
| title_exact_search | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 |
| title_full | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 von Pablo Dominguez Andersen |
| title_fullStr | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 von Pablo Dominguez Andersen |
| title_full_unstemmed | Film stars and disourses [discourses] of gender, nation, and race in Germany 1918-1945 von Pablo Dominguez Andersen |
| title_short | Film stars and disourses [discourses] of gender, nation, and race in Germany |
| title_sort | film stars and disourses discourses of gender nation and race in germany 1918 1945 |
| title_sub | 1918-1945 |
| topic_facet | Hochschulschrift |
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