Drama worlds: a framework for process drama
Drama Worlds examines the complex improvised event called process drama and identifies it as an essential part of today's theatre. Cecily O'Neill considers process drama's sources and its connections with more familiar kinds of improvisation: the texts it generates, the kinds of roles...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Portsmouth, NH
Heinemann
1995
|
| Schlagworte: | |
| Zusammenfassung: | Drama Worlds examines the complex improvised event called process drama and identifies it as an essential part of today's theatre. Cecily O'Neill considers process drama's sources and its connections with more familiar kinds of improvisation: the texts it generates, the kinds of roles available, its relation to its audience and dramatic time, and the leader's function in the event. She provides examples of several process dramas and identifies dramatic strategies and characteristics. The explicit associations between theatre form and process drama make O'Neill's approach accessible and its purposes and possibilities easy to understand, particularly to those working in actor training and theatre. Teachers and directors alike will discover effective ways of initiating and maintaining the drama world, achieving a significant dramatic experience for all participants |
| Beschreibung: | Includes bibliographical references (p. 161-164) and index 1. Encounters: Process Drama and Improvisation -- 2. Designs for Action: Scripts and Texts -- 3. New Worlds from Old: Discovering Pre-texts -- 4. Scenes and Episodes: Defining the Drama World -- 5. Transformations: Roles and Roleplay -- 6. Expectations: Time in Process Drama and Theatre -- 7. Conspiracies: Audience and Participation -- 8. Devices: Structuring the Dramatic Experience |
| Beschreibung: | xx, 169 p. 26 cm |
| ISBN: | 0435086715 9780435086718 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041297474 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 131001s1995 xxu |||| 00||| eng d | ||
| 020 | |a 0435086715 |9 0-435-08671-5 | ||
| 020 | |a 9780435086718 |9 978-0-435-08671-8 | ||
| 035 | |a (DE-599)BVBBV041297474 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-M336 | ||
| 100 | 1 | |a O'Neill, Cecily |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Drama worlds |b a framework for process drama |c Cecily O'Neill |
| 264 | 1 | |a Portsmouth, NH |b Heinemann |c 1995 | |
| 300 | |a xx, 169 p. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 161-164) and index | ||
| 500 | |a 1. Encounters: Process Drama and Improvisation -- 2. Designs for Action: Scripts and Texts -- 3. New Worlds from Old: Discovering Pre-texts -- 4. Scenes and Episodes: Defining the Drama World -- 5. Transformations: Roles and Roleplay -- 6. Expectations: Time in Process Drama and Theatre -- 7. Conspiracies: Audience and Participation -- 8. Devices: Structuring the Dramatic Experience | ||
| 520 | |a Drama Worlds examines the complex improvised event called process drama and identifies it as an essential part of today's theatre. Cecily O'Neill considers process drama's sources and its connections with more familiar kinds of improvisation: the texts it generates, the kinds of roles available, its relation to its audience and dramatic time, and the leader's function in the event. She provides examples of several process dramas and identifies dramatic strategies and characteristics. The explicit associations between theatre form and process drama make O'Neill's approach accessible and its purposes and possibilities easy to understand, particularly to those working in actor training and theatre. Teachers and directors alike will discover effective ways of initiating and maintaining the drama world, achieving a significant dramatic experience for all participants | ||
| 650 | 4 | |a Improvisation (Acting) | |
| 650 | 7 | |a Schauspieler |2 swd | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-026746329 | ||
Datensatz im Suchindex
| _version_ | 1804151364823023616 |
|---|---|
| any_adam_object | |
| author | O'Neill, Cecily |
| author_facet | O'Neill, Cecily |
| author_role | aut |
| author_sort | O'Neill, Cecily |
| author_variant | c o co |
| building | Verbundindex |
| bvnumber | BV041297474 |
| ctrlnum | (DE-599)BVBBV041297474 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02189nam a2200325 c 4500</leader><controlfield tag="001">BV041297474</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">131001s1995 xxu |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0435086715</subfield><subfield code="9">0-435-08671-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780435086718</subfield><subfield code="9">978-0-435-08671-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041297474</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M336</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">O'Neill, Cecily</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Drama worlds</subfield><subfield code="b">a framework for process drama</subfield><subfield code="c">Cecily O'Neill</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Portsmouth, NH</subfield><subfield code="b">Heinemann</subfield><subfield code="c">1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xx, 169 p.</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. 161-164) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">1. Encounters: Process Drama and Improvisation -- 2. Designs for Action: Scripts and Texts -- 3. New Worlds from Old: Discovering Pre-texts -- 4. Scenes and Episodes: Defining the Drama World -- 5. Transformations: Roles and Roleplay -- 6. Expectations: Time in Process Drama and Theatre -- 7. Conspiracies: Audience and Participation -- 8. Devices: Structuring the Dramatic Experience</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Drama Worlds examines the complex improvised event called process drama and identifies it as an essential part of today's theatre. Cecily O'Neill considers process drama's sources and its connections with more familiar kinds of improvisation: the texts it generates, the kinds of roles available, its relation to its audience and dramatic time, and the leader's function in the event. She provides examples of several process dramas and identifies dramatic strategies and characteristics. The explicit associations between theatre form and process drama make O'Neill's approach accessible and its purposes and possibilities easy to understand, particularly to those working in actor training and theatre. Teachers and directors alike will discover effective ways of initiating and maintaining the drama world, achieving a significant dramatic experience for all participants</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Acting)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Schauspieler</subfield><subfield code="2">swd</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-026746329</subfield></datafield></record></collection> |
| id | DE-604.BV041297474 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:53:39Z |
| institution | BVB |
| isbn | 0435086715 9780435086718 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026746329 |
| open_access_boolean | |
| owner | DE-M336 |
| owner_facet | DE-M336 |
| physical | xx, 169 p. 26 cm |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Heinemann |
| record_format | marc |
| spelling | O'Neill, Cecily Verfasser aut Drama worlds a framework for process drama Cecily O'Neill Portsmouth, NH Heinemann 1995 xx, 169 p. 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 161-164) and index 1. Encounters: Process Drama and Improvisation -- 2. Designs for Action: Scripts and Texts -- 3. New Worlds from Old: Discovering Pre-texts -- 4. Scenes and Episodes: Defining the Drama World -- 5. Transformations: Roles and Roleplay -- 6. Expectations: Time in Process Drama and Theatre -- 7. Conspiracies: Audience and Participation -- 8. Devices: Structuring the Dramatic Experience Drama Worlds examines the complex improvised event called process drama and identifies it as an essential part of today's theatre. Cecily O'Neill considers process drama's sources and its connections with more familiar kinds of improvisation: the texts it generates, the kinds of roles available, its relation to its audience and dramatic time, and the leader's function in the event. She provides examples of several process dramas and identifies dramatic strategies and characteristics. The explicit associations between theatre form and process drama make O'Neill's approach accessible and its purposes and possibilities easy to understand, particularly to those working in actor training and theatre. Teachers and directors alike will discover effective ways of initiating and maintaining the drama world, achieving a significant dramatic experience for all participants Improvisation (Acting) Schauspieler swd |
| spellingShingle | O'Neill, Cecily Drama worlds a framework for process drama Improvisation (Acting) Schauspieler swd |
| title | Drama worlds a framework for process drama |
| title_auth | Drama worlds a framework for process drama |
| title_exact_search | Drama worlds a framework for process drama |
| title_full | Drama worlds a framework for process drama Cecily O'Neill |
| title_fullStr | Drama worlds a framework for process drama Cecily O'Neill |
| title_full_unstemmed | Drama worlds a framework for process drama Cecily O'Neill |
| title_short | Drama worlds |
| title_sort | drama worlds a framework for process drama |
| title_sub | a framework for process drama |
| topic | Improvisation (Acting) Schauspieler swd |
| topic_facet | Improvisation (Acting) Schauspieler |
| work_keys_str_mv | AT oneillcecily dramaworldsaframeworkforprocessdrama |