The techniques of bassoon playing: = Die Spieltechnik des Fagotts = La technique du basson
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | German English French |
Veröffentlicht: |
Kassel [u.a.]
Bärenreiter
2012
|
Ausgabe: | 2. Aufl. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 126 S. Ill., zahlr. Notenbeisp. 2 CDs (12 cm) |
ISBN: | 9783761818602 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
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007 | t | ||
008 | 130930s2012 gw agl| |||| 00||| ger d | ||
020 | |a 9783761818602 |9 978-3-7618-1860-2 | ||
024 | 3 | |a 9783761818602 | |
028 | 5 | 2 | |a BVK 1860 |
035 | |a (OCoLC)881283539 | ||
035 | |a (DE-599)BVBBV041296001 | ||
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245 | 1 | 0 | |a The techniques of bassoon playing |b = Die Spieltechnik des Fagotts = La technique du basson |c Pascal Gallois |
246 | 1 | 1 | |a Die Spieltechnik des Fagotts |
246 | 1 | 1 | |a La technique du basson |
250 | |a 2. Aufl. | ||
264 | 1 | |a Kassel [u.a.] |b Bärenreiter |c 2012 | |
300 | |a 126 S. |b Ill., zahlr. Notenbeisp. |e 2 CDs (12 cm) | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
546 | |a Text engl., dt. und franz. | ||
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Datensatz im Suchindex
_version_ | 1804151362672394240 |
---|---|
adam_text | Inhalt
Geleitwort..................... 7
I
Einleitung
I
.
I
Vorwort................... 8
1.2 Abkürzungen und Symbole ....
II
1.3 Griffe..................... 14
1.4 Tonumfang und Register...... 14
1
.5 Legati zwischen Registern..... 15
і
.6
Staccati
zwischen Registern.... 16
2 Traditionelle Effekte
und neue Klänge
2.
1
Grundlagen des Spiels........ 20
2.2 Klangfarben (Vokale)......... 21
2.3
Staccati
und Flatterzunge (Kon¬
sonanten) .................. 23
2.4 Samtklänge................. 25
2.5 Gespensterklänge........... 27
2.6 Singen und Spielen........... 27
2.7 Extreme Höhen............. 30
2.8 Dämpfer................... 31
3 Spektrale Effekte
3.
1
Flageoletts................. 32
3.2 Mehrklänge................ 35
3.3 Rolltöne................... 43
4 Perkussive Effekte
4.1
Flap
....................... 45
4.2 Pizzicato................... 47
4.3 Schmetternde Effekte........ 47
4.4 Klappengeräusche........... 48
4.5 Schlagen mit der flachen Hand.. 48
5 Effekte ohne Rohr
5.
1 Flap
ohne Rohr............. 49
5.2 »Hornklänge«.............. 50
5.3 Blasen in den S-Bogen........ 50
6
Vibrato
6.
1 Zwerchfellvibrato
........... 51
6.2 Lippenvibrato............... 51
6.3
Smorzato
.................. 51
7 Luftgeräusch
7.
1
Windgeräusche............. 53
7.2 Sprechen und Spielen........ 54
Contents
Preface
........................ 7
I
Introduction
І
.
I Foreword
.................. 8
1
.2
Abbreviations and Symbols
....
II
1
.3
Fingerings
.................. 14
1
.4
Range and Registers
.......... 14
1
.5
Legati
between Registers
...... 15
1
.6
Staccati
between Registers
.... 16
2
Traditional Effects
and Current Sounds
2.
1 General Rules for Playing
...... 20
2.2
Sound Colors (Vowels)
....... 21
2.3
Staccati
and Flutter-tonguing
(Consonants)
............... 23
2.4
Velvet Sounds
.............. 25
2.5
Ghost Sounds
.............. 27
2.6
Singing while Playing
.......... 27
2.7
Extremely High Notes
........ 30
2.8
Mutes
..................... 31
3
Spectral Effects
3.
1 Harmonics
................. 32
3.2
Multiphonics
............... 35
3.3
Rolling Notes
.............. 43
4
Percussive Effects
4.1
Flap
...................... 45
4.2
Pizzicato
................... 47
4.3
Brassy Effects
............... 47
4.4
Key Clicks
................. 48
4.5
Palm Slaps
................. 48
5
Effects Without the Reed
5.
1 Flap Without the Reed
....... 49
5.2
Horn Tone
............... 50
5.3
Exhaling into the Crook
...... 50
6
Vibrato
6.
1 Diaphragm Vibrato
.......... 51
6.2
LipVibrato
................. 51
6.3
Smorzato
.................. 51
7
Air Noise
7.1
WindSounds
............... 53
7.2
Speaking and Playing
......... 54
Sommaire
Préface........................
7
I Introduction
I
.
I
Avant-propos
............... 8
1
.2
Abréviations et symboles
.....
Il
1.3
Doigtés
................... 14
1
.4
Tessiture et registres
......... 14
1
.5
Legati
entre registres
......... 15
1
.6
Staccati
entre registres
....... 16
2
Effets traditionnels
et sons actuels
2.
1
Les fondements du jeu
........ 20
2.2
Couleurs sonores (voyelles)
... 21
2.3
Staccati et
Flatterzunge
(conson¬
nes)
...................... 23
2.4
Sons velvet
................. 25
2.5
Sons fantômes
.............. 27
2.6
Chanter en jouant
........... 27
2.7
Extrême aigu
............... 30
2.8
Sourdines
.................. 31
3
Effets spectraux
3.
1
Sons harmoniques
........... 32
3.2
Multiphoniques
............. 35
3.3
Sons roulés
................ 43
4
Effets percussifs
4.
1 Flap
....................... 45
4.2
Pizzicato
................... 47
4.3
Effets cuivrés
............... 47
4.4
Bruits de clés
............... 48
4.5
Frappe avec la paume de la main
48
5
Effets sans anche
5.
1 Flap
sans anche
............. 49
5.2
Son
«
cor
»................ 50
5.3
Expiration dans le bocal
....... 50
6
Vibrato
6.
1
Vibrato diaphragmatique
...... 51
6.2
Vibrato labial
............... 51
6.3
Smorzato
.................. 51
7
Bruits avec l air
7.
1
Sons éoliens
................ 53
7.2
Parler et jouer
.............. 54
8 Natürliche Atmung
und Zirkularatmung
8.1 Natürliche Atmung.......... 55
8.2 Zirkularatmung............. 57
8.3 Erläuterung derTechnik...... 59
8.4 Tägliche Übungen zur Beherr¬
schung der Zirkularatmung.... 60
8.5
Staccato
und Zirkularatmung .. 64
8.6 Doppelte Zirkularatmung..... 64
9 Triller und Tremoli
9.1 Mögliche Triller............. 65
9.2 Klangfarbentriller
(Bisbigliarteli)
65
9.3 Tremoli ................... 66
9.4 Berio-Tremolo.............. 67
9.5 Triller und Tremoli bei Mehrklän¬
gen ....................... 98
10 Glissando
1
0.
1
Lippenglissando............. 99
10.2 Griffglissando............... 100
10.3 Berio-Glissando............. 101
11
Mikrotonalität
I
l.l Vierteltöne................ 103
1
1.2 Achtel- und Sechzehnteltöne .. 103
12 Fagott Plus
12.1 FagottundCD.............. 105
1
2.2 Fagott und Elektronik........
1
06
12.3 Fagott undTonhöhenerkennungs-
system in Echtzeit...........
1
07
13 Die Akustik des Fagotts
(René Causse)
.................. 108
14 Das Kontrafagott.......... 112
1
5 Ratschläge für Fagottisten
zur Beschäftigung
mit dem neuen Repertoire
15.1 Einstudieren eines neuen Stücks 114
15.2 Erarbeiten der
»Sequenza
XII«
für Fagott solo von Luciano Be-
rio....................... 115
1
6 Anhänge
16.1 Klangbeispiele.............. 119
16.2
Diskografie
................. 123
16.3
Bibliografie.................
123
ÜberdenAutor................. 125
8
Natural Breathing
and Circular Breathing
8.
1 Natural Breathing
........... 55
8.2
Circular Breathing
........... 57
8.3
Technical Explanation
........ 59
8.4
Daily Exercises for Mastering
Circular Breathing
........... 60
8.5
Staccato and Circular Breathing
64
8.6
Double Circular Breathing
.... 64
9
Trills and
Tremoli
9.1
PossibleTrills
............... 65
9.2
Timbral
Trills (Bisbigliandi)
..... 65
9.3 Tremoli................... 66
9.4
BerioTremolo
.............. 67
9.5
MultiphonicTrills andTremoli
.. 98
10 Glissando
10.
1 Lip
Glissando............... 99
10.2
Finger
Glissando............ 100
10.3
Berio
Glissando............. 101
11 Microtonality
11
.
1 Quarter-tones
..............
1
03
11
.2
Eighth-tones and Sixteenth-tones 1
03
12
Bassoon Plus
12.1
Bassoon and CD
............ 105
1
2.2
Bassoon and Electronics
......
1
06
1
2.3
Bassoon and Real-time Pitch Fol¬
lower
.....................
1
07
1
3
Bassoon Acoustics
(René Causse)
.................. 108
1
4
The Contrabassoon
......... 112
1
5
Advice to Bassoonists
when Approaching
the New Repertoire
15.1
How to Study a New Work.
... 114
15.2
How to Approach Luciano Be-
rio s
Sequenza
XII
for Solo
Bassoon
................... 115
16
Appendices
1
6.
1 Sound Examples
............ 119
16.2
Discography
................ 123
1
6.3
Bibliography
................
1
23
About the Author
................
1
25
8
Respiration
naturelle
et
respiration
circulaire
8.
1 Respiration
naturelle
......... 55
8.2
Respiration
circulaire
........ 57
8.3
Explication technique
........ 59
8.4
Exercices journaliers pour maî¬
triser la respiration circulaire
.. 60
8.5
Le staccato et la respiration cir¬
culaire
.................... 64
8.6
La double respiration circulaire
64
9
Trilles et
tremoli
9.
1
Trilles possibles
............. 65
9.2
Trilles de timbre (bisbigliandi)
.. 65
9.3
Trèmoli
................... 66
9.4
Trémolo Berio
.............. 67
9.5
Trilles et
trèmoli de
multipho-
niques
.................... 98
10
Glissando
1
0.
1
Glissando de
lèvres
.......... 99
1
0.2
Glissando
de doigtés
.........
1
00
10.3
Glissando
Berio
............. 101
11
Microtonalité
I
l.l Quarts de ton
.............. 103
11
.2
Huitièmes de ton et seizièmes de
ton
.......................
1
03
12
Basson et
...
12.1
Basson et CD
............... 105
12.2
Basson et dispositif électro¬
acoustique
................. 106
12.3
Basson et suivi de hauteurs de
sons en temps réel
..........
1
07
1
3
Acoustique du basson
(René Causse)
.................. 108
14
Le Contrebasson
........... 112
15
Conseils aux bassonistes face
au nouveau répertoire
15.1
Comment étudier une pièce
nouvelle
...................
1
14
15.2
Comment aborder la
«
Sequen¬
za
XII »
pour basson seul de
Lu¬
ciano
Berio
................ N5
16
Appendices
1
6.
1
Exemples du son
............
11
9
1
6.2
Discographie
...............
1
23
1
6.3
Bibliographie
...............
1
23
Sur l auteur
..................... 125
|
any_adam_object | 1 |
author | Gallois, Pascal 1958- |
author_GND | (DE-588)135091209 |
author_facet | Gallois, Pascal 1958- |
author_role | aut |
author_sort | Gallois, Pascal 1958- |
author_variant | p g pg |
building | Verbundindex |
bvnumber | BV041296001 |
classification_rvk | LR 11590 |
ctrlnum | (OCoLC)881283539 (DE-599)BVBBV041296001 |
discipline | Musikwissenschaft |
edition | 2. Aufl. |
format | Book |
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id | DE-604.BV041296001 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:53:37Z |
institution | BVB |
isbn | 9783761818602 |
language | German English French |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026744890 |
oclc_num | 881283539 |
open_access_boolean | |
owner | DE-W89 DE-12 DE-155 DE-BY-UBR |
owner_facet | DE-W89 DE-12 DE-155 DE-BY-UBR |
physical | 126 S. Ill., zahlr. Notenbeisp. 2 CDs (12 cm) |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Bärenreiter |
record_format | marc |
spelling | Gallois, Pascal 1958- Verfasser (DE-588)135091209 aut The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson Pascal Gallois Die Spieltechnik des Fagotts La technique du basson 2. Aufl. Kassel [u.a.] Bärenreiter 2012 126 S. Ill., zahlr. Notenbeisp. 2 CDs (12 cm) txt rdacontent n rdamedia nc rdacarrier Text engl., dt. und franz. Fagottspiel (DE-588)4369425-1 gnd rswk-swf Fagotttechnik (DE-588)4210398-8 gnd rswk-swf Fagottspiel (DE-588)4369425-1 s Fagotttechnik (DE-588)4210398-8 s b DE-604 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026744890&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Gallois, Pascal 1958- The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson Fagottspiel (DE-588)4369425-1 gnd Fagotttechnik (DE-588)4210398-8 gnd |
subject_GND | (DE-588)4369425-1 (DE-588)4210398-8 |
title | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson |
title_alt | Die Spieltechnik des Fagotts La technique du basson |
title_auth | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson |
title_exact_search | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson |
title_full | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson Pascal Gallois |
title_fullStr | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson Pascal Gallois |
title_full_unstemmed | The techniques of bassoon playing = Die Spieltechnik des Fagotts = La technique du basson Pascal Gallois |
title_short | The techniques of bassoon playing |
title_sort | the techniques of bassoon playing die spieltechnik des fagotts la technique du basson |
title_sub | = Die Spieltechnik des Fagotts = La technique du basson |
topic | Fagottspiel (DE-588)4369425-1 gnd Fagotttechnik (DE-588)4210398-8 gnd |
topic_facet | Fagottspiel Fagotttechnik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026744890&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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