Music for sight singing:
Gespeichert in:
| Format: | Partitur Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Upper Saddle River, NJ
Pearson
2014
|
| Ausgabe: | 9. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 415 S. Ill. |
Internformat
MARC
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| 245 | 1 | 0 | |a Music for sight singing |c Nancy Rogers ; Robert W. Ottman |
| 250 | |a 9. ed. | ||
| 264 | 1 | |a Upper Saddle River, NJ |b Pearson |c 2014 | |
| 300 | |a XVI, 415 S. |b Ill. | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Sight-singing | |
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| 700 | 1 | |a Rogers, Nancy |d 1966- |e Sonstige |0 (DE-588)1048493148 |4 oth | |
| 700 | 1 | |a Ottman, Robert W. |d 1914-2005 |e Sonstige |0 (DE-588)102347204X |4 oth | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-026742903 | ||
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Datensatz im Suchindex
| _version_ | 1804151359579095040 |
|---|---|
| adam_text | CONTENTS
(R)
indicates
Rhyíhmic
Reading exercises
PREFACE
x
IN
MEMORIAM
xiii
ACKNOWLEDGMENTS
xv
PARTI
MELODY: DIATONIC INTERVALS
RHYTHM: DIVISION OF THE BEAT
I RHYTHM: Simple Meters; The Beat and Its Division into Two Parts I
RHYTHMIC READING
1
Section
1
(R). The quarter note as the beat unit. Beat-note values and
larger only
3
Section
2
(R). The quarter note as the beat unit and its division. Dotted
notes and tied notes
4
Section
3
(R)
.
Two-part drills
6
Section
4
(R). Note values other than the quarter note as beat values
7
Section
5
(R). Two-part drills
10
¡ii
2
MELODY:
RHYTHM:
Stepwise Melodies, Major Keys
Simple Meters; The Beat and Its Division into Two Parts
12
SIGHT SINGING
12
Section
1.
Section
2.
Section
3.
Section
4.
Section
5.
3
MELODY:
RHYTHM:
Section
1.
Section
2.
Section
3.
Section
4.
Section
5.
Section
6.
Section
7.
4
MELODY:
RHYTHM:
Section
1
(R).
Section
2.
Section
3.
Section
4
(R).
Section
5.
Section
6.
Section
7.
Major keys, treble clef, the quarter note as the beat unit.
Key signatures with no more than three sharps or three
flats
13
Bass clef
16
Other meter signatures
18
Duets
20
Structured improvisation
22
Leaps within the Tonic Triad, Major Keys
Simple Meters
24
Major keys, treble clef, leaps of a third, fourth, fifth, and
octave within the tonic triad. The quarter note as the
beat unit
26
Bass clef
31
Leaps of a sixth within the tonic triad
33
The half note and the eighth note as beat units
35
Duets
37
Key signatures with five, six, and seven sharps or flats
40
Structured improvisation
43
Leaps within the Tonic Triad, Major Keys
Compound Meters; The Beat and Its Division
into Three Parts
44
Rhythmic reading: The dotted quarter note as the beat
unit. Single lines and two-part drills
45
Sight singing: Major keys, treble clef; the dotted quarter
note as the beat unit
49
Sight singing: Bass clef
52
Rhythmic reading: The dotted half note and the dotted
eighth note as beat units, including two-part drills
56
Sight singing: The dotted half note and dotted eighth
note as beat units
58
Duets
60
Structured improvisation
62
MELODY: Minor Keys; Leaps within the Tonic Triad
RHYTHM: Simple and Compound Meters
64
Section
1.
Simple meters
66
Section
2
Compound meters
72
iv
Section
3.
Section
4.
6
MELODY:
RHYTHM:
Section
1.
Section
2.
Section
3.
Section
4.
Section
5.
Section
6.
Section
7.
Section
8.
Duets
75
Structured improvisation
78
Leaps within the Dominant Triad (V); Major and Minor Keys
Simpfe and Compound Meters
79
Leaps of a third within the V triad; major keys;
simple meters
81
Leaps of a third within the V triad; minor keys;
simple meters
83
Leaps of a fourth and fifth within the V triad;
major and minor keys; simple meters
86
Leaps of a sixth within the V triad; simple meters
90
Compound meters; various leaps within the V triad
91
Numerator of
3,
compound meters
93
Duets
95
Structured improvisation
98
б
THE
С
CLEFS
Section
1,
Section
2.
Section
3.
Section
4.
Section
5.
MELODY:
RHYTHM:
Section
1.
Section
2.
Section
3.
Section
4.
Alto and Tenor Clefs 1
00
The alto clef
101
The tenor clef
106
Duets
109
Additional practice in the
С
clefs 111
Structured improvisation
112
Further Use of Diatonic Leaps
Simple and Compound Meters
Single-line melodies
114
Bass lines
127
Duets
129
Structured improvisation
131
13
MELODY: Leaps within the Dominant Seventh Chord (V7);
Other Diatonic Seventh Leaps
RHYTHM: Simple and Compound Meters
133
Section
1.
The complete dominant seventh chord
134
Section
2.
The leap of a minor seventh within the Vу chord
136
Section
3.
The leap of
a tritone
within the V chord
139
Section
4.
Other diatonic seventh leaps
143
Section
5.
Structured improvisation
145
PART il
MELODY: DIATONIC INTERVALS
RHYTHM: SUBDIVISION OF THE BEAT
10
RHYTHM The Subdivision of the Beat: The Simple Beat into Four Parts,
The Compound Beat into Six Parts
146
RHYTHMIC READING, SIMPLE METERS
146
Section
1
(R). Preliminary exercises, simple meters
146
Section
2
(R). Rhythmic reading exercises in simple meters
147
Section
3
(R). Two-part drills, simple meters
150
RHYTHMIC READING, COMPOUND METERS
151
Section
4
(R). Preliminary exercises, compound meters
151
Section
5
(R). Rhythmic reading exercises in compound meters
153
Section
6
(R). Two-part drills, compound meters
156
II
12
MELODY: Leaps within the Tonic and Dominant Triads
RHYTHM: Subdivision in Simple and Compound Meters
159
Section
1.
Single-line melodies and duets
159
Section
2.
Structured improvisation
167
MELODY: Further Use of Diatonic Leaps
RHYTHM: Subdivision in Simple and Compound Meters
169
Section
1.
Diatonic leaps except the seventh and
tritone
169
Section
2.
Leaps of a seventh or
tritone
within the V chord
180
Section
3.
Other melodic dissonances
184
Section
4.
Structured improvisation
187
PART III
MELODY: CHROMATICISM
RHYTHM: FURTHER RHYTHMIC PRACTICES
13
RHYTHM and Syncopation 1
88
MELODY:
MELODY: RHYTHMIC READING
189
Section
1
(R)
.
Syncopation in simple meters at the beat or beat division
level
189
Section
2
(R). Syncopation in compound meters at the beat or beat
division level
190
vi
Section
3
(R).
Two-part drills
191
Section
4
(R)
.
Syncopation at the beat subdivision level in simple
meters
193
Section
5
(R)
.
Syncopation at the beat subdivision level in compound
meters
194
Section
б
(R). Two-part drills
195
SIGHT SINGING
196
Section
7.
Section
8.
Section
9.
Section
10.
Section
11.
I
4
RHYTHM and
MELODY:
Syncopation in simple meters at the beat or beat division
level
196
Syncopation in compound meters at the beat or beat
division level
202
Syncopation at the beat subdivision level in simple
and compound meters
204
Duets
209
Structured improvisation
211
Triplet Division of Undotted Note Values;
Duplet
Division of Dotted Note Values
212
RHYTHMIC READING
213
Section
1
(R). Triplet division of undotted note values
213
Section
2
(R).
Duplet
division of dotted note values
216
Section
3
(R). Two-part drills 21V
SIGHT SINGING
219
Section
4.
Triplet division of undotted note values
219
Section
5. Duplet
division of dotted note values
224
Section
6.
Duets
228
Section
7.
Structured improvisation
229
J MELODY: Chromaticism (I): Chromatic Embellishing Tones;
Tonicizing the Dominant; Modulation to the Key
of the Dominant or the Relative Major
23
I
Section
1.
Chromatic notes in the context of stepwise motion
231
Section
2.
Chromatic notes approached or left by leap
235
Section
3.
Tonicization of V in major keys
238
Section
4.
Tonicization of III and modulation to the relative major
from minor keys
245
Section
5.
Modulation to the dominant from major and minor
keys
250
Section
6.
Duets
260
Section
7.
Structured improvisation
262
vii
16
MELODY:
Section
1.
Section
2.
Section
3.
Section
4.
I
7
RHYTHM and
MELODY:
Chromaticism (II^Tonicization of Any Diatonic Triad;
Modulation to Any Closely Related Key
263
Tonicization of any diatonic triad; modulation only to the
dominant or relative major key
263
Modulation to any closely related key
280
Duets
290
Structured improvisation
294
Changing Meter Signatures; The Hemiola;
Less Common Meter Signatures
296
RHYTHMIC READING
296
Section
1
(R). Definitions and rhythmic reading exercises
296
SIGHT SINGING
300
Section
2.
Section
3.
Section
4.
Section
5.
I
8
RHYTHM and
MELODY:
Changing meter signatures
300
The hemiola
305
Meters of
5
and
7,
and other meters
309
Structured improvisation
316
Further Subdivision of the Beat;
Notation in Slow Tempi
318
19
Section
1
(R). Rhythmic reading
319
Section
2.
Sight singing
321
Section
3.
Structured improvisation
329
MELODY Chromaticism (III): Additional Uses of Chromatic Tones;
Remote Modulation
330
Section
1.
Chromatic tones in less common intervals
330
Section
2.
The Neapolitan sixth
338
Section
3.
Remote modulation
344
Section
4.
Structured improvisation
352
PART IV
THE DIATONIC MODES AND RECENT MUSIC
20
MELODY
Section
1.
Section
2.
Section
3.
The Diatonic Modes
354
Folk music
355
Composed music
363
Structured improvisation
371
VIII
21
RHYTHM and The Twentieth and Twenty-First Centuries
372
MELODY:
Section
1
(R)
.
Meter and rhythm. Rhythmic reading
372
Section
2.
Extensions of the traditional tonal system
375
Section
3.
Symmetrical collections; the whole-tone and octatonic
scales
387
Section
4.
Freely post-tonal melodies; twelve-tone melodies
393
Section
5.
Duets
398
Section
6.
Structured improvisation
404
APPENDIX A: RHYTHM SOLMIZATION
406
APPENDIX B: PITCH SOLMIZATION
409
APPENDIX C: MUSICALTERMS
412
ix
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| indexdate | 2024-07-10T00:53:34Z |
| institution | BVB |
| language | English |
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| physical | XVI, 415 S. Ill. |
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| spelling | Music for sight singing Nancy Rogers ; Robert W. Ottman 9. ed. Upper Saddle River, NJ Pearson 2014 XVI, 415 S. Ill. ntm rdacontent n rdamedia nc rdacarrier Sight-singing Sight-singing fast A-prima-vista-Singen (DE-588)4142827-4 gnd rswk-swf (DE-588)4143389-0 Aufgabensammlung gnd-content A-prima-vista-Singen (DE-588)4142827-4 s DE-604 Rogers, Nancy 1966- Sonstige (DE-588)1048493148 oth Ottman, Robert W. 1914-2005 Sonstige (DE-588)102347204X oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026742903&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music for sight singing Sight-singing Sight-singing fast A-prima-vista-Singen (DE-588)4142827-4 gnd |
| subject_GND | (DE-588)4142827-4 (DE-588)4143389-0 |
| title | Music for sight singing |
| title_auth | Music for sight singing |
| title_exact_search | Music for sight singing |
| title_full | Music for sight singing Nancy Rogers ; Robert W. Ottman |
| title_fullStr | Music for sight singing Nancy Rogers ; Robert W. Ottman |
| title_full_unstemmed | Music for sight singing Nancy Rogers ; Robert W. Ottman |
| title_short | Music for sight singing |
| title_sort | music for sight singing |
| topic | Sight-singing Sight-singing fast A-prima-vista-Singen (DE-588)4142827-4 gnd |
| topic_facet | Sight-singing A-prima-vista-Singen Aufgabensammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026742903&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rogersnancy musicforsightsinging AT ottmanrobertw musicforsightsinging |