Brahms among friends: listening, performance, and the rhetoric of allusion
"Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
2014
|
| Schriftenreihe: | AMS studies in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) |
| Beschreibung: | IX, 389 S. Notenbeisp. |
| ISBN: | 9780199982646 |
Internformat
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| 520 | |a "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804151359278153728 |
|---|---|
| adam_text | CONTENTS
Introduction: Historiographies of Allusion
3
Part I Occasional Lullabies
1.
Old Melodies, New Identities
41
2.
Lessons in Politics and Innuendo
73
Part II Themes and Variations
3.
Emulation as Empathy
щ
4.
Consequences of Criticism
134
Part III Clara at the Keyboard
5.
Family Resemblances
175
6.
Shared Nostalgia
щ
7.
Grief and Transformation
22g
Part IV Rhetorics of Closure
8.
Forests of the Heart
269
9.
Counterpoint and Catharsis
296
ro. Concealment as Self-Restraint
332
Bibliography jsj
Index
373
IX
|
| any_adam_object | 1 |
| author | Berry, Paul 1977- |
| author_GND | (DE-588)1033651346 |
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| author_sort | Berry, Paul 1977- |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | BV041293796 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.B8 |
| callnumber-search | ML410.B8 |
| callnumber-sort | ML 3410 B8 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 63391 |
| ctrlnum | (OCoLC)889974905 (DE-599)BVBBV041293796 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV041293796 |
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| isbn | 9780199982646 |
| language | English |
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| spelling | Berry, Paul 1977- Verfasser (DE-588)1033651346 aut Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry New York, NY [u.a.] Oxford Univ. Press 2014 IX, 389 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier AMS studies in music "Brahms Among Friends" identifies patterns of listening, performance, and composition among close friends of Johannes Brahms and explores how those patterns informed the creation and reception of his music in the intimate genres of song, sonata, trio, and piano miniature. Among the tangled threads of counterpoint and circumstance that bound Brahms to his acquaintances was the technique of allusive musical borrowing, whereby a brief passage from a familiar work was drawn into the fabric of a new composition. For the specific listeners whose habits of mind and musicianship he knew best, allusive borrowings could become rhetorically charged gestures, persuasively revising the meanings his music conveyed and the interpretive strategies it invited. Primary documents, original manuscripts, music-analytic comparison, and kinesthetic parameters experienced in the act of performance all work in tandem to support ten case studies in the interplay between Brahms's small-scale works and the women and men who encountered them before publication. Central characters include violinist Joseph Joachim, singers Amalie Joachim, Julius Stockhausen, and Agathe von Siebold, composers Heinrich and Elisabeth von Herzogenberg, and pianists Emma Engelmann and Clara Schumann. For these musicians and for the composer himself, Brahms's allusive music served a broad variety of emotional needs and interpersonal ends. Yet across diverse repertoire and interdisciplinary correlates ranging from ethnography to psychoanalysis, each case study furthers a single, underlying aim: to reconstruct the mutually dependent perspectives of historically situated agents and restore forgotten features of their communicative landscapes as bases for both musical and historical scrutiny. (Klappentext) Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Brahms, Johannes 1833-1897 (DE-588)118514253 p DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026742728&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Berry, Paul 1977- Brahms among friends listening, performance, and the rhetoric of allusion Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| subject_GND | (DE-588)118514253 |
| title | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_auth | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_exact_search | Brahms among friends listening, performance, and the rhetoric of allusion |
| title_full | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_fullStr | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_full_unstemmed | Brahms among friends listening, performance, and the rhetoric of allusion Paul Berry |
| title_short | Brahms among friends |
| title_sort | brahms among friends listening performance and the rhetoric of allusion |
| title_sub | listening, performance, and the rhetoric of allusion |
| topic | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| topic_facet | Brahms, Johannes 1833-1897 Criticism and interpretation Brahms, Johannes 1833-1897 |
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