Film and gender: critical concepts in media and cultural studies 1 Histories and origins
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2014
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXVII, 416 S. Ill. |
| ISBN: | 9780415672948 |
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Titel: Bd. 1. Film and gender. Histories and origins
Autor:
Jahr: 2014
CONTENTS
VOLUME I HISTORIES AND ORIGINS
Acknowledgements xvii
Chronological table of reprinted articles and chapters xxi
General introduction 1
Introduction 11
PART 1.1
Sociological approaches 17
1 The image of women in film: some suggestions for future
research 19
SHARON SMITH
2 Delineating the flapper 25
MARJORIE ROSEN
3 Female sexuality in films 41
JOAN MELLEN
4 The woman's film 53
MOLLY HASKELL
5 The crisis of naming in feminist film criticism 74
B. RUBY RICH
PART 1.2
Screen theory 91
6 Visual pleasure and narrative cinema 93
LAURA MULVEY
7 AW Voyager: some problems of enunciation and sexual
difference 105
LEA JACOBS
8 The difficulty of difference 128
DAVID N. RODOWICK
9 Desire in narrative 145
TERESA DE LAURETIS
10 Fantasia 176
ELIZABETH COWIE
11 Masochism and the perverse pleasures of the cinema 196
GAYLYN STUDLAR
PART 1.3
Gendered spectatorship 217
12 Afterthoughts on 'Visual Pleasure and Narrative Cinema'
inspired by King Vidor's Duel in the Sun (1946) 219
LAURA MULVEY
13 Film and the masquerade: theorising the female spectator 228
MARY ANN DOANE
14 Is the gaze male? 244
E. ANN KAPLAN
15 When the woman looks 258
LINDA WILLIAMS
16 Desperately seeking difference 274
JACKIE STACEY
17 Pleasurable negotiations 288
CHRISTINE GLEDHILL
18 The oppositional gaze: black female spectators 311
BELL HOOKS
PART 1.4
Taking up the struggle: what kind of counter-cinema? 327
19 Women's cinema as counter-cinema 329
CLAIRE JOHNSTON
20 Approaching the work of Dorothy Arzner 339
PAM COOK
21 The political aesthetics of the feminist documentary film 349
JULIA LESAGE
22 Feminism, film and the avant-garde 364
LAURA MULVEY
23 Aesthetic and feminist theory: rethinking women's cinema 381
TERESA DE LAURETIS
24 Women's film production: going mainstream 400
MICHELLE CITRON
VOLUME II GENRE AND STAR
Acknowledgements ix
Introduction 1
PART 2.1
Gendering genre 5
25 Questions of genre 7
STEVE NEALE
26 Women's genres: melodrama, soap opera and theory 29
ANNETTE KUHN
27 Film bodies: gender, genre, and excess 39
LINDA WILLIAMS
28 Women warriors: gender, sexuality and Hollywood's fighting
heroines 54
YVONNE TASKER
PART 2.2
The melodrama/'womenV film 75
29 The 'woman's film': possession and address 77
MARY ANN DOANE
30 The woman's picture and the poetics of melodrama 92
LEA JACOBS
31 'Something else besides a mother' 115
LINDA WILLIAMS
PART 2.3
Horror and the monstrous feminine 141
32 Her body, himself: gender in the slasher film 143
CAROL CLOVER
33 Horror and the monstrous-feminine: an imaginary abjection 183
BARBARA CREED
34 Horror, femininity, and Carrie's monstrous puberty 210
SHELLEY STAMP
35 Becoming the monster's mother: morphologies of identity in
the Alien series 224
CATHERINE CONSTABLE
PART 2.4
Gender and comedy 243
36 'Have women a sense of humor?': comedy and femininity in
early twentieth-century film 245
KRISTEN ANDERSON WAGNER
37 'The kinda comedy that imitates me': Mae West's
identification with the feminist camp 265
PAMELA ROBERTSON
38 Revolting women: the body in comic performance 281
JANE ARTHURS
39 Screwball comedies: constructing romance, mystifying marriage 300
DAVID R. SHUMWAY
40 The comedy of cross-dressing 317
STELLA BRUZZI
PART 2.5
The star and film meanings 341
41 Extract from Stars 343
RICHARD DYER
42 Introduction to Stardom: Industry of Desire 380
CHRISTINE GLEDHILL
43 How do I look? 388
JACKIE STACEY
44 Why study film acting? Some opening reflections 406
PAUL MCDONALD
VOLUME III NEGOTIATING GENDER
Acknowledgements vii
Introduction 1
PART 3.1
Viewing men 5
45 Don't look now: the instabilities of the male pin-up 7
RICHARD DYER
46 Anthony Mann: looking at the male 13
PAUL WILLEMEN
47 Masculinity as spectacle 16
STEVE NEALE
48 Rock Hudson's body 27
RICHARD MEYER
49 Dark desires: male masochism in the horror film 54
BARBARA CREED
PART 3.2
Action hero(in)es 69
50 From 'figurative males' to action heroines: further thoughts on
action women in the cinema 71
ELIZABETH HILLS
51 'Thelma Louise' and the tradition of the male road movie 84
MANOHLA DARGIS
52 Action women: muscles, mothers and others 89
YVONNE TASKER
53 Woman with a gun does not signify man with a phallus: gender
and narrative change in the action movie 114
RIKKE SCHUBART
PART 3.3
Queer(ing) gender 131
54 Queer cinema 133
NIALL RICHARDSON
55 Boys Don't Cry and female masculinity: reclaiming a life and
dismantling the politics of normative heterosexuality 161
BRENDA COOPER
56 Masquerade or drag? Bette Davis and the ambiguities of gender 183
MARTIN SHINGLER
57 She is not herself: the deviant relations of Alien Resurrection 196
JACKIE STACEY
PART 3.4
Gender, race and nation 221
58 White privilege and looking relations: race and gender in
feminist film theory 223
JANE GAINES
59 Dark continents: epistemologies of racial and sexual difference
in psychoanalysis and the cinema 240
MARY ANN DOANE
60 Gender and culture of empire: toward a feminist ethnography
of the cinema 279
ELLA SHOHAT
61 Homesickness and motion sickness: embodied migratory
subjectivities in Gurinder Chadha's Bhaji on the Beach 312
JIGMA DESAI
VOLUME IV RE-VISIONING FEMINISM(S)
Acknowledgements ix
Introduction 1
PART 4.1
Postfeminism and its texts 7
62 Post feminist television criticism: rehabilitating critical terms
and identifying postfeminist attributes 9
AMANDA LOTZ
63 Post-feminism and shopping films 28
CHARLOTTE BRUNSDON
64 Victims no more: postfeminism, television, and Ally McBeal 52
LAURIE OUELLETTE
65 Dressed to kill: postfeminist noir 73
LINDA MIZEJEWSKI
66 Final girls and epic fantasies 80
KATHLEEN ROWE KARLYN
PART 4.2
Questioning postfeminism 105
67 Postfeminism and popular culture: a case study of the backlash 107
SUZANNA DANUTA WALTERS
68 Post-feminism and popular culture 125
ANGELA McROBBIE
69 'Quality postfeminism?': sex and the single girl on HBO 136
DIANE NEGRA
70 'My guns are in the fendi!': the postfeminist female action hero 153
CRISTINA LUCIA STASIA
71 Neo-feminism and the rise of the single girl 164
HILARY RADNER
PART 4.3
Global film feminisms 185
72 'Who is speaking?': of nation, community, and first-person
interviews 187
TRINH T. MINH-HA
73 Third World women's cinema: if the subaltern speaks, will we
listen? 204
GWENDOLYN AUDREY FOSTER
74 Fetish power unbound: a small history of 'woman' in Chinese
cinema 216
REY CHOW
75 'Life is color!': toward a transnational feminist analysis of
Mohsen MakhmalbaPs Gabbeh 233
NEGAR MOTTAHEDEH
76 Global feminisms and the state of feminist film theory 252
E. ANN KAPLAN
PART 4.4
Authorship and women's filmmaking 263
77 The female authorial voice 265
KAJA SILVERMAN
78 And the mirror cracked: metaphors of violence in the films of
Marleen Gorris 297
ANNEKE SMELIK
79 'Starting to feel like a chick': re-visioning romance in In the
Cut 317
SUE THORNHAM
80 From The Loveless to Point Break: Kathryn Bigelow's
trajectory in action 334
CHRISTINA LANE
81 Making history: Julie Dash 356
PATRICIA MELLENCAMP
82 'Can the subaltern weep?': mourning as metaphor in Rudaali
(The Crier) 378
SUMITA S. CHAKRAVARTY
Index 397 |
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| title_sub | critical concepts in media and cultural studies |
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