The documentary film book:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London
The British Film Institute
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xv, 400 Seiten Illustrationen |
| ISBN: | 9781844573417 9781844573424 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804151352446681088 |
|---|---|
| adam_text | THEDOCUMENTARY FILMBOOK
EDITED
BY
BRIANWINSTON
ABFIBOOK
PUBLISHED
BY
PALGRAVE
MACMILLAN
CONTENTS
ACKNOWLEDGMENTS
V
NOTESONCONTRIBUTORS
VI
FOREWORD:WHY
DOCUMENTARIES
MATTER
NICKFRASER
X
INTRODUCTION:
THE
DOCUMENTARY
FILMBRIANWINSTON
1
PARTONE:DOCUMENTARY
VALUES
1.1THEQUESTION
OFEVIDENCE,
THE
POWEROFRHETORIC
AND
DOCUMENTARY
FILMBILLNICHOLS
33
1.2 I LLBELIEVEITWHEN
11RUST
THE
SOURCE :
DOCUMENTARY
IMAGES
AND
VISUAL
EVIDENCE
CARLPLANTINGA
40
1.3THEPERFORMING
FILM-MAKER
AND
THE
ACTING
SUBJECT
STELLABRUZZI
48
1.4ONTRUTH,
OBJECTIVITY
AND
PARTISANSHIP:
THE
CASE
OFMICHAEL
MOOREDOUGLASKELLNER
59
1.5CGIAND
THE
ENDOFPHOTOGRAPHY
ASEVIDENCE
TAYLORDOWNING
68
1.6DRAWN
FROMLIFE:THEANIMATED
DOCUMENTARY
ANDYGLYNNE
73
1.7DRAMADOC
DOCUDRAMA
THELIMITS
AND
PROTOCOLS
OFATELEVISUAL
FORM
DEREKPAGET
76
1.8AMBIGUOUS
AUDIENCES
ANNETTEHILL
83
1.9LIFEASNARRATIVISED
BRIANWINSTON
89
1.10 THEDANCE
OFDOCUMENTARY
ETHICS
PRATAPRUGHANI
98
1.11DEATHS,
TRANSFIGURATIONS
AND
THE
FUTURE
JOHNCORNER
110
PARTTWO:DOCUMENTARY
PARADIGMS
2.1PROBLEMS
INHISTORIOGRAPHY:
THEDOCUMENTARY
TRADITION
BEFORENANOOK
OFTHENORTHCHARLESMUSSER
119
2.2JOHN
GRIERSON
AND
THE
DOCUMENTARY
FILMMOVEMENT
IANAITKEN
129
2.3CHALLENGES
FORCHANGE:
CANADA S
NATIONAL
FILMBOARDTHOMASWAUGHANDEZRAWINTON
138
2.4GRIERSON S
LEGACIES:AUSTRALIA
AND
NEWZEALAND
DEANEWILLIAMS
147
2.5NEWDEALDOCUMENTARY
AND
THE
NORTH
ATLANTIC
WELFARE
STATE
ZOEDRUICKANDJONATHANKAHANA
153
2.6THETRIUMPH
OFOBSERVATIONALISM.
DIRECT
CINEMA
INTHE
USADAVESAUNDERS
159
2.7SOVIETAND
RUSSIAN
DOCUMENTARY:
FROMVERTOV
TOSOKUROV
IANCHRISTIE
167
2.8THERADICAL
TRADITION
INDOCUMENTARY
FILM-MAKING,
1920S-50S
BERTHOGENKAMP
173
2.9LEGROUPE
DESTRENTE
THEPOETICTRADITION
ELENAVONKASSELSIAMBANI
180
2.10CINEMA
WRITE:
VERTOVREVISITED
GENEVITVEVANCAUWENBERGE
189
2.11BEYONDSOBRIETY:
DOCUMENTARY
DIVERSIONS
CRAIGHIGHT
198
PARTTHREE:DOCUMENTARY
HORIZONS
3.1EASTWARDS
ABEMARKNORNES
209
3.2MAPPINGAFRICA
N.FRANKUKADIKE
217
3.3IMAGES
FROM
THE
SOUTH:
CONTEMPORARY
DOCUMENTARY
INARGENTINA
AND
BRAZIL
ANAAMADOANDMARIADORAMOURAO
228
3.4 ROADBLOCK
FILMS, CHILDREN S
RESISTANCE
FILMS
AND
BLOODRELATIONS
FILMS:
ISRAELI
AND
PALESTINIAN
DOCUMENTARY
POST-INTIFADA
IIRAYAMORAG
237
3.5SACRED,MUNDANE
AND
ABSURD
REVELATIONS
OFTHE
EVERYDAY:
POETICVERITE
INTHE
EASTERN
EUROPEAN
TRADITION
SUSANNAHELKE
247
PARTFIVE:DOCUMENTARY DISCIPLINES
5.1 ANTHROPOLOGY
THE
EVOLUTION
OF
ETHNOGRAPHIC
FILM
PAULHENLEY
309
5.2
SCIENCE,
SOCIETY
AND
DOCUMENTARY
TIM
BOON
320
5.3
HISTORY
DOCUMENTARIES
FOR
TELEVISION
ANN
GRAY
328
5.4
MUSIC,
DOCUMENTARY,
MUSIC
DOCUMENTARY
MICHAEL
CHANAN
337
5.5
ART,
DOCUMENTARY
AS
ART
MICHAEL
RENOV
345
PARTFOUR:DOCUMENTARY
VOICES
4.1
FIRST
PERSON
POLITICAL
ALISALEBOW
257
4.2
FEMINIST
DOCUMENTARIES
FINDING,
SEEING
AND
USING
THEM
JULIA
LESAGE
266
4.3
PIONEERS
OF
BLACK
DOCUMENTARY
FILM
PEARL
BOWSER
275
4.4
DOCUMENTARY
ID TITY
CHRISTOPHER
PULLEN
283
4.5
DOCUSOAPS:
THE
ORDINARY
VOICE
AS
POPULAR
ENTERTAINMENT
RICHARD
KILBORN
291
4.6
REALITY
TV
ASIGN
OF
THE
TIMES?
ANITA
BIRESSI
AND
HEATHER
NUNN
299
PARTSIX:DOCUMENTARY
FUTURES
6.1
DOCUMENTARY
AS
OPEN
SPACE
HELEN
DEMICHIEL
AND
PATRICIA
R.ZIMMERMANN
355
6.2
THIS
GREAT
MAPPING
OF
OURSELVES
NEW
DOCUMENTARY
FORMS
ONLINE
JON
DOVEY
AND
MANDY
ROSE
366
6.3
NEW
PLATFORMS
FOR
DOCMEDIA:
VARIENT
OF
AMANIFESTO
PETERWINTONICK
376
AFTERWORD:
WHAT
MUST
WE
FILM
NOW?
BRIANWINSTON
383
INDEX
384
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has necer been more popular than It is today. Edited by one of the leading British authorities in the field. THE DOCUMENTARY FILM BOOK is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of Its history (from pre-Flaherty to the post-Griersonian world of digital ¡֊Docs ), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here In one volume, these scholars offer compelling evidence as to why. over the last few decades, documentary has come to the centre of screen studies.
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| language | English |
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| spellingShingle | The documentary film book Dokumentarfilm (DE-588)4012653-5 gnd |
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| title | The documentary film book |
| title_auth | The documentary film book |
| title_exact_search | The documentary film book |
| title_full | The documentary film book edited by Brian Winston |
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| title_full_unstemmed | The documentary film book edited by Brian Winston |
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