Principles of musical acoustics:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Springer
2013
|
| Schriftenreihe: | Undergraduate lectures in physics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 348 Seiten Diagramme |
| ISBN: | 9781461467854 |
Internformat
MARC
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| 020 | |a 9781461467854 |9 978-1-4614-6785-4 | ||
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| 100 | 1 | |a Hartmann, William M. |d 1939- |e Verfasser |0 (DE-588)173202284 |4 aut | |
| 245 | 1 | 0 | |a Principles of musical acoustics |c William M. Hartmann |
| 264 | 1 | |a New York |b Springer |c 2013 | |
| 300 | |a XIV, 348 Seiten |b Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Undergraduate lectures in physics | |
| 650 | 0 | 7 | |a Musikalische Akustik |0 (DE-588)4123807-2 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804150748715417600 |
|---|---|
| adam_text | Contents
Sound,
Music,
and Science ................................................ 1
1.1
The Source
.......................................................... 2
1.2
Transmission
........................................................ 3
1.3
Receiver
............................................................. 3
Vibrations
1 ................................................................. 9
2.1
Mass and Spring
.................................................... 9
2.
1
.1
Definitions
................................................. 9
2.J.2 How It Works
.............................................. 10
2.2
Mathematical Representation
...................................... 11
2.3
Audible Frequencies
................................................ 14
Vibrations
2 ................................................................. 17
3.1
Damping
............................................................. 17
3.2
Natural Modes of Vibration
........................................ 18
3.3
Multimode Systems
................................................. 19
3.4
The Tuning Fork
.................................................... 19
3.5
The Spectrum
....................................................... 22
3.6
Resonance
........................................................... 23
3.6.1
A Wet Example
............................................ 23
3.6.2
Breaking Glassware
....................................... 23
3.6.3
Sympathetic Strings
....................................... 24
Instrumentation
............................................................. 29
4.1
Transducers
.......................................................... 29
4.2
The Oscilloscope
.................................................... 31
4.2Л
Analog Scope and CRT Display
......................... 31
4.2.2
Digital Scopes and Liquid Crystal Displays
............ 32
4.2.3
Beyond the Basic Oscilloscope
........................... 33
4.3
The Spectrum Analyzer
............................................. 33
4.4
The Frequency Counter
............................................. 34
4.5
The Function Generator
............................................ 35
4.6
Virtual Instrumentation
............................................. 36
ix
x
Contents
5
Sound Waves
................................................................ 39
5.1
Polarization
.......................................................... 41
5.2
The Speed of Sound
................................................ 42
5.2.1
Supersonic Things
......................................... 43
5.2.2
Sound vs Light
............................................ 44
5.3
Sound Waves in Space and Time
................................... 45
5.4
Sound Waves in More Than One Dimension of Space
............ 47
6
Wave Properties
............................................................. 53
6.1
Wave Addition
....................................................... 53
6.2
Interference
.......................................................... 54
6.3
Beats
................................................................. 56
6.4
Audio Analogies
.................................................... 58
6.5
Generalization
....................................................... 59
6.6
Reflection
............................................................ 61
6.7
Refraction
........................................................... 62
6.8
Diffraction
........................................................... 62
6.9
Segregation
.......................................................... 63
7
Standing Waves
............................................................. 67
7 , 1
Standing Waves in General
......................................... 67
7.2
Standing Waves on a String
........................................ 69
7.3
The Guitar Player s Equation
....................................... 71
7.4
The Stretched String: Some Observations
......................... 72
8
Standing Waves in Pipes
................................................... 77
8.1
Pipe with Both Ends Open
......................................... 77
8.2
Pipe with One End Open and One End Closed
.................... 78
8.3
Playing a Pipe
....................................................... 79
8.4
Thinking Critically
.................................................. 80
8.5
Open-End Corrections
.............................................. 80
9
Fourier Analysis and Synthesis
........................................... 85
9.1
The Sine Wave
...................................................... 86
9.2
Complex Waves
..................................................... 87
9.3
Periodicity
........................................................... 87
9.4
The Sawtooth
........................................................ 89
9.5
The Sounds
.......................................................... 90
9.6
Harmonic and Inharmonic Spectra, Periodic
and Aperiodic Tones
................................................ 92
9.8
Continuous Spectra
................................................. 95
10
Sound Intensity
............................................................. 99
10.1
Pressure, Power, and Intensity
...................................... 99
10.2
The Inverse Square Law
............................................ 100
10.3
Decibels
............................................................. 102
10.4
Absolute vs Relative
dB............................................ 104
Contents xi
11
The Auditory System
....................................................... 109
11.1
Auditory Anatomy
.................................................. 109
11.1.1
The Outer Ear
............................................. 109
11.1.2
The Middle Ear
............................................ 110
11.1.3
The Inner Ear
..............................................
Ill
11.1.4
The Semicircular Canals
.................................. 113
11.2
Auditory Function
.................................................. 114
11.2.1
Outer Ear Function
........................................ 114
11.2.2
Middle Ear Function
...................................... 114
11.2.3
Inner Ear Function
........................................ 115
11.2.4
Beyond the Cochlea
....................................... 118
11.2.5
Hearing Impairments
...................................... 118
12
Loudness Perception
....................................................... 125
12.1
Loudness Level
..................................................... 125
12.2
Loudness
............................................................ 127
12.3
Psychophysics
....................................................... 129
12.4
Neural Firing Rate
.................................................. 131
12.5
Excitation Patterns
.................................................. 131
12.6
Complex Sounds
.................................................... 132
12.7
Critical Band
........................................................ 134
13
Pitch
.......................................................................... 137
13.1
Pitch of Sine Tones: Place Theory
................................. 137
13.2
Pitch: Timing Theory
............................................... 138
13.3
Pitch of a Complex Tone
........................................... 138
13.4
The Template Theory
............................................... 140
13.5
Pitch as an Interpretative Percept
.................................. 142
13.6
Absolute Pitch
....................................................... 143
14
Localization of Sound
...................................................... 145
14.1
Horizontal Plane
.................................................... 145
14.1.1
Interaural Level Differences
.............................. 146
14.1.2
Interaural Time Differences
............................... 147
14.2
Localization in the Vertical Median Plane
......................... 150
14.3
The Precedence Effect
.............................................. 151
14.4
Perceived Auditory Space
........,................................. 152
15
Sound Environments
....................................................... 157
15.1
Reflections from a Surface
......................................... 157
15.2
Transmission Loss
.................................................. 158
15.3
Room Acoustics
..................................................... 159
15.3.1
Early Reflections in a Room
.............................. 160
15.3.2
Focused Sound
............................................ 161
15.3.3
Reverberation
.............................................. 161
15.4
Gaining Control of Acoustical Spaces
.....................___.... 164
jùi Contents
16
Audio
Transducers
......................................................... 169
16.1
Basic
Definitions
.................................................... 169
16.2
The Current and Magnetism Principle.............................
171
16.2.1
Application
of the Current-Magnetism Principle
....... 172
16.3
The Analog Concept
................................................ 173
16.4
The Generator Principle
............................................ 173
16.5
The Motor Principle
................................................ 174
16.6
Electrostatic Devices
................................................ 175
16.7
Electro-Optical Transducers
........................................ 176
17
Distortion and Noise
........................................................ 179
17.1
Noise
................................................................. 179
17.2
Distortion
............................................................ 180
17.2.1
Distortion Not
.............................................
ISO
17.2.2
Linear Distortion
.......................................... 180
17.2.3
Nonlinear Distortion
...................................... 182
17.3
Dynamic Range
..................................................... 185
18
Audio Systems
............................................................... 189
18.1
Sound Recording
.................................................... 189
18.2
Public Address System
............................................. 190
18.3
Preamplifier
......................................................... 190
18.4
Power Amplifier
.................................................... 193
18.5
Mixer
................................................................ 193
18.6
Tone Controls and Equalizers
...................................... 194
18.7
Dynamic Range Compressor
....................................... 195
18.8
Integrated Amplifiers
...............................................
1
96
18.9
Receiver
............................................................. 196
18.10
More Integration
.................................................... 197
18.11
Multichannel Audio
................................................. 198
19
Loudspeakers
............................................................... 201
19.1
Loudspeakers: What We Want
..................................... 201
19.2
The Two-Way Speaker
.............................................. 203
19.3
Enclosures
........................................................... 204
19.4
More About Loudspeaker Diffusion
............................... 205
19.5
Powered Speakers
................................................... 207
19.6
Subwoofers
.......................................................... 207
20
Digital Audio
................................................................ 211
20.1
Digital vs Analog
................................................... 211
20.2
Digital Noise
........................................................ 213
20.3
Sampling
............................................................ 215
20.4
Contemporary Digital Audio
....................................... 215
21
Broadcasting
................................................................ 219
21.1
Continuous Wave
................................................... 220
21.2
Amplitude Modulation
............................................. 221
Contents xiii
21.3
Frequency
Modulation.............................................. 222
21.4
Bandwidth
........................................................... 222
21.5
Carrier Frequencies
................................................. 224
22
Speech
........................................................................ 227
22.1
Vocal Anatomy
...................................................... 227
22.2
Voiced Sounds
...................................................... 229
22.3
Speech Sounds
...................................................... 231
22.4
Spectrograms
........................................................ 234
23
Brass Musical Instruments
................................................ 237
23.1
Sustained-Tone Instruments
........................................ 237
23.2
Evolution of the Resonances of a Trumpet
........................ 238
23.3
Tone Production: Feedback and Nonlinearities
................... 240
24
Woodwind Instruments
.................................................... 247
24.1
Single-Reed Instruments
............................................ 247
24.2
Double Reeds
....................................................... 250
24.3
Reeds in General
.................................................... 250
24.4
Edge Tone Instruments
............................................. 251
24.5
Boatswain s Pipe
.................................................... 253
24.6
The Flute
............................................................ 253
25
String Instruments
......................................................... 257
25.1
Percussive Strings
................................................... 257
25.1.1
The Guitar
................................................. 259
25.1.2
The Electric Guitar
........................................ 260
25.1.3
The Piano
.................................................. 261
25.2
Bowed Strings
....................................................... 262
25.2.1
Tone Generation in the Bowed Strings
................... 263
25.2.2
The Violin Body
........................................... 265
26
Percussion Instruments
.................................................... 269
26.1
Bars, Rods, and Tubes
.............................................. 270
26.1.1
Useful Bars
................................................ 271
26.1.2
Useful Tubes
............................................... 271
26.2
Membranes
.......................................................... 272
26.2.1
Chladni
Patterns
........................................... 273
26.2.2
Timpani
.................................................... 274
26.3
Plates: Cymbals, Gongs, and Bells
................................. 275
26.3.1
Nonlinear Mode Coupling
.............................,.. 275
26.3.2
Bells
........................................................ 276
27
Electronic Music
............................................................ 279
27.1
Analog Synthesizers
................................................ 279
27.2
Digital Synthesizers
................................................. 283
27.3
Musical Instrument Device Interface
.............................. 284
xiv Contents
Appendix
A: Composers
........................................................ 287
Appendix
В:
Trigonometrie
Functions
........................................ 289
Appendix
С:
Traditional
Musical
Instruments
............................... 291
Appendix
D:
Keyboard Tuning
................................................. 293
Appendix E: Standard Musical Frequencies
.................................. 297
Appendix F: Power Law Dependences
......................................... 299
Appendix G: Telephone Tones
.................................................. 303
Appendix H: Greek Alphabet
................................................... 305
Answers to Exercises
............................................................. 307
Index
............................................................................... 345
|
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| bvnumber | BV041278691 |
| classification_rvk | LR 57600 |
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| indexdate | 2024-07-10T00:43:51Z |
| institution | BVB |
| isbn | 9781461467854 |
| language | English |
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| series2 | Undergraduate lectures in physics |
| spelling | Hartmann, William M. 1939- Verfasser (DE-588)173202284 aut Principles of musical acoustics William M. Hartmann New York Springer 2013 XIV, 348 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Undergraduate lectures in physics Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 s DE-604 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026252174&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hartmann, William M. 1939- Principles of musical acoustics Musikalische Akustik (DE-588)4123807-2 gnd |
| subject_GND | (DE-588)4123807-2 |
| title | Principles of musical acoustics |
| title_auth | Principles of musical acoustics |
| title_exact_search | Principles of musical acoustics |
| title_full | Principles of musical acoustics William M. Hartmann |
| title_fullStr | Principles of musical acoustics William M. Hartmann |
| title_full_unstemmed | Principles of musical acoustics William M. Hartmann |
| title_short | Principles of musical acoustics |
| title_sort | principles of musical acoustics |
| topic | Musikalische Akustik (DE-588)4123807-2 gnd |
| topic_facet | Musikalische Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026252174&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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