Encountering ensemble:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2013
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject. Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections:1. Introduction and an approach to training ensembles 2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context) 3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble?; the place of ensemble in the contemporary theatre landscape; and training issues"-- Provided by publisher. |
| Beschreibung: | XVII, 449 S. Ill. |
| ISBN: | 9781408152003 9781472538871 |
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Datensatz im Suchindex
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|---|---|
| adam_text | ENCOUNTERING ENSEMBLE
/ BRITTON, JOHN
: 2013
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PART ONE: INTRODUCTION; JOHN BRITTON; CHAPTER 1: BRYAN BROWN : THE
EMERGENCE OF STUDIINOST: THE ETHICS AND PROCESSES OF ENSEMBLE IN THE
RUSSIAN THEATRE STUDIO; CHAPTER 2: AMY SKINNER: MORE THAN THE SUM OF
THEIR PARTS: REFLECTIONS ON VSEVOLOD MEYERHOLD S THEATRICAL ENSEMBLE;
CHAPTER 3: FRANC CHAMBERLAIN: MICHAEL CHEKHOV S ENSEMBLE FEELING;
CHAPTER 4: JONATHAN PITCHES: STAR OR TEAM? THEODORE KOMISARJEVSKY S
EARLY DEVELOPMENTS IN ENSEMBLE PLAYING IN THE UK; CHAPTER 5: MARK EVANS:
THE FRENCH ENSEMBLE TRADITION: JACQUES COPEAU, MICHEL SAINT-DENIS AND
JACQUES LECOQ; CHAPTER 6: DAVID BARNETT: THE BERLINER ENSEMBLE. PARTTWO:
SNAPSHOT #1: CHRIS JOHNSTONE: ENSEMBLE; SNAPSHOT #2: MICHAEL BOYD
(INTRODUCED BY DUSKA RADOSAVLJEVIC) :THE RSC ENSEMBLE; CHAPTER 7: ADAM
J. LEDGER: STAN S CAFE: THE VISION OF THE ENSEMBLE; SNAPSHOT #3: PETER
HARROP & EVELYN JAMIESON: COLLABORATION, ENSEMBLE, DEVISING; SNAPSHOT
#4: PAUL CARR & RICHARD J. HAND: ENSEMBLE/IMPROVISATION; DRAMA/MUSIC: AN
EXPERIMENT IN INTERDISCIPLINARITY; CHAPTER 8: BRYAN BROWN: AS IMPORTANT
AS BLOOD AND SHELTER: EXTENDING STUDIINOST INTO OBSHCHNOST; SNAPSHOT #5:
JULIA VARLEY: ENSEMBLES, GROUPS, NETWORKS; SNAPSHOT #6: MALGORZATA
JABLONSKA :TEATR CHOREA: SYNCHRONY IN ACTION; SNAPSHOT #7: ANNA
PORUBCANSKY: SONG OF THE GOAT THEATRE (TEATR PIESN KOZLA); CHAPTER 9:
REBECCA LOUKES: TOWARDS A SYNCRETIC ENSEMBLE? REDCAPE THEATRE S THE
IDIOT COLONY ; SNAPSHOT #8: MARK VALDEZ: NETWORK OF ENSEMBLE THEATERS;
CHAPTER 10: BRAD KRUMHOLZ: LOCATING THE ENSEMBLE: NACL THEATRE AND THE
ETHICS OF COLLABORATION; CHAPTER 11: PAZ HILFINGER-PARDO: BUILDING
CHARTRES IN THE DESERT: THE TEAM, COLLECTIVE INTELLIGENCE, AND THE
FAILURE OF IDEALS; CHAPTER 12: JOHN COLLINS: ELEVATOR REPAIR SERVICE AND
THE WOOSTER GROUP: ENSEMBLES SURVIVING THEMSELVES; CHAPTER 13: MARIANNE
SHARP: WHOSE FANTASY? FIVE VOICES ON RACHEL ROSENTHAL S TOHUBOHU!
EXTREME THEATER ENSEMBLE; SNAPSHOT #9: KATE HUNTER: THE WAITING ROOM:
PRACTICING EMBODIED COGNITION IN PERFORMANCE; SNAPSHOT #10: FRANK
CAMILLERI: INGEMAR LINDH AND THE INSTITUTET FOER SCENKONST. PART THREE:
JOHN BRITTON: INTRODUCTION; CHAPTER 14: JOHN BRITTON: SELF-WITH-OTHERS:
TRAINING INDIVIDUALS ENSEMBLE; SNAPSHOT #11: EILON MORRIS: COLLABORATING
IN TIME: THE FORMATION OF ENSEMBLE THROUGH RHYTHM; SNAPSHOT #12: TANYA
GERSTLE: DELICATE CODES AND INVISIBLE LINES. PULSE : AN APPROACH TO
TRAINING AN ENSEMBLE; CHAPTER 15: PHILLIP ZARRILLI: PSYCHOPHYSICAL
TRAINING AND THE FORMATION OF AN ENSEMBLE; SNAPSHOT #13: ANTJE DIEDRICH:
SUZUKI TRAINING AS ENSEMBLE TRAINING; SNAPSHOT #14: TERENCE HENRY
CHAPMAN: ENSEMBLE TRAINING AND MEYERHOLD S BIOMECHANICS; SNAPSHOT #15:
CHRIS JOHNSTONE: NARRATIVE IMAGES; CHAPTER 16: SUSAN THOMPSON: FREEDOM
AND CONSTRAINTS: JACQUES LECOQ AND THE THEATER OF ENSEMBLE CREATION;
SNAPSHOT #16: BRYAN BROWN: BIRTHDAYS MAKE THE BEST TRAINING; SNAPSHOT
#17: PATRICK STEWART: WHERE I LL BE ON ARMAGEDDON; JOHN BRITTON:
AFTERWORD: WHAT IS IT?.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author2 | Britton, John |
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| author_facet | Britton, John |
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| bvnumber | BV041271268 |
| callnumber-first | P - Language and Literature |
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| callnumber-search | PN2297.A2 |
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| classification_rvk | AP 73200 |
| ctrlnum | (OCoLC)862801681 (DE-599)BVBBV041271268 |
| dewey-full | 792.02/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/2 |
| dewey-search | 792.02/2 |
| dewey-sort | 3792.02 12 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| indexdate | 2024-07-10T00:43:41Z |
| institution | BVB |
| isbn | 9781408152003 9781472538871 |
| language | English |
| lccn | 2013020514 |
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| spelling | Encountering ensemble ed. by John Britton 1. publ. London [u.a.] Bloomsbury 2013 XVII, 449 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject. Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections:1. Introduction and an approach to training ensembles 2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context) 3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble?; the place of ensemble in the contemporary theatre landscape; and training issues"-- Provided by publisher. Ensemble theater PERFORMING ARTS / Acting & Auditioning bisacsh Theater (DE-588)4059702-7 gnd rswk-swf Ensemble (DE-588)4212188-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ensemble (DE-588)4212188-7 s Theater (DE-588)4059702-7 s DE-604 Britton, John edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4081-5517-2 Erscheint auch als Online-Ausgabe, PDF 978-1-4081-5518-9 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244873&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Encountering ensemble Ensemble theater PERFORMING ARTS / Acting & Auditioning bisacsh Theater (DE-588)4059702-7 gnd Ensemble (DE-588)4212188-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4212188-7 (DE-588)4143413-4 |
| title | Encountering ensemble |
| title_auth | Encountering ensemble |
| title_exact_search | Encountering ensemble |
| title_full | Encountering ensemble ed. by John Britton |
| title_fullStr | Encountering ensemble ed. by John Britton |
| title_full_unstemmed | Encountering ensemble ed. by John Britton |
| title_short | Encountering ensemble |
| title_sort | encountering ensemble |
| topic | Ensemble theater PERFORMING ARTS / Acting & Auditioning bisacsh Theater (DE-588)4059702-7 gnd Ensemble (DE-588)4212188-7 gnd |
| topic_facet | Ensemble theater PERFORMING ARTS / Acting & Auditioning Theater Ensemble Aufsatzsammlung |
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