The Bible in Shakespeare:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2013
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverz. S. [337] - 367 |
| Beschreibung: | XVI, 378 S. Ill. 22 cm |
| ISBN: | 9780199677610 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804150735350267904 |
|---|---|
| adam_text | Titel: The Bible in Shakespeare
Autor: Hamlin, Hannibal
Jahr: 2013
Contents
List of Illustrations xii
Editions and Abbreviations xiii
Note to the Reader xvii
Introduction 1
PART I. SHAKESPEARE S ALLUSIVE PRACTICE
AND ITS CULTURAL AND HISTORICAL
BACKGROUND
1. Reformation Biblical Culture 9
2. A Critical History of the Bible in Shakespeare 43
3. Allusion: Theory, History, and Shakespeare s Practice 77
PART II. BIBLICAL ALLUSION IN THE PLAYS
4. Shakespeare s Variations on Themes from Genesis 1-3 127
5. Creative Anachronism: Biblical Allusion in the
Roman Histories 179
6. Damnable Iteration: Falstaff, Master of Biblical Allusion 231
7. The Great Doom s Image: Macbeth and Apocalypse 271
8. The Patience of Lear: King Lear and Job 305
Conclusion 334
Bibliography 337
Index 369
Despite the widespread popular sense that the Bible and the works of
Shakespeare are the two great pillars of English culture, and despite the
long-standing critical recognition that the Bible was a major source of
Shakespeare’s allusions and references, there has never been a full-length,
critical study of the Bible in Shakespeare’s plays. TJoe Bible in Shakespeare
addresses this serious deficiency. Early chapters describe the post-
Reformation ex pi osion of Bible translation and the development of English
biblical culture, compare the Church and the theater as cultural institutions
(particularly in terms of the audience’s auditory experience), and describe
in general terms Shakespeare’s allusive practice. Later chapters are devoted
to interpreting Shakespeare’s use of biblical allusion in a wide variety of
plays, across the spectrum of genres: King Lear and Job, JVlacbeth and
Revelation, the Crucifixion in the Roman Histories, Falstaff’s anarchic
biblical allusions, and variations on Adam, Eve, and the Fall throughout
Shakespeare’s dramatic career, from Ro7neo andJuliet to 7Ije Winter s Tale.
The Bible in Shakespeare offers a significant new perspective on Shakespeare’s
plays, and reveals how the culture of early modern England was both
dependent upon and fashioned out of a deep engagement with the interpreted
Bible. The book’s wide-ranging and interdisciplinary nature will interest
scholars in a variety of fields: Shakespeare and English literature, allusion
and intertextuality, theater studies, history, religious culture, and biblical
interpretation. With growing scholarly interest in the impact of religion
on early modern culture, the time is ripe for such a publication.
|
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
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| discipline | Anglistik / Amerikanistik |
| edition | 1. ed. |
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| isbn | 9780199677610 |
| language | English |
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