The Oxford handbook of mobile music studies: Volume 1
Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford ; New York, NY
Oxford University Press
[2014]
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Schriftenreihe: | [Oxford handbooks]
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Zusammenfassung: | Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the United States. (Klappentext) |
Beschreibung: | Literaturangaben |
Beschreibung: | xviii, 538 Seiten Illustrationen, Diagramme, Notenbeispiele |
ISBN: | 9780195375725 9780190676360 |
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505 | 0 | |a Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; | |
505 | 0 | |a 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index | |
520 | |a Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the United States. (Klappentext) | ||
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author_GND | (DE-588)105857423X (DE-588)1058207164 |
author_facet | Gopinath, Sumanth S. ca. 20./21. Jh Stanyek, Jason 1969- |
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bvnumber | BV041257450 |
contents | Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index |
ctrlnum | (OCoLC)876864627 (DE-599)BVBBV041257450 |
format | Book |
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isbn | 9780195375725 9780190676360 |
language | English |
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physical | xviii, 538 Seiten Illustrationen, Diagramme, Notenbeispiele |
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spelling | The Oxford handbook of mobile music studies Volume 1 edited by Sumanth Gopinath and Jason Stanyek Oxford ; New York, NY Oxford University Press [2014] xviii, 538 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier [Oxford handbooks] Literaturangaben Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the United States. (Klappentext) Gopinath, Sumanth S. ca. 20./21. Jh. (DE-588)105857423X edt Stanyek, Jason 1969- (DE-588)1058207164 edt (DE-604)BV041257352 1 |
spellingShingle | The Oxford handbook of mobile music studies Contents ; 1. Anytime/Anywhere? An Introduction to the Devices, Markets and Theories of Mobile Music ; Sumanth Gopinath and Jason Stanyek ; Part I: Theorizing Mobile Music ; 2. How the MP3 Became Ubiquitous ; Jonathan Sterne ; 3. Is a Download a Performance? ; Marc Perlman ; 4. Divisible Mobility: Music in an Age of Cloud Computing ; Martin Scherzinger ; 5. iPod Use, Mediation and Privatization in the Age of Mechanical Reproduction ; Michael Bull ; 6. Changing Cultural Coordinates: The Transistor Radio and Space / Time / Identity ; Tim Wall and Nick Webber ; Part II: Mobility, Sound and Communication ; 7. Labor, Machines, IVR Enabled Automated Call Centers, and the Design of an Audible Workplace ; David McCarthy ; 8. Mobile Semiotics ; Evelyn Nien-Ming Ch'ien ; 9. Calling my Name: Sound, Orality and the Cell Phone Contact List ; Heather A. Horst ; 10. What Is that Noise? An Analysis of Sound Quality and Music in Mobile Devices ; Katie M. Lever-Mazzuto ; 11. Aural Armor: Charting the Militarization of the iPod in Operation Iraqi Freedom ; J. Martin Daughtry ; Part III: Devices That Listen (The Politics of Aurality) ; 12. Cochlear Implants after Fifty Years: An Interview with Charles Graser ; Mara Mills ; 13. Music Ethnography and Recording Technology in the Unbound Digital Era ; Anna Schultz and Mark Nye ; Part IV: Children, Adolescents and Mobile Music Listening ; 14. Forever and Ever: Mobile Music in the Life of Young Teens ; Arild Bergh, Tia DeNora, and Maia Bergh ; 15. Earbuds Are Good for Sharing: Children's Headphones as Social Media at a Vermont School ; Tyler Bickford ; Part V: Urban Ecologies and Politics ; 16. Can You Hear Us Now? Ringtones and Politics in the Contemporary Philippines ; Jan M. Padios ; 17. Stereos in the City: Moving Through Music in South India ; Sindhumathi Revuluri ; 18. Urban Echoes: The Boombox and Sonic Mobility in the 1980s ; Joseph Schloss and Bill Bahng Boyer ; Part VI: National Mobile Music Markets ; 19. Mexican Mobile Music: Una Convergencia con Sabor ; Patrick Burkart and Christopher Joseph Westgate ; 20. Music Piracy, Commodities, and Value: Digital Media in the Indian Marketplace ; Jayson Beaster-Jones ; 21. A Tale of Two Countries: Online Radio in the United States and Japan ; Noriko Manabe ; 22. Mobile Tactics in the Brazilian Independent Music Industry ; Kariann Goldschmitt ; Index |
title | The Oxford handbook of mobile music studies |
title_auth | The Oxford handbook of mobile music studies |
title_exact_search | The Oxford handbook of mobile music studies |
title_full | The Oxford handbook of mobile music studies Volume 1 edited by Sumanth Gopinath and Jason Stanyek |
title_fullStr | The Oxford handbook of mobile music studies Volume 1 edited by Sumanth Gopinath and Jason Stanyek |
title_full_unstemmed | The Oxford handbook of mobile music studies Volume 1 edited by Sumanth Gopinath and Jason Stanyek |
title_short | The Oxford handbook of mobile music studies |
title_sort | the oxford handbook of mobile music studies |
volume_link | (DE-604)BV041257352 |
work_keys_str_mv | AT gopinathsumanths theoxfordhandbookofmobilemusicstudiesvolume1 AT stanyekjason theoxfordhandbookofmobilemusicstudiesvolume1 |