The art of music production: the theory and practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2013
|
| Ausgabe: | 4. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 329 S. graph. Darst. |
| ISBN: | 9780199921720 9780199921744 |
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Datensatz im Suchindex
| _version_ | 1804150713093193728 |
|---|---|
| adam_text | CONTENTS
Preface
xi
Introduction
1
section one The Theory
5
1.
Types of Music Producers
7
Functional Typologies
9
Subset Typologies
19
In Summation
22
Analogous Structures
23
Leadership Styles
23
section two The Practice
27
2.
Becoming a Music Producer
29
How Do You Become a Music Producer?
29
Examples of Producers from Different Backgrounds
37
Qualifications and Training
47
3.
Being a Music Producer
60
The Day-to-Day Responsibilities and Process
60
Some Session Specifics
75
Which Method Makes a Better Record-Live, Overdubbed,
or Computer?
84
What Are They Going to Expect of You?
87
4.
What Are the Timeless Ingredients in a Hit?
91
The Song (or Material)
91
The Vocal
94
The Arrangement
95
The Performance
98
The Engineering
100
How Important Is the Mix?
101
Timeliness
102
The Heart
102
Are There Exceptions to These Rules?
104
VII
VIII Contents
5.
What Can You Expect from a Career as a Producer?
105
How Is Your Health?
106
Why Do A&R People Hire You?
108
Branding, Marketing, and Sales
114
6.
Managers
119
What is the Definition of the Term Manager ?
119
What Does a Producer Manager Do?
119
What Does a Manager Cost?
121
Do They Earn Their Percentage?
121
How Do You Make Sure You Receive All the Money Due to You?
123
Could You Lose Work to Other Producers on the Manager s Roster?
124
How Do You Define Best Manager for You?
126
How Can You Find Such a Person?
127
How Do You Persuade Them to Take You On?
127
Business Managers
129
7.
The Producer s Relationships
130
With the Artist
130
What about Drugs and Alcohol?
139
What Do You Do When the Artist Becomes Difficult?
141
What Do You Do When the Record Company Is Unhappy?
143
What Do You Do When the Artist s Manager Is Difficult?
144
8.
Lawyers
146
What Are the Issues?
146
What Can Be Done to Protect Producers?
151
9.
Challenges and Controversies
153
Differences of Opinion
153
How Much Loyalty Can You Expect?
166
Final Word on Loyalty
168
10.
Success and Money
170
How Are Producers Paid?
170
How Much Can a Producer Make?
172
Where Can Income Come From?
174
How Many Producers Make Millions?
178
The Terms
179
Do Producers Earn Their Percentage?
180
Major versus Independent Labels
184
How Will Producers Make Money in the Future?
185
Can You Increase Your Chances of Success?
185
Credits
187
Contents ix
What Is the Secret to Longevity?
189
Add Entrepreneur to Your Portfolio
190
11.
Why Are There So Few Women Producers?
194
What We Know
194
Some Women Producers in History
197
Women Producers Today
198
Inconclusive Conclusion
201
12.
Frequently Asked Questions
202
How Much Is Learned; How Much Is Natural Ability?
202
How Do You Pick the Right Project?
204
Should You Share in Songwriting Royalties?
205
New versus Established Artists?
206
What Is Involved in Being an Independent or Freelance Producer?
207
What About Being a Staff Producer?
208
What Are the Best Moments?
209
Can You Successfully Genre-Hop?
210
How Stable Is a Producer s Career?
211
How Does a Production Career End?
212
Making Plans and When?
213
What Do Producers Do When Work Starts to Slow Down?
214
Why Do People Want to Produce Records?
215
Do You Know When You Have Produced a Hit?
216
How Do Producers Feel about Mixers and Remixers?
217
What s the Mixer s Viewpoint?
219
What Is the Sophomore Slump ?
222
Digital versus Analog?
223
13.
Working outside the Mainstream
225
Classical
226
Jazz
228
Country
230
Traditional, Folk, Roots, and World Music
231
Children s Music
234
Local and Regional Producers
236
14.
Where Are We? How Did We Get Here? Where Are We Going?
239
Will Mobile Modify the Internet that Crippled Cable but Vivified Video,
which Killed the Radio Star?
239
How Did We Get Here?
240
The Revolution Continues
242
What Does this Mean to the Professional Music Producer?
245
Where Are We Going?
248
Contents
Revenue Streams Are Multiplying
251
Will We Even Need Labels in the Future?
255
Charts
258
Marketing
260
Will Music Producers Survive the Revolution?
261
15.
Conclusion: What If?
263
The Final Cut
265
Notes
267
Glossary
285
Bibliography
291
About the Author
313
index
315
|
| any_adam_object | 1 |
| author | Burgess, Richard James |
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| discipline | Musikwissenschaft |
| edition | 4. ed. |
| format | Book |
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| title | The art of music production the theory and practice |
| title_auth | The art of music production the theory and practice |
| title_exact_search | The art of music production the theory and practice |
| title_full | The art of music production the theory and practice Richard James Burgess |
| title_fullStr | The art of music production the theory and practice Richard James Burgess |
| title_full_unstemmed | The art of music production the theory and practice Richard James Burgess |
| title_short | The art of music production |
| title_sort | the art of music production the theory and practice |
| title_sub | the theory and practice |
| topic | Sound recordings / Production and direction Sound recording industry / Vocational guidance Popmusik (DE-588)4046781-8 gnd Schallplattenindustrie (DE-588)4471179-7 gnd Schallplattenproduktion (DE-588)4202202-2 gnd Musikwirtschaft (DE-588)4268614-3 gnd Schallplattenproduzent (DE-588)4179370-5 gnd Beruf (DE-588)4005857-8 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Musikproduktion (DE-588)4235850-4 gnd Tonträgerproduktion (DE-588)4333011-3 gnd |
| topic_facet | Sound recordings / Production and direction Sound recording industry / Vocational guidance Popmusik Schallplattenindustrie Schallplattenproduktion Musikwirtschaft Schallplattenproduzent Beruf Schallaufzeichnung Musikproduktion Tonträgerproduktion Einführung Ratgeber |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026229702&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT burgessrichardjames theartofmusicproductionthetheoryandpractice |