Photography degree zero: reflections on Roland Barthes's Camera lucida
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's unde...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
MIT Press
2011
|
| Ausgabe: | 1. MIT Press paperback ed. |
| Schlagworte: | |
| Zusammenfassung: | Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. |
| Beschreibung: | X, 287 S. Ill. |
| ISBN: | 9780262013253 9780262516662 |
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| 520 | 3 | |a Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. | |
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| discipline | Kunstgeschichte Allgemeines Romanistik |
| edition | 1. MIT Press paperback ed. |
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| spelling | Photography degree zero reflections on Roland Barthes's Camera lucida ed. by Geoffrey Batchen 1. MIT Press paperback ed. Cambridge, Mass. [u.a.] MIT Press 2011 X, 287 S. Ill. txt rdacontent n rdamedia nc rdacarrier Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. Barthes, Roland Chambre claire Barthes, Roland 1915-1980 La chambre claire (DE-588)4375733-9 gnd rswk-swf Philosophie Photography Philosophy Photography, Artistic Photographic criticism Fotografie (DE-588)4045895-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Barthes, Roland 1915-1980 La chambre claire (DE-588)4375733-9 u Fotografie (DE-588)4045895-7 s Philosophie (DE-588)4045791-6 s DE-604 Ästhetik (DE-588)4000626-8 s Batchen, Geoffrey 1956- (DE-588)115599037 edt |
| spellingShingle | Photography degree zero reflections on Roland Barthes's Camera lucida Barthes, Roland Chambre claire Barthes, Roland 1915-1980 La chambre claire (DE-588)4375733-9 gnd Philosophie Photography Philosophy Photography, Artistic Photographic criticism Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd |
| subject_GND | (DE-588)4375733-9 (DE-588)4045895-7 (DE-588)4000626-8 (DE-588)4045791-6 (DE-588)4143413-4 |
| title | Photography degree zero reflections on Roland Barthes's Camera lucida |
| title_auth | Photography degree zero reflections on Roland Barthes's Camera lucida |
| title_exact_search | Photography degree zero reflections on Roland Barthes's Camera lucida |
| title_full | Photography degree zero reflections on Roland Barthes's Camera lucida ed. by Geoffrey Batchen |
| title_fullStr | Photography degree zero reflections on Roland Barthes's Camera lucida ed. by Geoffrey Batchen |
| title_full_unstemmed | Photography degree zero reflections on Roland Barthes's Camera lucida ed. by Geoffrey Batchen |
| title_short | Photography degree zero |
| title_sort | photography degree zero reflections on roland barthes s camera lucida |
| title_sub | reflections on Roland Barthes's Camera lucida |
| topic | Barthes, Roland Chambre claire Barthes, Roland 1915-1980 La chambre claire (DE-588)4375733-9 gnd Philosophie Photography Philosophy Photography, Artistic Photographic criticism Fotografie (DE-588)4045895-7 gnd Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Barthes, Roland Chambre claire Barthes, Roland 1915-1980 La chambre claire Philosophie Photography Philosophy Photography, Artistic Photographic criticism Fotografie Ästhetik Aufsatzsammlung |
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