Movies and meaning: an introduction to film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, Mass. [u.a.]
Pearson
2013
|
| Ausgabe: | 6. ed., 2. [print] |
| Schlagworte: | |
| Beschreibung: | Preface. 1. Film Structure. Elements of Film Structure. Structure and the Camera. Structural Design and Creative Choice. The Camera and Human Perception: Cinema's Dual Capability. 2. Cinematography. Collaboration and Previsualization. The Essentials of Cinematography. Cinematography and the Digital Domain. Visual Style and Design Quotations. 3. Production Design. What the Production Designer Does. Basic Tools of Production Design. The Design Concept. Production Design and Special Effects. 4. Acting. Acting in Film and Theater. Categories of Film Performers. Method and Technical Approaches to Performing. The Performer as an Element of Visual Design. Performance, Emotion, and the Viewer's Response. 5. Editing: Making the Cut. What Is Editing? Linear and Nonlinear Systems. Functions of Editing. The Principles of Continuity Editing. Alternatives to Continuity Editing. 6. Principles of Sound Design. Sound in Contemporary Film. Evolution of Film Sound. Types of Sound. Sound Design. 7. The Nature of Narrative in Film. Story and Script. The Turn to Narrative in Early Film History. Elements of Narrative. The Classical Hollywood Narrative. The Viewer's Contribution to Narrative. Film Genres. 8. Visual Effects A Composited Medium Mattes The Hollywood Era The Digital Era Narrative and Spectacle 9. Modes of Screen Reality. Realism. Expressionism. Fantasy and the Fantastic. Cinematic Self-Reflexivity. Animation. 10. At the Crossroads of Art and Business. From Large Screens to Small. The Art of Film Era. The Global Dominance of Hollywood. Independent Film. International Influence of Hollywood Style. 11. Film Theory and Criticism Realist Models. Auteurist Models. Psychoanalytic Models. Ideological Models. Feminist Models. Women in Film Cognitive Models. Glossary. |
| Beschreibung: | VII, 504 S. zahlr. Ill. 18,3 x 22,5 cm |
| ISBN: | 9780205211029 020521102X |
Internformat
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| 250 | |a 6. ed., 2. [print] | ||
| 264 | 1 | |a Boston, Mass. [u.a.] |b Pearson |c 2013 | |
| 300 | |a VII, 504 S. |b zahlr. Ill. |c 18,3 x 22,5 cm | ||
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| 500 | |a Preface. 1. Film Structure. Elements of Film Structure. Structure and the Camera. Structural Design and Creative Choice. The Camera and Human Perception: Cinema's Dual Capability. 2. Cinematography. Collaboration and Previsualization. The Essentials of Cinematography. Cinematography and the Digital Domain. Visual Style and Design Quotations. 3. Production Design. What the Production Designer Does. Basic Tools of Production Design. The Design Concept. Production Design and Special Effects. 4. Acting. Acting in Film and Theater. Categories of Film Performers. Method and Technical Approaches to Performing. The Performer as an Element of Visual Design. Performance, Emotion, and the Viewer's Response. 5. Editing: Making the Cut. What Is Editing? Linear and Nonlinear Systems. Functions of Editing. The Principles of Continuity Editing. Alternatives to Continuity Editing. 6. Principles of Sound Design. Sound in Contemporary Film. Evolution of Film Sound. Types of Sound. Sound Design. 7. The Nature of Narrative in Film. Story and Script. The Turn to Narrative in Early Film History. Elements of Narrative. The Classical Hollywood Narrative. The Viewer's Contribution to Narrative. Film Genres. 8. Visual Effects A Composited Medium Mattes The Hollywood Era The Digital Era Narrative and Spectacle 9. Modes of Screen Reality. Realism. Expressionism. Fantasy and the Fantastic. Cinematic Self-Reflexivity. Animation. 10. At the Crossroads of Art and Business. From Large Screens to Small. The Art of Film Era. The Global Dominance of Hollywood. Independent Film. International Influence of Hollywood Style. 11. Film Theory and Criticism Realist Models. Auteurist Models. Psychoanalytic Models. Ideological Models. Feminist Models. Women in Film Cognitive Models. Glossary. | ||
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Datensatz im Suchindex
| _version_ | 1804150657602551808 |
|---|---|
| any_adam_object | |
| author | Prince, Stephen 1955-2020 |
| author_GND | (DE-588)133609715 |
| author_facet | Prince, Stephen 1955-2020 |
| author_role | aut |
| author_sort | Prince, Stephen 1955-2020 |
| author_variant | s p sp |
| building | Verbundindex |
| bvnumber | BV041220596 |
| classification_rvk | AP 43450 AP 46000 |
| ctrlnum | (OCoLC)878402861 (DE-599)BVBBV041220596 |
| discipline | Allgemeines |
| edition | 6. ed., 2. [print] |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T00:42:25Z |
| institution | BVB |
| isbn | 9780205211029 020521102X |
| language | English |
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| physical | VII, 504 S. zahlr. Ill. 18,3 x 22,5 cm |
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| spelling | Prince, Stephen 1955-2020 Verfasser (DE-588)133609715 aut Movies and meaning an introduction to film Stephen Prince 6. ed., 2. [print] Boston, Mass. [u.a.] Pearson 2013 VII, 504 S. zahlr. Ill. 18,3 x 22,5 cm txt rdacontent n rdamedia nc rdacarrier Preface. 1. Film Structure. Elements of Film Structure. Structure and the Camera. Structural Design and Creative Choice. The Camera and Human Perception: Cinema's Dual Capability. 2. Cinematography. Collaboration and Previsualization. The Essentials of Cinematography. Cinematography and the Digital Domain. Visual Style and Design Quotations. 3. Production Design. What the Production Designer Does. Basic Tools of Production Design. The Design Concept. Production Design and Special Effects. 4. Acting. Acting in Film and Theater. Categories of Film Performers. Method and Technical Approaches to Performing. The Performer as an Element of Visual Design. Performance, Emotion, and the Viewer's Response. 5. Editing: Making the Cut. What Is Editing? Linear and Nonlinear Systems. Functions of Editing. The Principles of Continuity Editing. Alternatives to Continuity Editing. 6. Principles of Sound Design. Sound in Contemporary Film. Evolution of Film Sound. Types of Sound. Sound Design. 7. The Nature of Narrative in Film. Story and Script. The Turn to Narrative in Early Film History. Elements of Narrative. The Classical Hollywood Narrative. The Viewer's Contribution to Narrative. Film Genres. 8. Visual Effects A Composited Medium Mattes The Hollywood Era The Digital Era Narrative and Spectacle 9. Modes of Screen Reality. Realism. Expressionism. Fantasy and the Fantastic. Cinematic Self-Reflexivity. Animation. 10. At the Crossroads of Art and Business. From Large Screens to Small. The Art of Film Era. The Global Dominance of Hollywood. Independent Film. International Influence of Hollywood Style. 11. Film Theory and Criticism Realist Models. Auteurist Models. Psychoanalytic Models. Ideological Models. Feminist Models. Women in Film Cognitive Models. Glossary. Filmanalyse (DE-588)4140882-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Filmtheorie (DE-588)4071216-3 s Film (DE-588)4017102-4 s DE-604 Filmanalyse (DE-588)4140882-2 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Prince, Stephen 1955-2020 Movies and meaning an introduction to film Filmanalyse (DE-588)4140882-2 gnd Film (DE-588)4017102-4 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4140882-2 (DE-588)4017102-4 (DE-588)4071216-3 (DE-588)4151278-9 |
| title | Movies and meaning an introduction to film |
| title_auth | Movies and meaning an introduction to film |
| title_exact_search | Movies and meaning an introduction to film |
| title_full | Movies and meaning an introduction to film Stephen Prince |
| title_fullStr | Movies and meaning an introduction to film Stephen Prince |
| title_full_unstemmed | Movies and meaning an introduction to film Stephen Prince |
| title_short | Movies and meaning |
| title_sort | movies and meaning an introduction to film |
| title_sub | an introduction to film |
| topic | Filmanalyse (DE-588)4140882-2 gnd Film (DE-588)4017102-4 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Filmanalyse Film Filmtheorie Einführung |
| work_keys_str_mv | AT princestephen moviesandmeaninganintroductiontofilm |